I managed to use my school's dolly to pull off some test shots for smooth camera movements. Take note that I used and controlled everything singularly: I pulled focus, performed pans, and physically pushed the dolly itself. It was difficult, but I managed to get some usable footage. With one or two extra grips I can easily pull off great looking, smooth shots. I'll be shooting more with the dolly this week. I like grain.

• GH2 w/ Driftwood Hack
• Canon FD 50mm f/1.4
• Sigma 30mm f/1.4
• 16mm grain overlay

Brett Plank 2012

Production : Richard van der Laan Music : Erik Satie - Gymnopedie No 3 by Kevin MacLeod (incompetech.com)

Camera : Panasonic GH2 AVC-Intra Driftwood VY Canis Majoris Day Lens : Nikon AF-S 24-70mm f2.8 G ED, Tokina AT-X 116 Pro DX AF 11-16mm f2.8 Gear : Sachtler FSB-4 75 CF, Gini Follow Focus Rig, Lilliput field monitor

Screenplay, Editing : Richard van der Laan Camera, Grading : Michiel Boogerman Sound design, Mastering : Maarten Boogerman Production : VEASONIC

Camera : Panasonic GH2 AVC-Intra Driftwood VY Canis Majoris Day Lens : Nikon AF-S 24-70mm f2.8 G ED, Tokina AT-X 116 Pro DX AF 11-16mm f2.8 Gear : Kessler Hercules 2.0 Head, Kessler Pocket Jib, Kessler K-Pod Tripod System, Gini Follow Focus Rig, Lilliput field monitors Tools : Adobe Premiere CS6, Magic Bullet Suite

This short won the first prize on the QuickFlick.tv festival in Amsterdam (15.07.2012 - heaven and hell theme).

The month of the Frisian book is held in Friesland, the nothern province of the Netherlands. It is a literature festival organized around the Frisian language. The theme of this year festival is 'tension'.

Production : Veasonic Director, Screenwriter : Richard van der Laan Director of Photography, Montage / Post : Michiel Boogerman Sound design / Recording : Maarten Boogerman

Camera : 2x Panasonic GH2 AVC-Intra Driftwood VY Canis Majoris Day Lens : Nikon AF-S 24-70mm f2.8 G ED, Tokina AT-X 116 Pro DX AF 11-16mm f2.8 Gear : Sachtler FSB-4 75 CF, Kessler Hercules 2.0 Head, Kessler Pocket Jib, Kessler K-Pod Tripod System, Gini Follow Focus Rig, Lilliput field monitors

Actors Writer, Detective, Voice : Siem de Vlas Woman : Marieke van Brussel Perpetrator : Maarten Boogerman

The Frisian languages are a closely related group of Germanic languages, spoken by about 500,000 members of Frisian ethnic groups, who live on the southern fringes of the North Sea in the Netherlands and Germany. The Frisian languages are the second closest living languages to English, after Scots.

Welcome to Apocalypse Now and two new matrices researched & supplied by Chris Brandin - adjusted by Nick Driftwood & bkmcwd and incorporated into a new selection of top quality settings - each tested by our 'Apocalypse Now' Beta team.

The theory behind the 444 matrix is an attempt to simulate a process that turns the codec into the equivalent of 4:4:4 encoding.

Many people complain about the “video” look. In part, this is caused by excessive sharpness and rather “crunchy” rendering of gradations.

These matrices are designed to soften the image and improve gradation rendering (smoothness). The softening was specifically targeted toward Panasonic lenses (or other, modern 4/3 lenses) – which are very sharp. Many people use soft lenses wide open to get a more “organic” look. The '444 Soft' and soon to be released 'Cinema Smooth' matrices were designed to provide some of that effect with the sharper Panasonic glass.

So, if you are using only soft lenses with the '444 Soft' matrix settings that amounts to double softening - and that may be too much in some cases.

In this scenario we will be providing a series of sharpened 444 matrices to offer a bit more balance between soft and sharp lenses (the first of which can be found in the Cluster v7 444 Sharp settings).

