This looks like a great camera that would really do what the ikonoskop tried to. It is s16mm at 2k or 16mm at 1920x1080. It records to compact flash cards ( cheaper than 100$ memory cards) has usb 3.0 out (better than a $1000 express card reader from ikonoskop) and has XLR inputs.

I am sad to say I have found this just days after selling my 16mm lens. That's the way it goes though I guess

oh did I mention it is $3300? If you preorder you can get it for $2500

I used this system for a lecture that was given in my area for sound support. I put the transmitter on the lecturer and the introducer and the receiver on the speaker system. I had the system on for over 2 hours with no drop outs and very clear sound. The lecturer was able to mute himself until the time he was ready to lecture and the introducer muted themselves after the introduction.

This new digital dual transmitter wireless mic system from Boya is well built with rugged aluminum construction. The system used dual channels that automatically scans channels to pair the transmitter to the receiver when turned on. It uses the transmission method of TDMA. What we get is very clear voice with a high signal to noise ratio.

The use these units, take them out of the nice case that is provided. Put 2 AA batteries in each transmitter. Open the transmitter by using two fingers to push locking release on the battery compartment and it slides open and comes out. The symbols for the direction of the batteries. Close it back up by sliding it back in and clicking. The transmitter is small and weighs 159 grams with batteries. (111 grams without)

Clip the lavaliere mic on your talent and plug it in to the locking connector on the transmitter by turning the ring on the 3.5mm mic cable, clockwise to lock. Do the same for the second transmitter. The mics have small windscreens provided for out door use.

Put two batteries into the receiver which has a cold shoe for mounting on a camera. It has a 1/2 inch hole for mounting on a tripod. To do this, push the back of the receiver up at the arrow and the cover slides open. The AA batteries are the installed in the direction indicated on the battery compartment. Slide the cover back on until it stops and clicks. It weighs 128 grams with batteries. (80 grams without)

The next thing you need to do to be ready to use these units is plug in the proper cable to the receiver. The system comes with two cables, on with a male XLR plug and one with a 3.5 plug on it. On the other end that connects to the receiver is a Mini TA3F XLR connector. Plug the right cable in and the other end into the mixer, PA system, camera or recorder.

Because of the automatic pairing all you do is turn it on. The units tell you that the system is paired with blue lights on the units and on the easy to read LCD display on the transmitters. The transmitters have a big Red Power button on the left side of the unit. Push it in and the transmitter powers on. The LCD lights up and the pairing light turns red. The LCD indicates the battery level and signal strength. It show Tx when not paired. Do the same for the other transmitter.

Turn on the Power switch on the right side of the receiver by pushing it up and the power indicator light turns red. When the unit automatically pair the power turns off and the blue pair light comes on the receiver and the transmitters.

Now you are ready to go. The two transmitters are on the same channel so two people can talk and it will be heard on the audio channel you plug into. The only way not to hear one of the people is to mute that transmitter by pushing the /Pair/Mute switch on it or turn it off.

After the lecture all I had to do is hold for two seconds the Red Power button on the transmitter to power them off. To power off the receiver, slide the power switch down.

If the units don’t pair there is a Pair button on each of the units all you do is push them to repair them.

This Boya BY-TM7 is very easy to use and provides good, clear, reliable sound without much fuss.

17+ steps DR range.

$80,000 for brand new camera body with this sensor

$1400 for both including US shipping.

US Sale preferred, unless you're willing to pay for it shipped insured! PM me if interested. Thanks!

Source: http://blog.vhx.tv/post/79165850109/vhx-is-open-to-the-public

When we launched VHX, we never imagined we’d get to work with creators like Kevin Spacey, Dave Grohl, Ira Glass, and Aziz Ansari.

We’ve been in private beta the last two years, helping distribute feature films, documentaries, TV shows, comedy specials, concerts, lectures and more. We’ve helped launch Camp Takota, Upstream Color, Mistaken for Strangers, the Oscar-nominated The Act of Killing, and many more. VHX now has over 300 titles available for sale, over $3M in gross transactions, and almost 500,000 customers worldwide.

VHX is now open to the public. Anyone can sign up and start selling immediately. Our internet-video-shaped doors are wide open: https://vhx.tv

We are lowering our pricing. VHX is free to sign up and use, and we charge just 10% + $0.50 per transaction (down from 15-20%). No extra charges for credit card processing or anything – that’s everything. Transparency? Transparency. If you’re an existing publisher this pricing will be effective as of March 1st.

