Anyone tried olympus 9-18mm for landscape shooting? Wonder if it is as contrasty as the pannys
Still waiting to invest some money in a good wide glass. ( meawhile shooting with wide adapter atached either to the 20 1.7 or the kit 14-42).
Just saw, on vimeo, some good footage of fisheye rokinon 7.5mm corrected on AE. a little soft in the cornerns but definetelly much better than wide converters..
Anyone else tried working around with fish-eyes?
Rokinon design really reminded me of voigtlander 15mm m mount.
How nice it would be having a proper wide reliable and highly portable lens.
This is the lens I use the most. You have to adapt it, the auto focus is a bit slow and noisy, but it's good. http://www.bhphotovideo.com/c/product/590390-REG/Olympus_261060_14_54mm_f_2_8_3_5_II_Zuiko.html
I tried convincing myself that 14mm was wide enough. ( the 14 pancake would be ideal than) But I really feel the need to go wider while trying (and spending weeks) to compose static powerfull shots. Most used lenght would be 8-10mm
@ttancredi
I have the olympus 9-18 m4/3 and it's a great super compact lens. Man that thing is tiny. Full wide is sharp corner to corner. I think I found it for $350 used?
In low light it's almost TOO sharp and tends to exaggerate noise maybe. More testing necessary with various patches and such to really confirm this.
Also got the Opteka 6.5mm fisheye. Also very sharp and a fun fun lens. I think it's the widest you can get and will cover an aps-c sensor too. I got it mostly for doing spherical panoramas but I shot some video while ice-skating and it works really well for high-action sports/ lot's of movement type shots. And out in the wide open it has less fish-eye-ness than I expected.
9-18 oly is also on my list, one of the few wide-angle lenses that accepts screw filters!
And the Panny 8mm fisheye? Wide open it's sharper than the 7-14mm. Of course it's fisheye.
Here the Oly 12mm f2 vs Panny 14 f2.5
Lenses to consider: Olympus Zuiko 4/3
Oh, and @Vitaliy: You are listing the Tokina 11-16mm under m4/3...is there a m4/3 version of this lens?
if you want really wide a Tameron 4-12mm F1.2 is cheap, goes from fish-eye to wide nicely, is a C mount CCTV lens but does a good job for super low light super wide stuff.. great effects lens, but you need to use it in ETC mode. I love it for super wide shots, what convinced me to get one was this review , it does require a very simple of a modification, but its easy with a Dremel tool:
@Psyco Tokina 11-16mm is a terrific lens, but does not come in m4/3. Tokina has a Nikon and a Canon version, so make sure you know what lens mount the lens has and buy the necessary adapter. I have the Nikon version and use it with a Nikon-m4/3 with aperture control. You'll need the aperture ring or will have to pin the aperture dial open in the lens. Adorama has an aperture ring Nikon-m4/3 that works fine and is only $40 USD or so. This is an "always carry" lens with whatever kit I am using.
I'll put in a general vote for the Oly 12mm f/2. Love this lens. Build quality is very nice, tiny form factor, tight fit in m4/3 mounts, and will run autofocus w/ GH2. A powerhouse on my AF100 on steadicam cranked to 60fps...
Panny 7-14 is good in a pinch with plenty of light, very wide.
Oly 12-60 also great and can be found for $500, and of course if you have $$$ then the Oly f/2 twins - 14-35 and 35-100.
@DancingCamera thanks for the info. I have the Oly 14-35 and I'm planning on getting the 35-100. Now I only need a wide angle to complete the set. The Oly 7-14 is nice but only F4, so the Tokina 11-16mm is very tempting.
How does the Tokina 11-16 match the Oly 14-35/35-100? (Colour, sharpness, bokeh,...?)
Is there a use for 7-10mm focal length besides outdoor panoramic establishing shoots and effect shoots? I have never used a lens that wide and don't know if I will ever need it;-)
I can't believe no one mentioned the Olympus 11-22 f/2.8-3.5. It's sharp like a prime and very low on distortion
@ivanlee A link? Can't see what optic you're talking about.
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