The factory matrices render detail rectilinearly, which results in more detail along diagonals than at right angles. Film renders detail the same at all angles. These matrices were designed to more closely render detail the way film does.

The ‘444 Soft’ versions of the matrices render color and luma detail with the same resolution. The effect is that detail, although softer, is rendered in a way that is similar to a 4:4:4 color space. This is accomplished by lowering the luma detail and raising the color detail. It’s not exactly the same as 4:4:4 – but its close.

The best way to test these is with sharp lenses because the entire design goal was to be able to produce a more filmic, organic look with standard optics instead of having to use soft lenses.

Older lenses designed before the digital era will nearly always be somewhat soft with digital sensors. This is because of the way the image is presented to the sensor. Film era lenses supply the image to the film/sensor at all angles. This worked because film is relatively flat compared to digital sensors so it doesn't matter at what angle light is presented. Newer lenses are designed to present the image to the sensor at a right angle - which is necessary for optimal sharpness with digital sensors.

The ‘444 Sharp’ versions of the matrix render color and luma detail with, of course, sharper detail. This is accomplished by lifting the luma detail from the softer 444 variation whilst retaining the color detail of the 444 matrix.

The best way to test the sharper 444 setting is with manual lenses because it slightly compensates for the somewhat softer matrix without overloading it and looking video-ish. This setting may need further adapting so look out for more adjusted matrices soon – and please give us feedback.

The 444 matrix set could also be good for green screen work – assuming, of course, that it still results in QP values of 16-18. Although this matrix is mainly directed at longer GOP's even the Intra based settings at mid to tight scene shots should produce exceptional results (as far as our tests go). The only problem we foresee with the Intra setting with these '444 matrices' is if there is a lot of detail and not enough light the range of Q values will vary greatly - beyond +-4 (the bitrate required to make Intra fully utilise this matrix would be greater than 250M). With Cluster's Long GOP implementation, prediction sampling affords us to use lower bitrate to achieve the same quality as top-end Intra.

The initial design of the Chris Brandin's matrices were intended for 1080p24 modes only but we've provided similar matrix versions in HBR/FSH and 720p patches anyway to see how people receive / perceive them. You will see that the encoder settings of all the 'Apocalypse Now' releases have been fine-tuned or rewritten from the ground up - including detailed analysis of data rate bandwidth, Rate Control, GOP weighting, etc - to bring even better performance.

The Cluster v7 '444 Sharp' releases have been tested under iA and iDynamic on their top settings - if you are of the consensus that you DO NOT require intelligent modes iA/iDynamic, we have decided to offer you additional 'AN' settings that make use of this bandwidth in the basic encoding patches and provide stronger GOP weighting - at the risk of failure in Intelligent modes.

The second Chris Brandin defined matrix, 'cbrandin Cinema Smooth' will be incorporated inside forthcoming Apocalypse Now settings. Details and info TBA.

We hope that you like these settings, a great deal of time and effort has gone into making what could be the last in the line of GH2 hacks with the announcement of the GH3 in the pipeline. Finally, a HUGE thanks to our team of Apocalypse Now beta testers for putting in the hours and testing dutifully.

Thank you guys,

cbrandin, driftwood & bkmcwd

CREDITS

These settings are dedicated to VK @Vitaliy_Kiselev and to all GH2 hack users. Long Live the GH2!

IF YOU DOWNLOAD THESE SETTINGS PLEASE PAYPAL DONATE (ABOVE) TO VITALIY FOR HIS BRILLIANT & TIRELESS WORK ON GIVING US THE HACK & PATCH TOOLS TO MAKE THESE POSSIBLE.

UPDATE: NEW EXPERIMENTAL SETTINGS CAN BE FOUND ON THE DRIFTWOOD EXPERIMENTAL THREAD 2

Lenses- Woman - Zeiss ZF 50mm 1.4 , Nikkor 105mm 2.5, Spokesman- 14-140.

Special thanks to @Vitaliy_Kiselev & @driftwood !!!

Just for fun to play with my new wide lens. No special grading.

