• Is the GH4 mechanically so identical to the GH3 that it is reasonable to try using the underwater housings made for the GH3 also for the GH4?

• Are consecutive frames taken while recording video actually used for the "depth from defocus" feature to improve continous autofocus?

• Is there a reason why no sound is recorded in "variable frame rate" mode with frame rates higher than playback frame rate?

• What is the technical difficulty preventing cameras from offering extremely low ISO modes? Even if not less noisy - couldn't that eliminate the need for ND filters?

• Will Panasonic consider mSATA or M.2 interfaces for large and fast Flash storage instead of SD cards in the future?

• Will Panasonic continue to dongle camera batteries, such that older cameras cannot be equipped with equivalent ones once original spare parts are not sold anymore?

1- will a new version of YAGH have an internal 4k Cineform or ProRes HQ 422 10bit recorder to removable SSD or CFast or SDXC UHS3?

2- Will the GH5 have a 12.6 megapixel sensor (4096 x 3072) to avoid sensor crop when recording 4k ?

3- when will be available the organic sensor in GH cameras ? And will it improve dynamic range for more than 14 fstops?

yes, yes....when can we hope to see a "picture styles" program included with your cameras ? And will we see a higher bitrate , like the mp4 50Mbps from new 2014 camcorders, on the g-series. As well can we expect the higher bitrate mp4 on the next fz series along with the 1080/120p ?

I echo cantsin's request about the color science. The Canon DSLR's set the standard in this area. I can't tell you how many people I've encountered who insist on using Canon DSLR's for just this reason. It would be great if Panasonic could match that color in their cameras.

I also have a suggestion about a solution to the disappearing display in the viewfinder. The audio level meter is the item that most people would like to keep visible. Why not have it slowly move horizontally across the bottom of the frame. It would move slowly so the motion wouldn't be distracting, perhaps taking 20 seconds to move from left to right. Then it would move back. This would prevent burn-in, and keep the meter visible at all times.

Thanks for offering new professional features in GH4.

Can you tell us about general long term plans for GH product line and micro four thirds format?

Are there any plans for more zoom lenses that have constant aperture throughout zoom range?

Could future cameras of GH series have internal codecs with features like 10-bit color and 4:2:2 color sampling?

1. Will the GH4 come with a log picture style, like the cinestyle for canon's?

Why don't you put IBIS on Panasonic cameras? Has to be the strongest question. The real answer would be: cause we have to sell OS panasonic Lenses. The answer he will give: well, we're thinking about it, it's an hard work blablabla. So the second nice comment Nick could make, could be: please, make it. And that's all. Folks.

Will Panasonic start pushing the GH4 (and top end of the Lumix line, again) in Latin America?

Will the GH4 mean a bit more filmmaker oriented marketing and spotlights on productions with GH4s and the like as other brands often do on dedicated pages or in magazines?

I would buy the GH4, but it's missing 4 necessary things and features even some cell phones have now for 4K video recording, namely:

1. H.265 encoding
2. Image Stabilization in-body
3. HDMI 2.0 connector
4. 60fps at 4K with 10 bit 4:2:2 in-body recording, plus simultaneous output over HDMI 2.0

Will the GH4 be firmware upgradeable for H.265, or will there be another release soon of GH-5 with these features and HDMI 2.0, hopefully this fall?

Also, when will these bodies get 4K at 60fps? Really necessary today, for cinema use...

Thanks Nick!

1. Why does Panasonic have a minimum shutter speed setting for the Auto ISO mode in Program Priority for the LX7 but this has never been implemented for any Panasonic Micro Four Thirds cameras?

2. Why does Panasonic not do an Auto ISO mode for the manual controls mode?

3. Why is the "Bulb" stills mode limited(2 minutes 8 seconds(GH2), 4 minutes 16 seconds(GF1)....etc) on some Micro Four Thirds cameras and not others(GH3/GH4)?

4. Is it technically possible to have auto aligning with the RAW stills combining mode like the JPG HDR mode has?

5. Has Panasonic considered Astro Photography at all when adding features to its Micro Four Thirds cameras?

6. Why is the LCD display refresh rate limited to 8 seconds max in the constant preview mode. Can this be raised to 16 seconds or more?

7. Why is the electronic stills shutter mode limited with respect to ISO?

8. Why has Panasonic not done a 120 FPS video mode on an M4/3s camera when their FZ200 has it?

9. Why is there no All-I option for 4K video with the GH4?

10. Is a continuous zoom ETC mode possible? Could you provide a 2x-10x continuous zoom mode that is then upscaled to 4K?

11. Is the 35-100mm F2.8 lens parfocal?

12. Why was internal image stabilization not included in the GH4?

Would they consider officially open sourcing or publishing an official api for the firmware in the future.

Is really m4/3 ending? So, in this case, what I have to do with my 3 câmeras (GH1, GH2)? And about my (18 yes 18) m4/3 lenses? Finally, why would I consider to buy the GH4 if m4/3 system is ending? Please, note that I like my GH cameras and lenses and I would not like to merge to Canon or Sony products.