@balazer thanks. Unfortunately 99% of uw housing are designed for standard lenses only except those for somewhat pro camera like FS700 or Red.
I hope that the lumix 8mm will have a not so much fisheye distortion. We will see :-)
@Cid - Oh got another mass email form BMD about the event a few hours ago. This time it's from Grant Petty.
He writes:
"This is a great opportunity for those who can't make it to the big trade shows to come and meet us in person and get to see our newest products. We'll be showing our new Ultra HD and 6G- SDI equipment, the latest DaVinci Resolve 10, our Cinema Cameras, and the rest of our latest developments."
I like how Cinema Cameras is plural... @JBV_CINE - Now I'm positive you're right :) I'm excited now!
Wooden camera with their pocket rig. They have their prerelease unit so hopefully the cameras will be released on time.
Wooden could also just have a dummy prototype given to accessory manufacturers.
I liked the comment under the Wooden video:
"What is left of the "pocket" concept once you've attached all those accessories?"
The Wooden Camera stuff for the BMPCC is cool and all, but I'm waiting for a super lightweight 3 handle set up with a built in HDMI lock to come out. I have no desire to make this camera a rigged out cinema camera. I want it to be a lightweight, easy to hold, handheld camera like it was intended to be.
@peaceonearth 13 stops of dynamic range. xD
Any chance this (or the s35 cinema camera) will get a p50 at max resolution firmware update? It is like a crime that it does not have both fullhd p50 and touch screen (let alone ultrahd, and true 4/3rds sensor, or at least uhd stills with uhd HDMI video out to a external recorder). I have not ordered one, or the 4k camera because they are both limited to max p30 framerates.
Video takes on a "filmic" image in the lighting and the grade. Limited DR and 8-bit gives you very little room for error. Sure the GH2 and GH3 can look incredibly professional, but only the most talented and resourceful can consistently pull that image out of the camera, and I'm not one of them.
@kazuo I did't think there was much said about the gh2/3 in this thread, only bmpc speculations =)
@itimjim thats a good way to put it, to some degree it all starts off as videoish doesn't it in this digital age.
The same video vs cinematic debate will pop up again and again for new cams pre release, its just the way the internet works =)
On that note, only 5 more days people! haha.
ntsan, damn you beat me by 10 minutes! :-P I saw Hook (the guy who made this) post this an hour ago, but only now thought to come share this here :-P
At @0:44 I recognise a couple of my friends! It is a small small world :-) (as I'm an Aucklander too}
This is pretty exciting as this is the first ever footage online aside from John Brawley's, people should be feeling very confident now about the delivery dates :-) {or at least something kinda close to them, but remember this is when they ship to their distributors which means a bit longer until it actually gets in your hands. And depends on how early your order was}
NIce - but I cannot get over how so much of the BM footage across the range of cameras has a blue brown over saturation. Can anyone else notice it. It's like you can see BMCC footage right away. I have played with raw files, prores you name it - there is this leaning to blue brown and a grit. Is it possible to get rid of it and make it look cleaner or is that just a colour science limitation. I don't really like the leaning if I am honest. I like that the footage looks gritty but I hate that there is this colour leaning. Sony and Canon can give you a pure clean image which you can dirty up later. Anyway - after all this fuss is settled between GH3, 5 D Raw hack etc I have settled on this cam. Very promising
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