I really like the concept of this plugin / standalone and how easy to use it seems. As far as I know exist integration with photoshop, lightroom and AE. Here's the AE version at work (русский)

3D LUT Creator is color correction software. It can transform colors in LAB color space and save corrections as 3DL file, that can be loaded to Photoshop CS6 or other image and video editing software.

3DLUT Creator is a standalone program, that can load images in TIFF, JPEG and other formats, and can save TIFF, JPEG, 3DL files. It requires a PC with Windows x32 or x64 installed. MacOS users are known to be able to run it with Wine and Crossover. 3DL files are platform-independent and can be used in variety of image and video editors, such as Adobe Photoshop, After Effects, DaVinci Resolve and others.

and some photoshop action and explanations (русский with subs)

3D LUT Creator is currently in a closed beta testing stage. If you want to try beta version with limited functions, contact me at 3dlutcreator at gmail . com You can preorder the full version for $50 and you will also be getting current fully-functional beta versions.

Funny enough I found this through VK ;-)
gashô

Trial version is limited to 3 LUTs. Pro version is not limited.

Suggestions for features are appreciated. Also: what forums and other places would be good to make people aware of this tool?

Happy LUTing ;)

http://www.fatpigtures.com/#lutastic

• small update to interface colors online now.

I've done a few experiments, and the results are promising. Using curves, I raise the blacks and lower the whites, and make a few other adjustments. When I apply the basic Panasonic VLOG LUT to the footage, it's a fairly close match. But I'd really like a LUT that does this.

Are there any LUTs that reduce Rec 709 footage to something that's fairly close to uncorrected VLOG footage?

Obviously, my question's about matching the color grades. I can't see to find a set of settings or a LUT that would take my GH4 footage and conform it to the standard Panasonic curves in any consistent way. The LUTs that are closest-- the standard Vlog to v35, Balazar's luts-- have two faults: they're a bit greyish in the low end, and they're actually kind of dim, so I have to adjust the floor and boost the low-to-midranges.

Seems to me that there ought to be a LUT that accurately brings the Vlog footage to something very close to Standard. Any suggestions?

When we record video using vlog, slog or clog, does sony, canon and panasonic provide luts for we apply in post production? or we need to develop our custom luts? or we need to buy luts?

I ask this because I think if we need to develop luts it will be a long waste of time... and if we use third part luts maybe it will not have the look we want...

so main question is about if manufacturers provide luts for post production. and, if not, what would be the easy solution...

if someday I surrender myself to slog, vlog or clog, I would like to have easy solution for luts in post... not a waste of time in each scene...

please share your experience with luts,

thanks in advance!

(observation: when I say luts I just what to recover the correct look from the log image, not different grading)

I'd like to open this thread to share experience. Specially on the gh4 workflow with vlog.

GH4, Leica 25mm 1.4, Panasonic 12-35mm, Rode VMP Osiris LUTS, Colorista 2 and Levels in Premiere pro CC.

What I envision as a workflow would be the following--use a preset from each cam, not a custom WB, so anyone could use these Look Up Tables, then shoot some scenes with the Macbeth Color chart, using the same chart and lighting for each cam, and then finally just put the numbers online. I suppose an even better solution would be to somehow convert these LUTs into Cineform values so we could bypass Speedgrade altogether.

The result would be that one could open a preset, say "incandescent" in the GH2 and 5D MK2, or pro camcorder, then just apply the LUT. And anyone could use the LUT because it uses the preset WB in the Cams, which presumably are the same for every user.

Anyone in the world could then use these LUTs.