Another code - LV3397 (from Z-CAM)

Possible new cameras - 4K capable Canon C100 Mark III.

DJI Zenmuse XT2 4K visual and thermal camera

DJI, the world's leader in civilian drones and aerial imaging technology, unveiled new technology and tools to customize its enterprise drone platforms for specialized tasks such as infrastructure inspection, precision agriculture, firefighting and search and rescue.

The new Zenmuse XT2 thermal imaging camera, created in partnership with FLIR Systems, is a critical tool for drone operators to capture heat signatures invisible to the naked eye. Its side-by-side visual and thermal imaging sensors provide unparalleled data capture and situational awareness during emergency services, disaster recovery and industrial inspection uses. DJI's powerful new Payload Software Development Kit (SDK) allows innovative drone startups, developers, and sensor and device manufacturers to easily integrate custom cameras, sensors and other types of payloads onto DJI drones, unlocking the true potential of drone technology for businesses, governments and researchers around the world.

"The Zenmuse XT2 continues our longstanding partnership with FLIR to create the most powerful thermal imaging solution available on a drone today. This is a significant advancement for public safety professionals who are using drones to save lives and creating new industrial applications across different verticals," said Jan Gasparic, Head of Enterprise Partnerships at DJI. "Our new Payload SDK makes it possible for any manufacturer to create a payload specific to their customers' needs that will work seamlessly with DJI's aircraft. We believe these two advances will not only strengthen DJI's leadership in the commercial drone industry, but will also provide a powerful, flexible and standardized platform which customers from different industries can build upon."

Intelligent Thermal Data for Critical Missions

The Zenmuse XT2 is a powerful thermal imaging camera that transforms data into actionable insights. Its gimbal-stabilized, dual-sensor design combines an advanced FLIR® radiometric thermal imager and a 4K visual camera to allow drone operators to view thermal and visual data while in flight, delivering an unmatched level of versatility and image detail for high-performance uses from industrial inspections to public safety operations.

Professional drone operators can use on-board intelligent features like FLIR MSX® technology to combine visual and temperature data into one image, allowing operators to easily identify objects of concern. DJI's unique Spotlight Pro features let operators focus on safe flight operations and data interpretation while the camera automatically tracks an object through two intelligent flight modes: QuickTrack centers the camera on the selected area while HeatTrack automatically tracks the hottest object in view. The Temp Alarm feature interprets thermal data in real-time and alerts drone operators when an object's temperature exceeds critical thresholds.

"We are excited to continue our collaboration with DJI to develop sensors for their industry leading drone platforms," said Frank Pennisi, President of the Industrial Business Unit at FLIR Systems. "The Zenmuse XT2 uses a radiometric thermal imaging camera core to capture accurate temperature data for every pixel, ensuring that drone operators have access to as much information as possible during critical and often lifesaving missions."

The Zenmuse XT2 is compatible with DJI's Matrice 200 Series and Matrice 600 Pro enterprise drones. It will be first available for the DJI Pilot mobile app for Android and later for the DJI XT Pro mobile app for iOS devices. Its rugged design and IP44 ingress protection rating gives it versatility to be flown in a wide variety of conditions including rain, snow, smoke and fog[1]. With a 12-megapixel visual camera, it is available in two thermal sensor resolutions of 640 x 512 or 336 x 256, with 9mm, 13mm, 19mm, and 25mm lenses.

For more information on the Zenmuse XT2, please visit: dji.com/zenmuse-xt2.

The Future of Commercial Drone Customization

DJI's new Payload SDK enables non-DJI cameras, sensors, and payloads like air-to-ground communications tools and devices to be mounted and integrated directly into DJI's Matrice 200 Series drones. By opening this layer of DJI's core technology to the commercial drone ecosystem, any manufacturer, developer or researcher can create a drone that is customized for a specific purpose or industry.

Ikan STRATUS Line of Camera Cages

HOUSTON, Texas (March 27, 2018) - Ikan announces the release of four new camera cage rigs, including a follow focus accessories and lens support systems. The latest cages in the STRATUS line form to the Sony a6500, a7II, a7III series camera bodies, as well as the Panasonic GH4 and GH5 camera bodies. Ikan created the line with universality in mind, while maintaining high quality at a mid-level price range.

Each camera cage in the STRATUS line uses NATO rails for the top handles, which fit Ikan grips. ARCA-Swiss quick release plates make these cages as universal as possible, or the cages can be attached to most photo tripods in place of the ARCA-Swiss plate. The design on each cage includes cut outs for AV ports, access buttons and battery access.

