https://www.flickr.com/photos/omegabroadcast/sets/72157652501016140/

The big issue for me in gh3 is moire, we see that gh4 has 1:1 pixels crop and scaling down to 1080p has no moire at all, is it so hard to do this in gh3 and generally in other brands? If its the solution to moire... I don't need 4k, I need the "best" 1080 that gh4 brings from 4k but I also need the all intra with it, that gh4 doesn't have in 4k, all intra because denoisers take better noise patterns than from IPB, and even gh3 has a lot of information deep in the darks that I concluded it's not useless if you shoot allintra and use denoiser.

@starios ...

So, which in-cam settings did you use from frame-rate/size/etc through image settings for Natural, Portrait, whatever ... very clean image.

Neil

Thank you ... I'm among many that have avoided All-I from the little bit of higher noise ... but this is interesting. Using NeatVideo denoising it, you can lift the shadows and carry better detail ... what did you do your image correcting in?

Neil

I've post it last summer but here it is again, I was trying then to use neat three times, one for R, for G and B but took too much time... and it's not necessary if you use the right noise pattern. You could say gh3 has 12 stop DR :) Sorry for so wrong WB, it was last year

I'll send some screenshots tomorow night maybe, thank you Neil

@rNeil I think the easiest way to show you my way of thinking is to send you a project and play with your footage. I shoot natural, all -5 except color -3. If the video you put on is perfect in wb and exposure you will get my decent cc result (better start this way, with a good shot), if not, correct the wb from fast color cor. from cc adj.layer and for exposure if not correct put a levels right on the original video to make it brighter. Some effects don't do much in some videos, like the 1st three way in cc adj.layer but you can see big change in videos with real problem in the midtones especially in orange midtones that gh3 usually has problem. High and low channels work like shadows highlight but cuda accelerated and with better result. Play with the opacity for them. For denoising neat video in original video and good noise pattern.

http://we.tl/45wM51C575

can't send project file, not allowed here, so... wetransfer

I changed the way I lift shadows when last year I saw this tutorial. This is the best way I found of lifting up shadows without destroying the image. Soft light opacity with inverted video layer is the key. For hard lift as the example of the screenshots I still use the way this guy shows in the tutorial. For simple cc I use soft light like in project I sent to rNeil.

@starios Will try to find time this weekend to download the stuff & watch this tutorial.

Neil

GH3 for $598

http://www.bhphotovideo.com/c/product/892456-REG/Panasonic_Lumix_DMC_GH3_Mirrorless_Digital.html

This is a short we shot in Austin, TX with the Panasonic GH3. I think we did okay. All things considered :)

I share with you a teaser for a theatre play. Gh3+sigma 18-35 + flycam.portuguese language, but dont mind it, just sharing the concept, not the content ;)