Camera : Panasonic GH2 AVC-Intra (Driftwood VY Canis Majoris Day PM) Lens : Tokina AT-X 116 Pro DX AF 11-16mm f2.8 Gear : Sachtler FSB-4 75 CF, Gini Rig Follow Focus, Lilliput field monitor Tools: FCPX

Locations: Paimpont forest, sometimes said to be the Arthurian Brocéliande, is in the French commune of Paimpont, near the city of Rennes in Brittany. As Brocéliande it had a reputation in the Medieval imagination as a place of magic and mystery. It is the setting of a number of adventures in Arthurian legend, notably Chrétien de Troyes's Yvain, the Knight of the Lion, and locals[citation needed] claim the tree in which the Lady of the Lake supposedly imprisoned Merlin can still be seen today.

Mont Saint-Michel (Saint Michael's Mount) is a rocky tidal island and a commune in Normandy, France. It is located approximately one kilometre (just over half a mile) off the country's north-western coast, at the mouth of the Couesnon River near Avranches. The population of the island is 41, as of 2006. The Mont-Saint-Michel and its bay are part of the UNESCO list of World Heritage Sites.

A creative vacation video shot on (and off) of Chebeague Island. Located a few miles off the coast of southern Maine. Shot on a Hacked GH2. Download Original for maximum quality (FINALLY a PLUS member)!

Lenses used:

Tokina 11-16mm f2,8 Lumix/Leica 25mm f1.4 Zeiss 85mm f1.4.

Filter: Singh Ray Vari-ND DUO (Vari-ND and Polarizer in one)

Simple color corrections within Final Cut Pro, and some Magic Bullet Looks

SONG: "Daily(drops) - 5/1/2012 [Day One] (1)" (Infinite Third) / CC BY-NC 3.0 soundcloud.com/infinitethird/daily-drops-5-1-2012-day-one-1

MORE INFO on how the filming process on Vimeo

Special Thanks to Vitaliy Kiselev and Nick Driftwood

Im trying to keep up with all these terms because im having problems with my camera as in when i hit record the video turns a weird green shift of colors. Ive seen some amazing videos from guys. i have a canon camera with Magic Lantern on it so I have hacked it and used its system. Ive used ptools so i know how to use it. but i feel some of you guys are doing something to the ptools or something. im not getting a good color.

is there some kind of link anyone knows of that can calabrate your gh2 screen to be right?

Was DoP on this. Shot on a driftwood-176-intra GH2 with vintage lenses.

Feedback is welcome!

Description from Vimeo: This shortfilm is produced by Welterwerk Filmkompani, a new small filmproduction company based in Oslo. We make musicvideos, shortfilms and commercials. CONTACT US: post@welterwerk.no Directed by ERLEND WESTNES DOP CHRISTIAN EKREM Edit and grading ERLEND WESTNES Post effects and 3d modeling EIVIND JACOBSEN Makeup artist GRETE SKJÆVELAND CAST Machinist LASSE VALDAL Girl YVONNE / TEAM Boy ALEKSANDER M. TANGEN / TEAM Music: SIRIUSMO - NIGHTS OFF THANKS Za, Margrethe, TEAMMODELS, UiO and Khang Vinh Tran.

We also have deblocking tables to mess with. How digitally smoothed should we treat the signal of the adjoining sampled macroblocks?

VY Canis Majoris explores these areas further and each setting analyses approximate conditions of input required for certain times of the day where the natural light is weaker/stronger.

The first releases were VY Canis Majoris 'Day PM', 'Night', 'Skin Tone Soft', and the Crossfire released 'Green Screen' over on the other thread (an Intra version is being prepared). 'Day AM' will be out very soon. Including the highest measured matrix to date - no AQ required, tried and tested deblocking over the three main settings (24p, HBR and 720p) this is the first in a few settings for various filming conditions.

More settings in this series to come... ... ;-)

LOOKOUT FOR SOME NEW TERRIFIC MATRIX SETS FROM CHRIS BRANDIN ON CANIS MAJORIS.

NOTE: ALL MY CANIS SETTINGS HAVE THE 4 MINUTE RECORD LIMITATION CHECKED TO GUARANTEE WRITES. UNCHECK THE TIME LIMIT AT THE BOTTOM OF PTOOLS AND ENABLE > 30 MINUTE LIMIT AT THE TOP OF PTOOLS TO RELEASE THIS.