"The release of the STRATUS line comes in response to a lack of high quality Sony a7III camera rigs at the mid-level price range," says Product Manager Jeffrey Lowe Lochmann. "As we began work on this cage, we saw other opportunities for developing cages in new directions."

To complete the most common accessories used in camera rig cages, Ikan developed follow focus and lens supports. The follow focus includes hard stops, blue and red bands to distinguish stopping points, and reusable lens gear. Ikan's static lens support adjusts vertically and mounts to 15 mm rods. The dynamic lens support grips the lens for a custom fit and includes rollers that allow the lens to rotate while mounted. The STRATUS line is great for camera operators or indie filmmakers using Sony a6500, a7II, a7III, or Panasonic GH4/5 series camera bodies.

Ikan will showcase the new STRATUS camera cage line at the NAB show in Las Vegas, NV from April 9-12, 2018. To test our latest technology, visit booth C10919.

Canon EOS C700 Camera

Our topic - https://www.personal-view.com/talks/discussion/19291/canon-eos-c700-full-frame-cinema-camera#Item_5

Ikan DH7-V2 monitor

HOUSTON, Texas (March 27, 2018) - Ikan announces the release of a new on-camera monitor, the DH7-V2. The affordable DH7-V2 features 3D LUTs and 4K signal support as well as an optional add-on wireless receiver. The DH7-V2 is ideal for run-and-gun, indie filmmaking and documentary production.

"The DH7-V2 is an affordable monitor offers 3D LUTs and 4K signal support," says Product Manager Kevin Lu. "You can easily store your favorite 3D LUTs on the DH7-V2 and preview them quickly."

The DH7-V2 comes with a 3D LUTs support and a 4K HDMI signal support, allowing for digital projection in real time. Additionally, the fully touch screen monitor includes a wireless option via a pogo connector. The DH7-V2 functions as a directors' monitor and is ideal for camera operators, directors of photography and indie filmmakers on the go.

Ikan will showcase the new on-camera monitor at the NAB show in Las Vegas, NV from April 9-12, 2018. To test our latest technology, visit booth C10919.

Canon C200 and C200B firmware upcoming

Right before NAB most probably, nothing too fancy comes.

Sanken Cs-M1 microphone

Canon 4K UHD broadcast lenses

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Canon U.S.A. Inc., a leader in digital imaging solutions, today announced the launch of three new portable zoom 4K UHD broadcast lenses: the CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B. These new additions are compatible with 4K UHD broadcast cameras that have 2/3-inch sensors. Flanking the existing UHDxs series of 4K portable broadcast lenses that deliver excellent optical performance, these three lenses usher in the newly launched UHDgc series that will broaden 4K UHD shooting options. These new lenses provide 4K UHD imaging quality at a price point that is more accessible to the majority of the broadcast market. Additionally, the new lenses provide impressive UHD optical performance while maintaining a compact and lightweight design to meet a wide range of needs for video productions that include documentaries, sports, events and news coverage.

The CJ24ex7.5B, CJ18ex7.6B and CJ14ex4.3B utilize Canon’s proprietary optical design technology featuring materials such as fluorite and Ultra-low Dispersion (UD) glass to achieve high 4K UHD performance across the entire zoom range. In addition, the lenses support the wide color gamut approved by the ITU-R BT.2020 UHD broadcasting standard. These features are essential to HDR imaging. The lens ergonomics and digital servo operational controls are similar to previously announced Canon portable zoom lenses, providing users with maximum mobility in a variety of shooting situations.

“As 4K UHD origination becomes more popular in television news, the need for affordable lenses that can deliver the necessary imaging performance has grown,” said Yuichi Ishizuka, president and COO, Canon U.S.A., Inc. “The new UHDgc series of lenses provides the optical brilliance that makes Canon a leader in broadcast lenses, while at a budgetary level that will make them attainable to a large swath of the industry.”

Availability

The Canon CJ24ex7.5B and CJ14ex4.3B 4K Portable Zoom Lenses are scheduled to be available in summer 2018, while the CJ18ex7.6B lens is scheduled to be available in fall 2018*. In addition, the lenses are being shown publicly for the first time at the Canon booth (C4325) at the NAB Show 2018 in Las Vegas from April 9-12.

For more information please visit, http://usa.canon.com/provideo

Lenses with support for HDR and BT.2020 color space, my ass.

Atomos Shogun Inferno and Sumo19 unlock the Panasonic AU-EVA1 5.7K RAW output

Melbourne, Australia – 02 April 2018 – Panasonic’s AU-EVA1 is a great Super35 cine camera with excellent low light capabilities – winning wide-spread acclaim since its launch last year.

