I have a GH2 with MD rokkor vintage lenses, im gonna shoot mainly music videos (with a lot of moving shots, slow motion, low lights and exterior) and some short films in the future. 30min of clips is enought for me I need quality but i really like the vintage look, im lost there is too much patch and informations, so i call your experience, what is the best possibility for me ?

Thank you for your help

We used the Panasonic 20mm for the opening shots (would have preferred the entire shoot on this lens but we were in a time crunch) and the Panasonic 14mm-140mm for everything else. A couple focus issues, but overall happy with the content from such a short time frame.

Here is the final product:

If you're interested, you can have a look at my work on gear video reviews here: YouTube: https://www.youtube.com/playlist?list=PLxnu1WwoCPfdwE2lQvNCNSJ3WvuW6fArX

Vimeo: https://vimeo.com/album/3828347

You can browse my profiles, I've also uploaded some short films that I made in the last years. Most of them (up to 2012) were made for a contest hosted on the now dead, hv20.com forum. I've done two short films for a contest on a facebook page, the first I shot never made it on time, but I finished it a couple months later. The last, a short film I won the first place, gave me a Kovacam Stabilizer as a prize. Not bad! I purchased the vest and arms to complete the kit, and eventually made my first video review!

Thanks for your time!

Shot on the Sony F65 with Cinealta 4k lenses, with Tiffen Digital Diffusion 1/4 filter. The camera is heavy so we used an easy-rig for everything but the subway stuff. In terms of content, this is an idea that was in my head a lot. It's based on walking home from a job one night, thinking a lot about these things. Especially after a post I did and the feedback on it, about Bernie. Calling him a populist and all that. It was interesting, because I chose Bernie but didn't research him when I chose him months ago, even though this is the guy who may be president. And my anger towards Hillary was after reading just one article in Harpers. Interesting how much power we the uniformed are given. Better than some dictatorship, we must not take the ability to vote for granted. Just wish the media educated us better on their past, their records. There I go again! We shot Sony SR Raw -compressed mode which is like shooting red at 5:1 compression. Very simple to load the clips in with the new sony reader. Goes right into resolve, then mostly played with the Sony raw tab, and used a color chart to naturalize the skin tones and went from there. Very easy workflow. Before this card reader, it was really annonying as hell. You had to go through ethernet and load clips from a web browser. Probably is what sunk this camera. But the flip side is that it's what allowed me to afford one :) Incredible low-light camera. Pushed it a lot one stop to 1000 ASA and it looks completely clean. The digital gain looks like film noise. Amazing skin tones. The camera has a lot of meat in the image, a lot of resolution which is nice - gets it a very smooth, natural look. I was I very impressed with the quality of skintones at 3200k. Can't wait to use this guy on many more projects. Just have to figure out how to get it on a movi :)

I'd love to hear your thoughts! Please give it a like via vimeo if you err... like it!

I recommend listening with headphones!!!

Shot on the Samsung NX1 with crappy Nikon 35mm AIS lens. About leaving the stimulation for peace.

Below some information on some of the main gear used (besides camera and follow focus, all was rental). Post production was done entirely with FCPX and FilmConvert.

Camera: Panasonic GH3 Profile: Natural -5 -5 -2 -5 (IPB MOV 50mbit) Lenses: Voightländer 25mm F0.95 and SLR Magic 12mm T1.6 Sound: SoundDevices 552 + Sennheiser MKH 416 Lights : 1 x Arri True Blue 2k, 2 x Arri Mini-Cyc 1k, 2 x Arri Junior 650 W, 2 x Arri Junior 300 W (all tungsten, 2 x 2kw Honda generator for outdoor scene) Other: Dana dolly, zacuto rig, lanparte deluxe follow focus, monitoring/focus peaking on Scopebox via Blackmagic Intensity Extreme (this was by far the most important tool on set!)

Trailer

Movie (password: villaida2013 => will keep this open for one month as I don't want it public due to ongoing festival submissions)

More information about the movie (incl. behind the scene pictures) at www.facebook.com/christianwengercine

Cheers Chris

I personally find the photography very nice... well is Christopher Doyle's
Despite the message, the rest is a bit... diluted. Even Weiwei is diluted :P
One can watch the short while listening to C.D.

Thanks @VK for the heads up (news)
 

The Film Book interview with Christopher Doyle

I wanted to shoot dreamy and poetry like mood from near forest area in my home town Hämeenlinna. Shot on: Panasonic GH4 + Iscomorphot 8 1.5x anamorphic adapter + SLR Magic 35 T1.4 & Helios 40-2

Please check out and feel free to comment, thanks! :)

I'm making a trailer for my shortfilm. I don't think it's very easy because, the short is only 15 minutes.. and i want to make a trailer with not to much spoilers (yeah duh!! i know :P but it's difficult because it is already a short movie)

You guys probably didn't see my short film, so you are neutral public. Are you guy's (and girls) interested in seeing this short after seeing the trailer? And are there any tips, suggestions to make the trailer better?