REMEMBER: IF YOU USE THESE SETTINGS PLEASE MAKE A DONATION ABOVE TO VITALIY KISELEV FOR HIS TIRELESS WORK IN MAKING THIS HAPPEN. THESE SETTINGS ARE TOTALLY DEDICATED TO HIM. THERE ARE MANY QUIET USERS OUT THERE WHO HAVE NEVER BOTHERED OFFERING ANYTHING. PLEASE, PLEASE HELP TO KEEP THESE HACKS GOING. NO MORE DONATIONS = NO MORE SETTINGS. IF YOU HAVE MADE A SMALL CONTRIBUTION IN THE PAST, NOW IS THE TIME TO DONATE AGAIN. Thankyou, Nick

*** THIS IS A CONTINUATION THREAD FROM SERIES 1, 2, 3 & 4 WHICH CAN BE FOUND BY CLICKING ON THE LINKS BELOW ***

Series 1 Link

Series 2 Link

Series 3 Link

Series 4 Link

ALL Settings require Panasonic firmware v1.11 & ptools 3.64D '200212' OR 3.65d required). Settings for GH2 & GFx Lumix cameras.

DRIFTWOOD NEWS

01-07-2012 NEW Driftwood 'DREWnet' Cluster v6 GOP 12/15 Released - With adapted Sedna and Orion matrix on different rec modes with superior reliability on 24p, HBR, 1080i and 720p modes over most other settings - A truly exceptional setting!

23-06-2012 Driftwood 'Globular' Cluster v5.1 released - variation uses the Sedna matrix on the I frames of the GOP (see below) - Cluster 5.1 12/15 GOP settings.

21-06-2012 Driftwood 'Globular' Cluster v5 released (see below) - Cluster 12/15 GOP settings.

14-06-2012 NEW Crossfire variations released (see below) - GOP1 mixed with Cluster settings and adapted Canis/Sedna matrices

12-06-2012 Cluster v4 pack released - A variety of different GOPs for you to try.

06-06-2012 NEW Quantum 9b Updated released - Updated & adjusted with Sedna adapted Matrix.

05-06-2012 Cluster v3 released - Improvements all round with Sedna adapted Matrix.

CREDITS

These settings are dedicated to VK @Vitaliy_Kiselev (master in control) and Chris Brandin @cbrandin (thee font of information).

IF YOU LIKE THESE SETTINGS PLEASE PAYPAL DONATE (ABOVE) TO VITALIY FOR HIS BRIILLIANT & TIRELESS WORK ON GIVING US THE HACK.

as every time I use Wondershare the file converted will not play in QuickTime

Thanks

My question is, what or where are the settings I should be using directly on my camera? I switched it over to C3 menu and when tried to record got an error back that my card was not fast enough (which it probably isn't, but getting a new one soon) so this leads me to believe that this is where the highest quality settings live but I still am unsure of what settings produce what results? Is Manual Movie mode just the standard camera mode?

Sorry if this lives on another thread or seems like a silly question, but I new to this whole hack thing and not having the background knowledge is bugging me.

Cheers!

A slightly arty trash the dress.

Almost entirely shot with a Panasonic GH2 running Driftwood Sedna A at its highest quality setting.

The timelapse shots were don a a canon 60D & 550D. Motion with a Kessler Crane Philip Bloom Pocket Dolly with electra drive. And some steady cam shots on a Glidecam vest. Some de-noising with neat video for the high iso night shots, Magic bullet looks for grading and then I added varying amounts of Gorilla Grain.

(The dress used here was made almost entirely out of crepe paper, doilies and ribbon.)

http://www.dalecampbellfilms.com

Shot with the driftwood patches

@rajamalik @thepalalias @Benibube thank you for the comments guys. @cjdincer

rajamalik, @coors thanks for testing the setting(s) guys; rajamalik Congratulations for your little b...

