http://www.quesabesde.com/noticias/sony-a6000-analisis-fotos-muestras_11928

The excellent 24 megapixel sensor produces fantastic quality in the images, while the new hybrid autofocus gives the a6000 some of the best continuous focusing in the mirrorless market. However, the biggest thing for me was the fact that the a6000 fixes almost all of the infuriating quirks that drove me nuts about the NEX-6 and NEX-7. The interface is streamlined, customizable and vastly improved over its predecessors. Put in the incredible response and 11 frame per second shooting, and you have a camera that punches far above its weight.

http://admiringlight.com/blog/review-sony-a6000/

A test I did with the LiveviewGrading App.

Shot this with mostly the A6000 (Some B-stuff with Panny G6 and Sony CX730).

Lenses: Sigma 18-35mm 1.8, Sony 18-105mm f4, Tokina 11-16mm 2.8

Picture style: Neutral 0,0,0 + DRO Level 5

50p conformed to 25p

Edited and graded in Premiere CC with Lumetri Plugin

Music by The Music Bed

Password: widefilm

The camera performs pretty well.

I like the AEL lock feature which I used during the whole day with the camera set to aperture priority and auto ISO.

Peaking and especially focus punch-in works great!

But - I hate the record button placement and I miss the fully articulated screen on my Pannys.

Let’s touch upon dynamic range, as it is the aspect that impressed me the most. It is incredibly easy–perhaps too easy–to recuperate details in the shadows and highlights of any image. I have opened the shadows to +100 in Lightroom on a few images, and the result has always been satisfying with minimal noise and good retention of detail.

The Sony a6000 colours are equally as impressive as the dynamic range, almost always providing a true representation of the colours in a scene.

http://www.bestmirrorlesscamerareviews.com/2014/09/02/speed-in-a-small-and-simple-package-review-of-the-sony-a6000/

http://dc.watch.impress.co.jp/docs/review/minirepo/20141105_673364.html

I would go for the Nikon D5300. The A6000 camera is awesome but I would personally go for the Nikon D5300 and here’s why: – Way more lenses to choose from with Nikon than with Sony – 40% better battery life – A proper external mic jack (so important to use microphones in your video for better quality)

Hope this helps…

http://hzz.hubpages.com/hub/Sony-A6000-vs-Nikon-D5300-the-best-mirrorless-vs-the-best-DSLR-Under-1000

@christianmailand

It has mike input, hence must be pretty ok with livelier. Sound quality will be quite good (I used other Sony mike with camcorders). Just remember - it works in 2.4GHz band and it is super crowded. Do not use it in any conferences, exhibitions or education facilities. As otherwise you can get sudden problems.

At usual apartment just simple badly insulated microwave can shut them down suddenly.

What are you shooting with such setup? And how you intend to control audio if you could have actually problem with transmission.

The safe recording will be on the external recorder and will be controlled on that and synced in post(plural eyes work perfect for me). All audio will go into the dr70 first, and be controlled on that, and then into the bluetooth transmitter, so break ups in the audio is not crucial, it's only for postsync and monitoring. I do all kind of stuff with the setup, reportage, talking heads etc. Even though it's only 28mps, I get a long way with the quality when treated nice. I could do without the bluetooth stuff, it would just be nice to get some sort of monitor/easier sync.