I own too much gear to go all the way through, so I'll just do one from each category:

W.O.W. - Cinebags Cb25b, PanaLeica 25mm 1.4

F.W.T. - RX10 (so far great)

S.H.I.T. - Sennheiser G3 wireless bodypack (so fragile, so much time spent repairing), Every multifunction printer ever bought.

Cool topic.

W.O.W. > PNC PR-1 Shoulder Rig with Varavon ENG Hand Grip

F.W.T. > Tilta Follow Focus

S.H.I.T. > Vid-Atlantic flare filter

W.O.W. - oly 75mm , panaleica 25mm , Hedler HMI (love this one), arri 300w , sennheiser G3 , Manfrotto master stands <3 And not to forget my KINOTEHNIK evf

F.W.T. - Sekonic 308d (so far so good) , Newmap rig ( removed cage & don't use follow focus which re both crap but the handles are holding up and work fine)

S.H.I.T. - a Jag35 rig , chinese fresnels or redheads (sold them almost a soon as i bought them)

W.O.W. Sigma 18-35, GH2, Alphatron EVF

F.W.T. Sennheiser 416 (just cause it's too much for what I mostly need), Motorized Slider, Pany 12-35

S.H.I.T. Anything from India, Tiffen IRND set, Rokinon Cine set (maybe)

W.O.W. 12-35mm Panny zoom, Schneider lenses on the BMPCC

F.W.T. Kowa 8mm

S.H.I.T. Redrock Micro FF

@vicharris Sell the Tiffens to someone with a Red, they are fine there.

Well I don't have much but can categorize like that:

• W.O.W. - GH2, panaleica 25mm f1.4, Rode videomic, Giottos monopod
• F.W.T. - pana kit lenses (14-42, 45-200), yongnuo yn-460 (bargain for its price)
• S.H.I.T. - cheap Chinese tripods

also have Panasonic G3 which isn't bad for photo but almost useless for video. Just trying to sell mine as I got two cheap GH2s

"Cheap Chinese tripods" is quite a generalization. There are good ones (maybe not cheap in your book).

• W.O.W. - GH2 in its time, Metabones Speedbooster + Nikon lenses, Cullmann Cruiser
• F.W.T. - Blackmagic Pocket Cinema Camera, M42 lenses, GiniRig
• S.H.I.T. - EOS 50D + MagicLantern Raw, c-mount lenses (all of them) & Lumix MFT lenses (all of them), Manfrotto Modosteady

C-mount all crap? Did you ever see a Schneider, Kern or Angenieux?

@nomad Yes, do have multiple Schneiders (17mm, 25mm, 17-90mm), Kerns (10mm, 17mm, 25mm, 75mm) and Angenieux (12-120). They produced pleasing images on the GH2 because they made the camera's harsh, oversharpened, sterile video image look more organic. But the huge disappointment came on the Blackmagic Pocket despite its more suitable 1"/S16 sensor size. Except for the newest, most modern megapixel video lenses by manufacturers like Kowa, classical c-mount lenses simply don't resolve 2K/FullHD. On the BMPC's raw image, this doesn't look 'filmic' but just blurry, or, truth to tell: just shit.

Another factor for this disappointment: 16mm movie film camera lenses were constructed to take into account the bending of the film in the film transport and the different distances of single color layers in the emulsion. This makes them suboptimal/unsharp on video sensors, especially at shorter focal lengths. It's the same issues rangefinder (Leica) photo camera lenses create on mirrorless full frame bodies (such as the Sony Alpha 7/7R). You don't get those problems with adapted vintage SLR lenses because of their much longer flange mount/greater distance to the film layer.

And finally, you need ND filters + IR cut filters on any lens you're putting on the Pocket, and that is difficult to impossible with c-mount lenses because of their often esoteric filter thread sizes.

Ah, yeah, and regarding Lumix MFT lenses being all S.H.I.T.: once you put them on a camera like the Pocket which doesn't software-correct its distortions (and can't do that anyway because its video signal isn't downsampled from a higher sensor resolution, but recorded in native 1080p) and its purple fringing, you see how terrible their optics really are. All the more in comparison to Nikon lenses that actually cost less (and adapt and perform superbly with the Speedbooster.)

@cantsin

No discussions here, just simple list.

S.H.I.T > Varavon T3 jib (with tilt head)