@Jim_Simon have to beg to differ about sports photography. I use 720p 50 and shoot my kids Aussie rules team which has a lot of movement. Usually shoot with a shutter at 200 to give a crisp look to slomo when the 50p is dumped to a 25p timeline. And it looks great. Use the 100-300mm panasonic lense on a tripod with a fluid head. Recently updated to Drewnet 9 and the image quality is stunning.

...which to my mind is the only legitimate reason for NOT using 24p.

That's because you don't know what you're doing.

What i can say about M7. I have FD lens skandisk 64 95mb extreme pro. M7 flows perfectly, i can play files in camera. I have edited a job in CS6 no problems at all, a bit slower, so i reduced to 1/4 the playback resolution, but everything ok. I recorded an interview and about 3 min the cam spanned and created another file. The only issue that i saw was that when i joined the two files in premiere it seems like it was a couple of frames missing, so it wasnt absolutely continous playback. the audio was pefect because it was recorded with an external device. The image is fantastic, really amazing. i will not change the hack unless something better comes arround. Thanks!

hi i'm new here and just testet MoonT7e and MoonT5 in 80% 24H mode on a sandisk 95mb/s 16gb card. with T7 it stopped after a few seconds, with T5 i was able to record more than 2 minutes until it also stopped because of card write speed. does moon T5 80% H24 work on the sandisk 64gb card? if not, what patch would you recommend as a good allround setting for 24p (i shoot all in 24p) where i would also be able to use the 24H 80% slowmotion? (i remember someone suggested to use 24L in the 80% mode, maybe i dont get something but i wonder what sense it would make to use these super quality driftwoood patches if i go down to 24L anyway?)

@binpunkt, you should go back to stock firmware if you want 100% working camera.

@BurnetRhoades

"That's because you don't know what you're doing."

Very probably. :)

For anyone using Premiere Pro, the proscribed method of import is to copy the entire PRIVATE folder to the hard drive and use the Media Browser inside of Premiere Pro for importing. There can be issues when importing solid state media any other way.

It helps PPro to string spanned clips together.

*** Update News ****

Spizz T6 Released on page 1

Perhaps alarmingly experimental Spizz T6 seems pretty darn good on all modes. Check it out on page 1. Days and days of research have gone into this, indeed chucking out loads of great looking (but unstable iA/iDynamic) settings for a more secure & reliable final T6, this is the culmination of some serious hard work by myself, @bkmcwd and @towi.

T6 tries to be a safe implementation of the GOP3 consuming bitrate according to the picture detail it works very well and a very healthy low QP. Spizz T7 will push some of these new ideas to the extreme.

Spizz T6 Spanning Info so far

• 1080p24 Spans

• 1080i50/HBR25p Spans

• 720p50 Spans

More to check…

We hope you like it. Roll on T7! :-)

@cbm32221 It means if u are a user of iDynamic set it low. If you don't use iDynamic then it'll be either switched off already or you can turn it off. iDynamic > Low is not tested.

I've tested iDynamic in High with Moon Trial 7 and had no issues with it.

@david1313

Only use the SanDisk Extreme Pro 64 MB card with 95 MB/s specs. Very pricey, but the most reliable.

I've tried the SanDisk Extreme Pro 16 MB / 95 card and it works fine so far on Moon 7 with in-camera playback too. The only problem is the ~10 minute recording time.