Anything that used to be sold on DVD can be sold on VHX. Our platform works for a lot more than just film and TV. Faith, fitness, lifestyle, education…the list goes on. VHX also works for organizations both big and small: individuals, distributors, studios, networks, and more. Make a site to sell your work, distribute your project, and own the relationship with your audience. VHX is the technology platform that lets you run your own iTunes or Netflix. Your digital copies replace the old physical, anywhere in the world.

Very grateful to do a test with the world-famous filmmaker, Werner Herzog. He came down to my studio last week to do a quick test for his next film, "Untitiled Film About Death and Little People." Special thanks to the actors and the camera people - Nachiketa Amin, Phil Kibbe, and Carolina Ravassa and my producer Lily Henderson. Dedicated to the character development coaches I had - Chris Bagnall, Mariel Snynan, John Meese, Jaimie DeFina, and Sean Kennedy and my film school teacher who said, "Werner, you are never going to make it. Not with that facial hair." I graded DPX files 12 bit out of f35, redlogcine and reddragoncolor2, and BMD gamma from DB. My coloring job was lackluster, to say the least. Inconsistent. Digital Bolex fans - I'm sorry - I couldn't figure out how to make the footage not look terrible. I am sorry. I failed you. I am ready for you to tell me how I loaded in the footage wrong. That is okay. I make many mistakes in life.

Willing to cancel the auction is an offer is made here.

Paypal Only, CONUS.

for more info: https://iaremrsir.wordpress.com/2015/04/08/spaces-raw-cineform-raw-for-davinci-resolve/

and to get the plugin (top one): https://iaremrsir.wordpress.com/downloads/?hc_location=ufi

ANALOG / DIGITAL: The Emotional Impact of Film Recording Processes on the Audience

From the Institute for the Performing Arts and Film IPF in Zürich. (The publication is not really brand new - but I didn't see it here or elsewhere before.)

http://petapixel.com/2010/08/05/the-worlds-first-digital-camera-by-kodak-and-steve-sasson/

Harold House

Here is a video link of a concert I recorded using the PCM-D50

Asking $330 firm price & free shipping (Paypal Payment Only) (US Shipping Only)

Some time ago I've been thinking that one day they will see cameras with dreamy benefits available to our pockets and BMC has taken the first big step.

After impact caused by Pocket Camera at NAB seems as if all DSLR cameras literally stay in the past, the film market and videographic intermediate, semi-pro and professional low budget now has a gear of very low cost, then I wonder how that argument would have for example someone who wants today to buy a 5D MKIII about U$3000 for videos and films when for a third of the cost you have a body that offers RAW with 13 EVF of DR. Who less would suffer possibly are cameras under US$1,000 where the user amateur looking a camera for photo and with video to record the dog pacing on the garden, the family eating BBQ, an afternoon at the beach or something without more pretense, but I dont know if that market segment is sufficient for these traditional manufacturers.

I assume that traditional manufacturers must have a headache because they did not expect this movement. Anybody what will buy a camera for video a film low cost will prefer a DSLR digital -regardless the record format- to a camera to record in RAW?

BMC's movement beneficent the market because it will be forced to Sony, Panasonic, Canon and Nikon to compete with similar or better gear features, that or leave the market for inematographers and filmakers low budget because they havent argument to compete equal now.

PS, sorry for my poor english.

I typically shoot with 'Smooth' all at -2, but that's so I get a very flat, gradable image. I will probably transcode the AVCHD files straight to an internet ready H.264 file, but I have no plans of grading any of it.

Incredible Camera - Professional Quality - Unbelievable Price

Whether you're a pro, or just starting out, this is a great bargain for a great piece of gear that will give you hours of joy or make you money.

This is my personal camera, which I only used on 2 jobs as camera #2 where I was the camera operator.

This camera has never been in any harsh weather and is always stored on the desk of my home editing room, in the camera case.

This Camera Comes with Hundreds of Dollars Worth of Extras!

I own a production company, but I am a director, so I don't use a camera very much myself, and my company has a lot of high-end gear... so this camera is not used in my business.

Here is a list of everything included, but to get the whole story, watch the video below.

