DaVinci Resolve 10

Before I get to other Ultra HD products, we have a major update to DaVinci Resolve this year with the new DaVinci Resolve 10. Of course DaVinci Resolve already handles 4K and Ultra HD resolutions!

We have new on set tools for sound sync, as well as Resolve Live which lets you grade from your camera in real time. There are new editing features, support for OpenFX plug-ins and new delivery tools that let you render in Resolve direct to a Digital Cinema Package file for digital cinemas when purchasing a license from EasyDCP. This means you can online to a cinema file direct from the camera RAW files all in one pass for amazing quality!

The new Resolve Live feature lets you grade live from the video input of your system so you can grade live from the camera. It’s the same as how a DaVinci 2K grading system works!

Resolve Live lets you grade live from the camera and then save those grades and relink them to the media files from the camera at the end of the shoot. You can even grade from the Thunderbolt connection of the Blackmagic Cinema Camera. Resolve Live lets you add as many nodes and color corrections as you like.

There are also new editing features in DaVinci Resolve 10 including full multi track editing with 16 channels of audio per clip and unlimited video and audio tracks in the timeline.

Audio can be synced or trimmed and dragged independently to the timeline. Other new editing features include extensive ripple, roll, slide and slip clip trimming support which display dynamically on the timeline and viewer. The viewer also allows split screen display to show in and out points of adjacent clips.

Editing in DaVinci Resolve 10 also includes a built in title tool with static, lower third, scroll and crawl titles with multiple fonts, size, drop shadow and XY positioning. Timelines in DaVinci Resolve 10 also include the support of compound clips with multiple elements including multiple video and audio tracks.

DaVinci Resolve 10 can edit stereoscopic 3D projects with full support for left and right eye clips in the media pool and the edit timeline. Using timecode and reel name, DaVinci Resolve 10 will automatically associate the left and right eye of the stereoscopic clips.

Of course color correction has been upgraded and includes new OpenFX plug-ins as well as unlimited windows in a node, recursive noise reduction and lots of other new features.

DaVinci Resolve 10 will be available as a free update to all DaVinci Resolve customers in Q3. DaVinci Resolve Lite will also include these new on set, editing enhancements, plug in support and color correction updates. It’s an exciting update!

http://www.blackmagicdesign.com/dvres/

Very interesting, sounds like Resolve is getting more NLE-like features and the Lite version gets the same real-time grading workflow.

Timeline V3 seems to show Text edit...

Question for Resolve users.

I imported an xml from PPro that is one continuous clip with a razor tool cut that separates a white graphics and the video. In DaVinci, under Conform the "cut" clips are represented as separated clips while one video clip is in the Media Pool for both of them. In Color, two boxes represent the "cut" clips. I only want to grade the video portion and not the graphics portion, but whenever I do it, both clips take the same grade. I know it's because they are from the same media clip as represented by the orange arrow in the upper left corner. Is there a way to unlink them so the first one isn't effected by the grade?

Anybody that is knowledgeable with Resolve PM me or respond here if it's an easy fix. I'm having an issue with resolve only rendering a flat image instead of my grade. I wasn't having this issue until today so I'm guess I accidentally hit a keyboard shortcut that triggered this issue.

UPDATE - Solved the issue. It was something to do with a LUT setting.

OK guys, I've been looking for 3 hours online and can't find an answer so I'm going to throw out a problem here. I'm trying to bring back in footage from Resolve, into FCP7. I followed all the normal directions and for some reason, FCP hangs on the import. Sometimes at 0% sometimes 50%.

Process: Edit in FCP

Export XML using version 5

Import XML in Conform

Color

Render Project using Final Cut Pro Round trip settings

Go back in Conform, Export XML to same drive as all footage

The when I try to import into FCP7, it just hangs.

Hope that's enough info.

Shouldn't be a computer problem as it's a newly built Hackintosh.

Oh shit, sorry ProResHQ all the way through.

Just updated with new version. Still does it. I'll wipe it and try that. It's odd. I have all the individual QT files that were graded. It sucks but I can just pull those into FCP and line em up in the timeline. Ghetto, but it works for now.

Hi, All I'm having trouble with Resolve 9.

It is not exporting the grade that I have currently done. It looks one way with in Resolve (even the preview as it exports), but the final file looks like a previous version of the grade.

I have no idea why it is doing this, can't figure it out. I deleted the previous version, emptied trash, even saved the new file in a new location, and it has messed it up twice.

The green one (yuck!) is the exported file that I'm getting, the other one is what I see in Resolve 9 before exporting. (screenshots)

@B3Guy Figured it out as I forgot. On the Delivery page, you have to set for all values in the color range.

Have you tried exporting ProRes and then using QT Pro for h264 export... I never do it inside an NLE... you always get shit.

As always, thanks to everyone her for the help/advice. Hopefully together we can figure out what I've done wrong and/or where the issue lies, for the benefit and future knowledge of everyone.

Oh. Well, that explains . . . wow. Ok.. ok. checks bank account for 30 spare dollars