Nice work!

Slow-mo 96fps, filmed with my GH4 trying to achive a cinematic homevideo with a story...

@digitalflaskpost That was beautiful.

@jopereira Widescreen is great for many films, but some films need 1.85:1 or 1.77:1 treatment because of the subject matter. Most of the shots in his video are of a single childs head. There is no service to the story telling by adding more background to the left and right.

I should note that for a dead-simple remote run/stop trigger for the GH4 all you need is a standard LANC TRS (3-pin) 2.5mm stereo micro-plug (the one size smaller than a standard mini headphone jack). You don't need the 4-pin plug shown in most panasonic trigger schematics. You also don't need the resistors. Just short the tip to the sleeve momentarily to start and stop. I use a momentary pushbutton switch between the two. Works like a charm. I wired it into my handgrip, but I would assume most standard remote triggers for normal cameras which use a similar trigger schema will work as well, if you need inexpensive remote triggering a pair of flash remotes will also do, with a simple custom cable! A lot easier than trying to use a smartphone, pair the wifi, etc.

Well, you cannot go wrong: "Remote" label on left side of the camera. Also, there is no other 2.5mm jack on the camera.

@olegkalyan

Nice ... the missus noted the great way you'd moved the light across the scene at times, which was very effective. And I noted the sound which I assume was coming from the rather nice audio capture/process/mixing gear in that studio ...

Neil

@olegkalyan

Agreed with above, great mixing of cuts & transitions, so one doesn't even "see" them. The missus wants to know if you had someone panning the lights on your direction ... how you got the moving-light work done.

Neil

The shutter button is bigger & easier to press.

Just finished this music video for Italy-based American artist Elisabeth Cutler.

Shot with GH4 + Leica 15mm/f1.7, 25mm/f1.4, 42.5mm/f1.2, Panasonic 7-14mm/f4.

GH4, 4K, TAMRON 500MM,

Just did a test on recovering sky detail with GH4 set to Natural and all other settings at 0. I did a bracketed exposure and chose the best dynamic range on the waveform display in DaVinci Resolve. There was no highlight clipping. In-camera zebras were visible across most of the sky and were set to 100%. Video range was set to 16-235 and was shot at 100MB 1080 25p.

Before and after grading screengrabs below. Extra colour added to sky to reveal the sky as it appeared to the eye.