Password: 10111987

Shot on the GH2 using the 25mm Voitglander and running an unspecified intravenus patch.

Enjoy!

If we go on to win the next and final round, our film will be featured in the new Bruce McDonald film Hellions and may even screen theatrically along with it.

I shot the film on the Blackmagic 2.5K with Lomo anamorphic lenses. The video portions were shot on analog hi8.

I've attached some stills from the film below.

Let me know if you have any questions or comments! Huge thanks to anyone that votes!!

this is my last shortfilm (6 minutes) Shot with GH3 lumix 12-35mm f2.8 and nokton 25mm f0,95 lens all settings -2

Please tell me what you think.

We shot this on hacked GH2s, I cant remember which hack we used but I believe it was one of the early Driftwood ones. A big thanks to Vitaliy and Driftwood: enabling us to turn our little cameras into cinema machines!!!!

Blind Faith:

Thanks, Dave

Thanks in advance guys

About: A workshop for a school acting group to understand the difference between acting for the stage and acting for a camera. Focus on the acting in one afternoon we shot it with natural light and kept the fancy equipment to a minimum: a reflector and a home built slider.

Shot in three hours with a hacked GH2 (Flow Motion) and vintage Nikon lenses. Edited in Final Cut Pro X. Graded in Davinci Resolve 10. Sound mix in Pro Tools 11.

Winner of the audience award at the TellUs Short Film Festival.

Hello! I posted this film 2 months ago. But after a few hours I had to make te film private (for soms festival). This time it stays online.

So I filmed this shortmovie with a GH3, lumix 12-35mm f2.8 and nokton 25mm f0.95 lenses. All settings -2

Can you guys please tell me what you think?

Thank you

http://shortfilms.org.uk/projections/74

This is a re edit of a horrorshort i made 2 years ago. Shot with panasonic GH2: drifwood's Canis Majoris night hack (class 10 45mb/s card) With Voigtlander Nokton 25mm F0,95 lens

Figured I'd share this with the GH2 interested community. Inspired by a post-holiday party hangover brunch, a friend and I called a few actor friends and shot this short in a single day. With one camera, one lens, a monopod, and no lighting except for the final night scene.

A warped retelling of Charles Dickens' A Christmas Carol, in which a scumbag loan-shark learns the true meaning of Christmas. Barely.

Specs:

GH2 running Vanilla Hack Firmware V1.1 ISO 160 Nostalgic -2, -2, 0, -1 | Panasonic 20mm 1.7 Lens | Manfrotto Monopod | Zoom H4N audio (and an untrained sound guy) | A handful of actors more talented than we deserved | And a little borrowed production value

I have been a Lumix owner since the GH1 was first hacked and moved to the GH2 last year.

Thank you so much to vitality and everyone else who has worked tirelessly to keep these cameras on the forefront of compact filmmaking.

Let me know your thoughts on the video!

Shot in 1920x1080p 60fps MOV format with 14-42mm kit lens, and canon FD 24mm f2.8 Prime. Standard profile -3-3-2-3 Graded with Magic Bullet Mojo.

CREDITS
K3loid directed by JJ Palomo
Big Lazy Robot Crew :
Hugo Bermudez
Juan Civera
David Cordero
JJ Palomo
Leopoldo Palomo

Concept Design:
BLR
Aaron Beck
Greg Broadmore

Music and Sound Design:
Full Basstards

Online Color Correction and Conform:
Trizz

Manager: Scott Glassgold / IAM Entertainment

I just released my newest short film shot on a Canon 5D Mark II (raw), including a couple of shots from my new Blackmagic Pocket Cinema Camera.

For quality's sake, I created a special streaming page including a download link in 1080p. It's in German, but I think it's pretty straight forward.

Plot: In a post-apocalyptic world we follow a man on his desperate way to survive.

Hope you guys like it!

http://sonnenflecken.cold-entertainment.com/1080p

Details:

We shot this using two GH2s and varied between the Voigt 25mm, a Nikkor 50mm f1.4, and the stock panny 14-42mm kit lens (wide interiors). The patches we used were older versions of the Nebula pactch (GOP6 I believe Cluster X series 1) and the series one version of Moon (maybe even T5), not quite sure.

Anyway, thought I'd share and just like to say thank you to this wonderful community, even if I've only been lurking lately (corporate life has a way of doing that, but that should be changing soon).

Here is a short film I was cinematographer on some months ago. Any feedback welcome.