Releasing the setting, after very long time working on it, the name and some info see 1st alinea:

I know it was/is a challenge (AQ4 and Q8 in the same setting) for most detailed and lower compression setting and want everything constant bitrate-style and rajamalik asking for the most detailed one every time but here is the release of the "OBS AQ4-Q8 161M-setting exTReme-KAYSERI A-GraDetail" setting, the setting shows (due to using lower compression in the setting, but I believe so you see more), maybe say high ISO, a little bit more noise/maybe artifacts, I did not used 3rd party matrix, but the goal is to get every bit (in this situation pixel) what GH2 is seeing/recording, out of it and see everything yourself when playing back and in post too, and cbr-style bitrates too; (do the rest/editing in post).

Okay it's logical to say when you have an very detailed and low compression setting, on high ISO you see some more noise/artifact etc. but you get everyhing out of the gh2 I believe. But I believe, if an "matrix master" can make a matrix especially for this or similar setting then we get an setting with some reduced noise/artifacts directly on the sd-card itself. But matrix by the way is a subjective matter therefor it is up to you to judge or not judge things by matrix way but settings way. And I did not used third party matrix for the setting.

But, on the other hand: maybe there will be enthousiat users to get/shot/capture, you name it, this way and do rest in post, I think and believe it is maybe some personal taste and this setting is on paper very good for low detailed scenes or for someone always looking for it or exactly want details and seeing that little bit more.

The setting gives you constant bitrate-style bitrates and for example 720p50 give you around 100Mbit-range bitrates, this is high in comparison with some other gop-1 720p50 settings/ and some of the other gop-1 720p setting are not working reported earlier by others I though. Don't forget 1080iFSH(50) is available too and also to try for slow motion with deinterlacing in post for 1080p50, maybe this setting is better then other 1080i also, who knows. (This is for some of you as a fan of deinterlacing 1080i to 1080p50 in post, instead of 720p50 give a try too.)

Suggestion: Maybe, from scratch, a matrix master or a matrix maker can make a matrix to also temper some noise/artifacts, high ISO etc. especially for this setting, but also this setting is for people who get the most details out of gh2 and loves to do things in post...

Setting itself, "OBS AQ4-Q8 161M-setting exTReme-KAYSERI A-GraDetail":

(for me unbelievable to let the setting work with AQ4 and Q8 in the same setting at the same time, "All to detail and low compression" at a such high setting, especially when you know that settings for some mode influences the other mode, but I've got them work together for:)

• working (/or say, I tested) for the modes => 1080p24H, 720p50SH, HBR, 1080iFSH(50), 80%24L but, with such high bitrate setting it was not easy to get, all the modes above, working
• for all the modes I've written above, constant i-frames-style (+ b-frames for 720p50), cibf-style, except for 80%24L though it has high i-frames between around 360KB to max around 780KB, average around 600KB, and constant bitrate-style, cbr-style, for all the modes I've written above too, (including for 80%24L mode)
• tested with manual lens, (auto-lens check for yourself)
• there is a time-limit 3:45min but every mode is working for me with my setup (sd card and manual lens), so recording and also in cam playback available for, maybe including but not limited to (does mean other modes such as 720p60 needs testing, test for your country, I tested the PAL), the modes from above
• sandisk 8GB SDHC 95Mbits/s card

some bitrates I've got during testing, setting for 1080p24 is high to the 150M range, but see others very good ones: - 720p50 100M (for slo-mo see 1080i fsh(50) mode too, for using deinterlacing in post) - 1080i FSH (50i) 100M (especially for people who want 1080p slow motion with deinterlacing) - HBR 100M (I think very good one for hbr) - 80% 24L 100M

here is the setting as .zip file attached

Can't say enough thanks to Vitaliy and the entire community here for its valued support, encouragement, and enhanced camera settings contributions and testing. It's great to be a small part of it by sharing some of my work done with the GH2. Cheers.

