Atomos and Z CAM release 5.8K and 4K ProRes RAW recording and camera control for E2 series cinema cameras
Atomos and Z CAM have today enabled 12-bit 5.8K Apple ProRes RAW over HDMI recording on the Ninja V HDR monitor-recorder in combination with the Flagship series Z CAM E2-F6, E2-F8 and E2-S6 large sensor cinema cameras, as well as 4K ProRes RAW recording from the Micro 4/3 E2, E2-M4 and E2 C models.
Atomos have also released new camera control functions for all Z CAM models that allow key functions to be set from the Ninja V via the monitor’s touchscreen. The Ninja V connects via USB-C and allows two-way communication for a range of controls such as record start/stop, iris, shutter speed, ISO and eND. The Control feature works whether recording internally in the camera, or externally to the Ninja V. The camera constantly updates the Ninja V with the value of each setting, which is in turn displayed clearly on the monitor. As a result you can now record ProRes RAW from the camera and still be able to control main camera functions at the same time on the Ninja V screen. To use the feature will require an appropriate interface cable - either the existing Atomos Serial to USB cable with a USB-A to USB-C type adapter, or a new dedicated Atomos control cable that will be available in Summer 2020 as an optional accessory.
The Ninja V can record 5.8K ProRes RAW at up to 29.97p and up to 4K (UHD) up to 59.94p from all three Flagship models: the E2-S6, E2-F6 and E2-F8. The E2 and new E2-M4 will output RAW at up to DCI 4Kp59.94 for recording in ProRes RAW. The E2C can output RAW at DCI 4K 29.97p to the Ninja V. The frame rates available for RAW over HDMI recording vary depending on the camera model.
Support for RAW over HDMI is now available or announced for cameras from Panasonic, Fujifilm, Nikon, Sigma and Z CAM. This is in addition to several Sony, Canon and Panasonic cinema cameras that already support ProRes RAW recording via SDI to Atomos monitor-recorders. As a result, ProRes RAW is now firmly established for RAW video capture, with many more cameras due this year.
ProRes RAW combines the visual and workflow benefits of RAW video with the incredible real-time performance of ProRes. The format gives filmmakers enormous latitude when adjusting the look of their images and extending brightness and shadow detail, making ProRes RAW ideal for HDR workflows. Both ProRes RAW, and the higher bandwidth, less compressed ProRes RAW HQ are supported. and manageable file sizes speed up and simplify file transfer, media management, and archiving. ProRes RAW is supported in Final Cut Pro X, Adobe Premiere and Grass Valley Edius, along with a collection of other apps including ASSIMILATE SCRATCH, Colorfront and FilmLight Baselight.
These options are available immediately in a free AtomOS 10.5 update from Atomos which you can see below and firmware update 0.96 from Z CAM.
For Ninja V users update your firmware here now: https://www.atomos.com/firmware/ninja-v
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