• Panasonic LUMIX DMC-GH2 Black Camera Body with Body Cap
• Panasonic LUMIX 14mm - 42mm Zoom Lens with Lumix Front Lens Cap and an Olympus Rear Lens Cap and Original Lens Shade
• One (1) 4Gb Memory Card
• Four(4) Original Panasonic Batteries with Battery Cases
• One (1) Original Panasonic Battery Charger
• Two (2) Aftermarket Batteries (non-coded - will not show battery level)
• One (1) Aftermarket Battery Charger
• One (1) Original Panasonic DC Coupler (does Not have the Power Adapter, which is sold separately)
• One (1) Aftermarket DC Coupler (does Not have the Power Adapter, which is sold separately)
• The Original USB Cable
• The Original Composite Video/Audio Cable
• The Stylus
• All of the User Manuals (English and other languages)
• All of the Original Paperwork (Warranty card is included but I don't remember if I registered it on-line or not)
• The Original CD ROM
• The Original Box
• A Camera Case

Everything that you need to start shooting as soon as your camera arrives is included.

I take extremely good care of my equipment and I describe it very accurately.

Please, serious inquiries only.

I only sell in the US. I will accept PayPal, Cashiers Check, or Money Order.

I will ship once the money is safely in my account.

Sale Price: $1,550.00

Free Shipping to Personal View Members that purchase it here.

Here is the video:

Thanks In Advance for Your Interest!

70mm Digital Raw.

The camera will feature on-board recording via an SSD, perhaps 1.5Tb

It will feature a Titanium body, and should be a couple of pounds lighter than the Arri Alexa.

It is expected to record DNxHD and ProRes, in RGB and maybe RAW.

The sensor can be windowed down to 42mm and 35mm formats.

They’re keen to allow a wide range of metadata to be captured and recorded onboard, making it “the VFX department’s dream camera“

They are also looking to develop a new open codec format

We’re expecting to see a prototype in the next six months…

It's been around a Year I signed in here for the very first time. So now, after many test shoots, I'm planning to choose GH2 for the next film project.

Film is about 85 minute long documentary. Films shooting style is mainly situation-based documentary (Cinéma Vérité aka Direct Cinema) with some "cinematic scenes". So some of the scenes are classic documentary and some more stylistic - fiction like - with lightning crew, dolly, directed action etc.

These situation-based events I'm going to shoot with GH2 attached to the Steadicam Pilot. And yes, no interviews. This means I don't have very long takes.

I really like Lee's Flow Motion v2 and Nick's Sedna (AQ1-A) or Cluster v6&7. These I've tested quite a lot. What I'm looking for is best combination in detail and in fluid motion (motion rendering - no strobo effect). And of course hacks reliability is a virtue too! =D

So does anyone has any extra pointers about taking a project to Big Screen? Or if You think there is superior Hack for this kind of project - please don't hesitate to speak out.

Thanx and all the Best, MisterJ

To be honest, I have yet to see a digitally projected image in a gallery setting that I've been pleased with aesthetically, which leads me to the question of this topic . . .

What are my options for transferring my 2.5K ProRes files to film, and how best would I project this in a gallery setting?

I have done some preliminary looking, and transfer services are available. 35mm transfer is more expensive, of course, and I do not know enough about 35mm projectors to know if "home use" projectors even exist. How high of quality is 16mm film? Will it do my GH2 footage justice in terms of resolution? It seems the easier route, as transfers are cheaper and good quality "home use" models are cheap too, even with sound.

I will continue to research and post what I find on this topic for the benefit of others, but I just thought I'd ask some preliminary questions in case there is a P-Ver with more first-hand film experience.

I can digital zoom on my 7d fine but not the gh2.

Is there anything i can do?

Thanks

The subject of tapeless deliverables was brought up, which was very timely for me, since I was in the middle of a job that was going crazy with uploading deliverables. Curious to know, how are you delivering final masters to your clients? Is it still tape? Do you see a decline in tape and an upward trend in digital delivery? How do you bill for upload time?

This is a topic for us to discuss the future of delivery in terms of bandwidth. Ideas, recommendations on best practices in the work environment. I'm very curious to know what your personal standards or your company's standards are for delivering digital content. Where do you see the need for bandwidth in small business and homes over the next few years - and will it be affordable? How do you organize the vast swath of files and content that's created?

Let's keep the NLE debate out of this conversation and focus on the realities of our day-to-day needs in delivery. Please post in the Final Cut X topic if you've got "beef" (and you know I do!).

Something that would make it to every photo you took via EXIF information. I think it would be very useful if we could use PTTools to define a small text signature (ex: "This camera belongs to John Doe, 1000 - Planet Earth, North Pole: john_doe@earth.org").

This way, if your body gets stolen and assuming there is a 50% chance that it ends in hack ignorant hands, you have a meaningful chance to see some traces of it surfacing the Web in the form of pictures taken with that camera.

P.S. - I posted here because my searches for feature requests threads were fruitless.