Filmed on GH2 over two days, Sedna A and Canis Majoris 'skin' settings from Driftwood. Steadycam Merlin (in some crazy wind), Kessler Pocket Dolly, manfrotto 561 monopod, s.takumar lenses (50,55,135), Tamron 17-50 non vc, Panasonic 14-140, Tota w/silver umbrella for interiors. LCW II vari-ND outside. Edited and graded in fcpx. Neat video applied to some clips. Music licensed with www.withetiquette.com

Series 1 Link

Series 2 Link

Series 3 Link

ALL PRESENT DRIFTWOOD SETTINGS LINKS ARE NOW INCLUDED BELOW ALONGSIDE THE SETTINGS - SEE LINKS.

ALL Settings require Panasonic firmware v1.11 & ptools 3.64D '200212' OR 3.65d required). Settings for GH2 & GF2 Lumix cameras.

THE LATEST SETTINGS

Cluster v2a (12 GOP, 3 GOP & 6 GOP)- Released 31 May 2012

FOR LONG RECORDINGS. VBR Long GOP (12 GOP) edition of Driftwood matrix driving 24pH with deblocking and high i frames (1,180,000 sized i frames in 80% mode). HBR/1080i Modes pushing 24p modes. 720p (GOP6) Working and spanning. mjpeg mode- simply the best around. Inc. Per Lichtmann's (thepalalias) top quality all singing-all dancing and quite brilliant 'Pasadena Pulse' audio settings.

Cluster v2e (The ALL 6 GOP setting)- Released 31 May 2012 V High i frames on 24p (you cant get any higher on death charts) 120+mbps, 80% mode works, V High HBR (800+ on death charts), v High 720p (600/700+ on death charts), 2K HD resolution 2048 x 1152 pixels - Highest quality MJPEG, Highest qual mjpeg SD. Great Audio from Per Lichtmann once again. NOW with in camera playback

NOTE ABOUT CLUSTER:

v2a = is 12 gop on 24p and 1080i50, 6 gop 720p and 3 gop 1080i60. This settiing is aimed at NTSC users.

v2e = all 6 GOP with 2k rez mjpeg & incam playback. (v2b, 2c and 2d are superceded by 2e) work for both NTSC AND PAL users.

Therefore, anything inbetween 2a and 2e, forget about them!

So, in summary, v2a or v2e are all you need to know about in this v2 release.

Driftwood Mysteron. - Released 29th March 2012

Top notch 24pH Intra setting with deblocking. 720p50/60 (GOP3/6) Workling and spanning. HBR / 1080i INTRA. Plus special burst mode setting of Mysteron giving 170M+ recordings and 900k Intra frame sizes at 5 secs hi detail, longer at less detail.

Driftwood Sedna 'Settings' - Release 15th March 2012, 01:30am

Stats: 24p Intra, 1080i/HBR Intra, 720 GOP3/GOP6 all settings as Orion with Sedna Matrices:-

A = High Detail matrix Good for Wide full detail shots.

B = Good allround detail matrix Great all round wide / mid shots.

C = Softer detail matrix Softer skin tonal detail.

Two packs, one at Quantisation 20 (default), the other AQ1 (pushed the Quantisation and bitrate further still). Note: AQ2 to 4 is unnecessary. Q20 is REALLY pushing the Quantisation to best levels without having to use AQ. Q20 Bitrate is measured to detail and will achieve in places AQ3 or AQ4 size bitrates without distorting Q so much as before.

Driftwood 'Cluster' v1 With Orion (AVC Intra adapted) Matrix VBR 'Settings' - Released 9th March 2012 1am

Stats: Upto 72M 24p, Upto 36M HBR, Upto 36M 720p modes. (*All REC MODES include B frames)

Driftwood Quantum X (v4d Orion) 'Dark Matter' Matrix Pack + HBR FIX - CBR 'Settings' - Released 18:30pm 06/03/2012

Details: Featuring the new 'Dark Matter' matrix set (three version variations) based on current Orion Matrix with hi/lo freq adjustments. Plus 720p on 9/6 GOP. AQ is NOT required. This is a constant Q (Q8) CBR setting which performs measurably better than with AQ4 on. All other settings as before. INFO: Orion 4d with Dark Matter matrix pack. Three adjusted matrices to try out, all scaled from perceived HVS Great Quality (v1) to middle of these (v2) and perceived HVS Highest quality (v3). HVS = Human Visual System. This is sharper than the Orion matrix of yore which is still great but many of you wanted to pull out a few extra stops. Let's see if this helps YOU. Only other changes from Orion 4b are GOP Releated, 720p is 9/6 for NTSC/PAL.