Now users will be able to unlock the true potential of this amazing camera and its low noise sensor by combining it with the Atomos Shogun Inferno HDR monitor/recorder, thanks to the release of Panasonic’s free RAW output upgrade. The results take the camera to another level of performance, giving you images with maximum dynamic range in pristine quality.

Users will soon be able to capture stunning 5.7K RAW imagery direct from the sensor at up to 30 fps over the 6G SDI connections and record it to reliable, affordable SSD media. Full details will be revealed by Atomos at the NAB 2018 show this month.

In 4K resolution you can record up to 60fps from the RAW output in production ready Apple ProRes, Avid DNxHR,or CDNG RAW up to 2Kp120 or 4Kp30. The resulting frames are super clean, detailed and capable of withstanding heavy grading.

The Shogun Inferno also supercharges the EVA1’s slow motion performance. It can record the RAW output at up to 240fps in 2k/HD, direct to Apple ProRes or Avid DNxHR. Perfect for sports, wildlife and a wide range of other uses.

All these features will come in an AtomOS upgrade for the Shogun Inferno and Sumo19 to be released at NAB April 2018. This will be offered for free as part of our continuing commitment to our users.

“Panasonic and Atomos have combined to deliver an astonishing set of features for end-to-end RAW production – 5.7K, 4kDCIp24-60, 2KDCIp240 in 10-bit V-Log recorded on our Shogun Inferno or Sumo 19. This is the best RAW solution for the price point on the market today,” said Atomos CEO Jeromy Young.

Of course, recording is only half of the equation, accurate monitoring is also essential. Luckily, the Shogun Inferno also offers state-of-the-art monitoring for both HDR and SDR recording with its 7” 1500nit high brightness panel with the Sumo19 at 19” and 1200nits.

Take the guesswork out of exposure in HDR or Log with Atomos’ unique AtomHDR system which shows a massive 10+ stops of dynamic range on either screen. The display is colour accurate and can be calibrated over time using a X-rite i1Display Pro probe. Benefit from AtomoOS’ full range of monitoring tools like waveform, vectorscope, false colour, audio level meters and pixel-to-pixel magnification.

Users can also load and store LUTs directly into Shogun and Sumo for complete creative control, production to post. With HDMI or SDI users can output their footage in 4K PQ (HDR 10) or HLG HDR direct to a compatible television or monitor for instant preview using our AtomHDR engine – great for on-set use or client review.

When used with the EVA1 no other external monitor recorder will give users the extensive range of options available from the Shogun Inferno and Sumo19. It remains the most versatile, flexible and cost-effective solution for high end external monitoring and recording on the market today.

If you are attending the NAB Show then be sure to come and check out the EVA1 and Atomos RAW capabilities live at Booth C9425.

JVC

WAYNE, NJ (April 4, 2018) – JVC Professional Video, a division of JVCKENWOOD USA Corporation, today announced the GY-HC900 “CONNECTED CAM” broadcast camcorder, which features three 2/3-inch CMOS image sensors for full HD imagery, as well as enhanced connectivity for a complete news-over-IP workflow solution in the field. The camera is being demonstrated at the 2018 NAB Show (Booth C4315), which runs April 9-12 in Las Vegas, Nev.

When paired directly with the optional ProHD Dockable Bridge or via Wi-Fi with any ProHD Bridge unit, the new GY-HC900 allows on-air talent to conduct a two-way interview with return video while streaming live to air without any external boxes or backpacks. It is JVC’s first camera featuring a new communications engine that optimizes both image processing and IP performance. The engine enables simultaneous recording, low latency streaming, and simultaneous decoding for return video and IFB. Latency can be as low as 500ms for both outgoing and incoming video.

“JVC’s CONNECTED CAM takes connectivity to the next level and sets a new benchmark for ENG cameras,” said Joe D’Amico, vice president, JVC Professional Video. “Its integrated communications engine truly makes news-over-IP a reality with amazing images and a cost effective, streamlined workflow.”

The GY-HC900’s complete IP workflow includes streaming performance up to 20 Mbps and built-in Wi-Fi (2.4Ghz/5GHz) with dual external antennas. The camera also features Zixi™ error correction with automatic repeat request (ARQ) and SMPTE 2022 forward error correction for reliable transmission.

Beyond ENG, the GY-HC900 is an ideal choice for high-end EFP and studio fiber applications. It works with the FS-900 camera module, which attaches seamlessly to the camera via a 68-pin interface, and feeds 3G-SDI signals, control, audio, sync, and intercom to a base station via fiber.

