@starios no harm done, absolutely no worries mate =)

Actually I've thought of you, I'll explain, bare with me. I'm shooting in the theater, it's the very first rehearsals where screenplay, people own emotions, production changes, the inhabiting of the scenic space, improv (search for the characters, in the relations, pause, silence, a dog, changes, ordinary madness and the funny caramel, etc.) are all mixed up, much like in a Cassavetes film. The same happens with light design and scenography which are yet to be designed, this allows/gives me a great deal of freedom... in spite that a lot of interesting things are already happening.

So, the auditorium is generaly lit with fluorescent tubes, I start taking stills and at certain point wanted to record some clips just to have a sense of the movement, of the whole. Much to my surprise I couldn't use the 30p at 50 shutt speed I do all the time; very heavy flickering, after trying all modes and shutter speeds combinations I found only 24p with 50 SS to work. First time I've seen this. Talked to the company light designer and he could not explain... he told me though an incredible weird story about...

I'll dig more in this particular phenomenon :P

PS
A loose though, a reason to have fast prime (native) lenses which render sharp stills at its fastest aperture is virtually silent op, much needed in this kind of situations/jobs - vintage glass does not have this prob, but is generally less sharp WO =)

Fifteen 3.2 second exposures stacked and processed. 400mm equivalent view @ F4, 800 ISO.

Great job petersellersbuyers! I have recently moved from canon 60D to panasonic GH3, and this is my first test. I am really happy until now with the image quality of this camera.

Two of my videos shot on GH3

@AndreHW very compliments. especially the first video is one of the nicest i've seen made ​​with gh3! Beautiful imagery ;-)

@alvaro, thank you! even your own is a great job! i shot the underwater images with gopro hero (2).

An old water mill house in Georgia. GH3 + 14-45 kit lens + Lightroom 5.

Been using the GH3 more again lately as a bcam for the GH4 (since my hdmi port is out on the 4, I need the GH3 on the rig), and it reminds me how good the camera is. Cuts nicely with the GH4 for 1080 applications.

After a long time, I finally put this video out to the public the day before yesterday. Versions of it have been seen on the site, but the final is here. GH3 was the principal cam mixed with GH2 and 4. The GH3 60p coincided with me getting the 12-35 and 35-100 last year, and I found by shooting 60p with image stabilisation and post cleanup I could do moves that did not (to my eye) look like a fellow hand-holding a little camera. Was a big breakthrough and I do even more of that now with the GH4.

This is a local initiation for the first major Center for Contemporary Art here in Panama. All Spanish.

Is it common to experience a color shift on the screen when recording starts? Seems to get a bit warmer, or more saturated, hard to tell. Could be both.

You can see the originals compared in the second half of this video, and they are definitely warmer than what the screen was showing before I started recording. The white balance was off regardless, but still, I dont remember it being off by that much.

Anyway, this was a fun little exercise in color correction in Resolve.

I still love this camera, although so many have moved on to GH4, including our team.

Years goes by. I'm still holding on my GH3 hoping 1 day it can shoot both ntsc n pal with 200mbps bitrate. ;)

I think those 5% is winning. Besides who cares any more anyway.