Driftwood Quantum X v5b and v5c 'β Pictoris' (baby Quantum X) VBR & CBR versions 'Settings' - Released 10:30am, 01/03/2012

INFO: Two versions - 1) CBR constant Bitrate at 75M, 2) VBR Adaptive Bitrate 35-75M

There are actually four versions (two in each pack CBR/VBR versions) for you to try out of Pictoris, two different matrices - v5b is the new hybrid matrix, v5c is the Orion included matrix. with NEW Driftwood scaled Panasonic GH2 Matrix meets AVC-INTRA Matrix hybrid (somewhere in the middle of Orion matrix meets GH2 Stock matrix) inc;- Settings primed for 50/75M Standard Rec Modes plus additional 25M for Etc Mode, 1080p24 on INTRA 50/75M Standard/75M Etc Mode, 1080i50/60 INTRA 50M /75M Etc Mode, 720p50/60 GOP6/9 40/75M, Standard/75M Etc, MJPEG Highest Quality 1920&720 Mjpeg modes. Good standard SD card recommended

Two Zip files below contain the settings: Download all packs and try them out:

Driftwood Quantum X (v4b Orion) CBR 'Settings'- Released 00:15am 28/02/2012

INFO: Settings include;- Quantum v9b style constant bitrate patch with full AVC-INTRA Matrix ; Requires firmware v1.1 and ptools 3.64d '200212 dated' (*Not compatible with 180212 dated ptools); CBR style 154M INTRA 108024p; CBR style HBR & 1080i INTRA 100M+ Max; CBR Style GOP12(PAL)/GOP15(NTSC) 720p 50/60 - 80+ Max; AVC Intra Matrix all round; GOP related Adjustments for B frames; EX Tele and 80% mode support. SD_Card=V good Class 10; SanDisk Extreme HD Video recommended

Driftwood Quantum X (v3b Rocket) RC VBR 'Settings' - RC Released 00:15am 28/02/2012

INFO: Settings include;- Adaptive Hi Bitrate INTRA on 1080p24 upto 154M; Adaptive Hi Bitrate 25p(50i PsF) upto 100M; Adaptive Hi Bitrate 30p (60i PsF) upto 100M+; Adaptive Hi Bitrate INTRA 1080i modes upto 100M+; Hi bitrate 720p modes on GOP 12/15 with B frames upto 50M safest; Highest Quality tested MJPEG on 1920x1080 (720 compression mode); Highest Quality tested MJPEG on 1280x720 (480 compression mode); EX Tele Mode support (will increase bitrate usage by around 20M); 80% on 1080p modes (will increase bitrate usage by around 25M)

Driftwood Quantum X 'SpanMyBitchUp' v2b - Released 10:15am 25/02/2012

INFO: Updated version of SpanMyBitchUp.

Settings include;- Adaptive Hi Bitrate INTRA on 1080p24 - upto 100M. (* Only for GH2); Adaptive Hi Bitrate 25p(50i PsF) INTRA - upto 100M; Adaptive Hi Bitrate 30p (60i PsF) INTRA - upto 100M; Adaptive Hi Bitrate INTRA 1080i modes - upto 100M; 720p modes on GOP 6 with B frames - upto 98M; Highest Quality tested MJPEG on 1920x1080 (720 compression mode); Highest Quality tested MJPEG on 1280x720 (480 compression mode); EX Tele Mode support; 80% on 1080p modes; 24L, 720/1080i FH/H settings on Trick mode (encoder calcs bitrate)

