always higher Mbit / s using only so much .... space costs only because the rest is filled with "zeros". And again a reminder: There is only the residual error of the image is transferring. The smaller is, the better the picture.
Playing catch-up! Can someone give (or point to) a quick tutorial on the function of the AQ settings? And I see people playing with very high ISOs. Is there an optimal ISO for scenes where exposure is not an issue? Thanks.
@Anpanman I'm sorry that you misunderstood what I was saying. I was NOT making fun of Peter Jackson's first film. I was using it as an example that low budget film making (Bad Taste was very low budget- in the doco they mention that the worked for free for 4 years...) can 'still' tell a story and that in some ways you have to work with what you have and find solutions. I mentioned that I doubted Bad Taste used that much over cranking- (most probably just slowed down 24p)- and what is so relevant to this forum is that Peter Jackson even made his own custom camera mounts for some scenes...
@awaterman i'm just changing the bitrates on the enduser patches, not touching the tester stuff. plays in camera nicely with no problems, but honestly i cant see the difference from the 88-100+ images..i feel like any bitrate will work if you if you use 1AQ.
Here are my 'vanilla' settings @56mps. I haven't done much analysis, but real world stuff I've taken today looks great to me (in the end that's most important, right?) Have a look and play with it - let me know any improvements you may find.
@ivan858 - Thats what i'm trying to focus on. I have filmed similar scenes now at 66mpbs AQ 4, 88mpbs AQ 4 and 110mpbs AQ4 and its quite difficult to notice any difference. Certain scenes, like trees etc struggle to play at AQ4 on 88 and 110. Seem to have settled at 66mpbs, GOP 3 and AQ4 for now as it's the most reliable and plays well with no issues. Will try to upload something at some stage
@awaterman no i'm filming a microfiber rug in my room. I've never had it crash outside yet, as for fcpx i have no clue, imovie works just fine for me. check it out i cracked the 200mark. lol this this was at 4AQ
Also here's the settings i'm using. i think this is far as i can take this pony at 3gop. i'll leave it in your expert hands!
@ivan858 - I think i need a faster memory card for those settings, mine is 30mbps transfer rate and can't handle it!! Im trialling some different things at 88mpbs for now, so will see how that goes.
HI All, a little feedback from the last couple of days of testing. We were working with 110 high and 88 low with AQ4. I really could not see the difference between the two at that high rate. Plus 110 Kept crashing and so yesterday we tested with 88 and 44. There the difference is more pronounced. 44 looks great on detail and blue sky banding (minimal) just as 88 does. But as soon as you add strong, pronounced motion, 88 really shines, and 44 starts to evidence some macroblocking on the moving elements. Could 88 and 44 be the hot mix? 44 for interviews (close to an hour on a 16 gig card) and 88 for moving b-roll? We're doing all our tests with AQ 4 right now just to remove one less element from the thinking/equation.
PS, this all at GOP-12 for now. Attached are two shots of blue sky for banding test. Betting better... Smooth, -2 on all except 0 on color. Here's where 44 and 88 are close in quality. Will next post some movement where 88 shines brighter.
And here are two with a ton of fine movement. 88 then 44. They're both struggling with the motion, but the macroblocking on 44 is much worse (push in close on the plant at around 800% and it becomes very clear).
Here's one more example of 88 vs 44. This is in an out of focus area (iso 160) and you can see how the 88 keeps the noise/grain much better than the 44 (push in 200 or 400%). 88 first, then 44. (these are already at 200%, by the way)
I think if you can't see it, that's a good thing, in that you may end up with a lot more minutes on your SD card than me!!! As I toggle between the shots, the 'grain' on the 88 shot looks a LOT better to my eye; less splotchyness, less banding, as Gabel mentioned. Don't get me wrong, I'm getting some very good looking 44mbps footage too, but when I pixel - peep the noise/grain I'm really preferring the 88.
I'm on a mac. Is there any way to pull the 'settings file' from 3.62? If no, I'll just list the setting here. Now testing 88 vs 52. A better match on noise/grain, but 52 is still falling apart a little with motion. I tried 132mbps earlier but kept crashing the camera.