Equipped with an industry standard B4 lens mount and four-position optical filter, the GY-HC900 delivers excellent sensitivity (F12 at 60Hz, F13 at 50Hz in extended mode) and high 62dB signal-to-noise ratio (in standard mode). The advanced 2/3-inch CMOS sensors, each with 1920×1080 pixels, combine with an F1.4 prism to produce full HD images. The camera also offers an HDR mode for creative flexibility, as well as up to 120fps 1080p slow-motion recording.

The GY-HC900 supports native recording of both MPEG-2 at up to 35 Mbps, which is widely used by broadcasters, and H.264 (.MOV), which provides production quality 10‑bit, 1080/60p 4:2:2 footage. Plus, the camcorder records in Sports Exchange Standard formats, so sports organizations can produce HD video with rich metadata that specifically addresses the workflow needs of sports production and video coaching applications.

With dual memory card slots for SDHC/SDXC media, the GY-HC900 offers redundant, relay, and backup recording modes. It also records proxy resolution video clips for off-line editing or online posts. The camera includes a 3.26-inch OLED color viewfinder, as well as a 3.5-inch LCD panel for menu navigation.

An integrated 3G-SDI pool feed input allows the GY-HC900 operator to capture video and stream it live simultaneously. Camera functions can also be controlled via web browser or the JVC RM-LP100 remote camera control. The camera also boasts an IPX2 water resistant rating for operation in challenging conditions. Other features include a genlock input, time code in/out, dual 3G-SDI outputs and an HDMI output, three XLR audio inputs, Ethernet and USB ports, wireless audio module slot, and an additional slot for future expansion.

Available in June, the GY-HC900 CONNECTED CAM with a 20x lens has an MSRP of $18,500, and is also available without lens (GY-HC900CH) at an MSRP of $13,950.

Canon NAB PR

MELVILLE, N.Y., April 4, 2018 – At the 2018 National Association of Broadcasters (NAB) Show in Las Vegas, Canon U.S.A., Inc., a leader in digital imaging solutions, will unveil its newest cinema and broadcast products on in booth #C4325. Among the products on display in the booth include Canon’s first full-frame cinema camera, the EOS C700 FF, the CN-E 20mm T1.5 L F cinema prime lens, four new 4K UHD broadcast lenses and two new 4K HDR reference displays. From stadiums to studios, houses of worship to on-location breaking news, the Canon booth will feature product solutions for a wide variety of live production and filmmaking environments. Additionally, Canon will host a myriad of panel discussions and presentations to help NAB attendees glean best practices and insights from leading industry professionals.

“The Canon booth at NAB has always been a go-to resource for professionals in the production community looking for the latest technology and products to bring their projects and visions to life,” said Kazuto Ogawa, president and COO, Canon U.S.A., Inc. “At NAB this year, visitors will witness the full breadth of our commitment to provide those in video creation, editing and distribution with products, services and support they need to get the job done.”

Newly Debuted Products and Presentations

Visitors to the Canon booth will have hands-on opportunities to experience the full range of Canon Cinema cameras, 4K reference displays, HD video and DSLR cameras and lenses, including the recently announced full-frame EOS C700 FF Cinema Camera and the CN-E 20mm T1.5 L cinema lens, a full-manual 20mm prime cinema lens. Canon will also display its newest 4K UHD broadcast lenses; a mid-range UHD-DIGISUPER 66 telephoto zoom lens and the CJ24ex7.5B, CJ14ex4.3B and CJ18ex7.6B 4K portable zoom lenses as well as two new professional 4K HDR reference displays: the 24-inch DP-V2421 and the 17-inch DP-V1711.

Throughout the show, the Canon booth will feature presentations and panels such as “Shooting Homeland,” “Large Format in Sports Production” as well as “Documentary Filmmaking” by world-renowned cinematographers, broadcast specialists and filmmakers. The stage will also incorporate working demonstrations of the seamless integration of Canon imaging products into a live production environment. For more information on the panel discussions, please visit usa.canon.com/nab.

Along with informative lectures and panel discussions, the Canon stage will feature live performances from entertainers at various times throughout the show. All events on the Canon stage will be broadcast live onto IMAG screens on the side of the stage using cameras that are open to the public to touch and try. These live demonstrations are fully functional production environments, complete with VFX, control room and a professional crew staffing the boards.

Service and Support

Canon is committed to providing world-class customized service and support for imaging professionals and organizations. An in-booth service and support consultation area will be available for show attendees to discuss with representatives Canon’s offerings for client services and programs. Technical experts from the Canon Factory Service Team will be available throughout the booth to answer questions related to Canon broadcast or cinema products.

Panasonic NAB page with schedule

https://na.panasonic.com/us/NAB2018