Driftwood Quantum X (v2 Rocket) 'Settings' - Released 22/02/2012

INFO: Adaptive bitrate settings. (See attached settings zip file below). Settings include;- Adaptive Hi Bitrate INTRA on 1080p24 - upto 154M. (* Only for GH2); Adaptive Hi Bitrate 25p(50i PsF) INTRA - upto 100M+; Adaptive Hi Bitrate 30p (60i PsF) INTRA - upto 120+; Adaptive Hi Bitrate INTRA 1080i modes - upto 120+; 720p modes on GOP 6 with B frames - upto 98M; Highest Quality tested MJPEG on 1920x1080 (720 compression mode); Highest Quality tested MJPEG on 1280x720 (480 compression mode); EX Tele Mode support; 80% on 1080p modes; AVC INTRA Matrix on I Frame coding with Flat 16 Matrix on P/B frames

These settings are dedicated to VK @Vitaliy_Kiselev (master in control) and Chris Brandin @cbrandin (thee font of information).

IF YOU LIKE THESE SETTINGS PLEASE PAYPAL DONATE (ABOVE) TO VITALIY FOR HIS TIRELESS WORK ON GIVING US THE HACK.

first impressions were that the r3d footage made the gh2 footage look like I'd turned my contrast all the way up in the gh2 I couldn't believe how contrasty the gh2 footage looked in comparison. and I used smooth -2,-2,-2,-2

anyone have any experience using an ultra con filter to flatten the gh2 image?

also, noise @ 320 in the darks on the gh2 was pretty bad. about 2 times worse than the epic. maybe it was the iso bug we'll have to test again. or maybe i need to turn noise reduction up it was pretty much a dealbreaker as far as planning to use the current gh2 to make the feature

good news was sharpness was on par with the 5k image. In fact, I actually added sharpness to the epic footage to match the gh2.

is there anyway to flatten out the gh2 in the matrix?

UPDATE: turns out my friend's monitor was exaggerating the difference between the cameras. I color corrected, sharpened and denoised the clips to match each other. Check out the vid and let me know which u think is which:

and here's the evidence that it really is epic footage vs. gh2 footage

-Ivan

interesting thing for us/settings GH2, for example SDHC667 (667x) but minimum 16MB/s so min. 16x8=128Mbit/s !!! for now already on the market and selling on xstra.eu see link below: "Pretec 16GB SDHC Card 567x Class 16" for €45,55 and there is 32GB version of this SDHC. BUT also on pretec the website there is SDXC 64GB, the cards all Class16, AND NOT the older versions (class10, 6, 4 etc.), here are the links:

http://www.pretec.com/news-event/press-room/item/press-room/worlds-fastest-cf-and-sd-cards-from-pretec http://ultimatephotographyguide.co.uk/pretec-announce-worlds-fastest-compact-flash-and-sd-cards/ http://www.ephotozine.com/article/pretec-announce-world-s-fastest-compact-flash-and-sd-cards-18707 http://www.pretec.com/products/memory-cards/sd-card

The minimum thing of Class16 means minimal trasfer speed of 128Mbit/s maybe this can help us the minimum limit (on the lower side) is 128Mbit/s AND up to it's higher limits (specifiation of Pretec).

Now we can do guaranteed minimum of 128Mbit/s ??!! Sounds good, BUT the also the "64GB SDXC 567x" and the upcoming "16GB SDHC667 667x". Maybe helpfull for "GH2-settings" and data is not lost when power is down!!!

I tried to install Mysteron patch by Driftwood just awhile ago and shot a test the bit rate is claimed to be around 146mbs but mine is around 82mbs. I tested with Sedna and other patches and it's always around 40-60mbs some are 80mbs but never accurate as it's claimed to be ( most claimed to be around 100+mbs).

Is there a setting i should know about? I use 3.65d for mysteron and v1.1 for the hack. I have 64gb 95mbs card also. Please help me out and point me towards the light. I'm frustrated because of this. I'm starting to think it's either my card or my cam is a defect.

My issue: With all the various patches, it's quite overwhelming. Unfortunately, I have VERY limited time to play around and test prior to the shoot dates.

What is the best "all around", go-to patch as of current? I've seen tons of great samples displaying Driftwood's patches. There's just so many...

I'm working with some Zeiss ZF lenses and Transcend Extreme 16gb cards. Looking to possibly include some 60fps shots for slow motion and time ramping here and there as well....

Any help is extremely appreciated. Thanks everyone.