Looks like Part 2 of Revenge of The Great Camera Shootout 2012 was posted a day or two ago ...I think. Nice appearance by Nick Driftwood around 34:15 in the video, for a few words.
Glad to see that the GH2 with Quantum 9b settings did well. Congratulations Vitaliy Kiselev, Nick @driftwood and all other developers that have worked so hard on this never ending project.
Sedna AQ1 or A Q20 didn't exist when the GH2 was used for this 2012 shootout. The feedback from the audience members would have been interesting to see.
@MartinD lol how did I miss Nick @driftwood in that video? I know Vitaliy shrugs it off like it's no biggie but come on my russian brother, you're the man! OWN IT!!! :)
GH2 quantum hacked, Voigtlander 25mm 0.95, nostalgic -2, -2, -2, -2
Color graded with magic bullet looks, amazing how sharp it still is right out of the camera without post
@strancali That's because Vitaliy is the 'Banksy of filmmaking' - quote from a Zacuto attendee at the Shootout event in London. :-)
@inhousegoods beautiful! love the color grading you did. Hacked GH2 + the new Voigtlander lenses really produces some of the most cinematic images I've ever seen.
@driftwood hmm that attendee might be Vitaliy himself???
GH2 Cluster v6
Special Thanks to @driftwood
Go on the blue symbol at the menu, then push one time on "WB" (right button), then four times on "ISO" (up button), then on "WB" (right button) again, and wallah, you in the language menu. english is the first language on side 1. ;)
I have my South Korea short A Day in 1951 which I'll post on here too!
Not sure what step I'm missing with my Sandisk 64GB 95/mb card using with Sedna Q20, but I keep getting "Motion recording limitations of card" errors when shooting in 720. I've tried in-camera format, setting custom dials then formatting. Is there a simple step I'm overlooking?
Screen grabs from a short film I'm currently the DP on. Driftwood 'DREWnet' Cluster v6 -ColorGhears -Zeiss 50mm 1.4
Shot using Sedna Q20 A with in camera 300% speed. I then fiddled a bit further with the speed in Magix, and did a very fast color correction. The music is 80% done, but I messed up and lost the work in progress right after rendering this test (My fault for trying to mix music directly in the movie maker I guess). Lens is canon 35mm FD F2 Concave. I think I had it wide open or darn close.
@ethanpil : I guess just a simple time strech in post.
@zaven13, probably off topic but what exactly is affected by the % settings in variable mode in terms of actual recorded frame rate? And is the compression different from 24p mode? Or does this put it into a 50i 60i mode or something? It's kinda cryptic.
For god sake why did Panasonic have to use ootsy pootsy names for everything instead of just calling everything what it is- i.e. 24p 50i 60p 30p. WTF is up with that shite?
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