Highest form of democracy is not one that provides freedom for dissidents or alternative opinions. It is one made to organize people life in such a way that they have no need in dissidents or other opinions, to fully kill demand for them.

A. Zinoviev

In the late sixties the Canadian psychologist Laurence J. Peter advanced an appar- ently paradoxical principle, named since then after him, which can be summarized as follows: //Every new member in a hierarchical organization climbs the hierarchy until he reaches his level of maximum incompetence//

If you do not have Peter's books, get them and read.
They contain much more than only this principle.
They are about fundamental things - monkeys natural habit to form hierarchies and are very useful in life.

Our computational study of the Peter principle process applied to a prototypical organization with pyramidal hierarchical structure shows that the strategy of promoting the best members in the PH case induces a rapid decrease of efficiency, while it works well only if members would ide- ally maintain their competence at each level, an hypothesis that, although in agreement with common sense, seems in practice very unrealistic in the major- ity of the real situations. On the other hand we obtained the counterintuitive result that the best strategies for improving, or at least for not diminishing, the efficiency of an organization, when one ignores the actual mechanism of competence transmission, are those of promoting an agent at random or of randomly alternating the promotion of the best and the worst members. We think that these results could be useful to guide the management of large real hierarchical systems of different natures and in different fields.

Via: http://arxiv.org/pdf/0907.0455.pdf

Slightly more fun math.

Knowledge is Power. Time is Money.

Work/Time = Power

Now make substitution:

Work/Money = Knowledge

or

Work/Knowledge = Money

The less you know, the more you get :-)

As script is a bit difficult especially at the end and possibly left over footage, while seemingly a mixture of drama and road movie conventional. It is a very intimate film, very slow with many long still shots, but in a plastic stunningly beautiful, I love the night shots in it, are a delight to behold.

Nuri Bilge Ceylan is the director of it, while cinematography is by Gökhan Tiryaki. It was shot with a Sony F35. Winner of Cannes 2011.

Read the thing: http://arxiv.org/abs/1207.2743

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