a 80-200 T3 in PL mount ~$2800 and
a 50mm T1.5 in PL mount ~$2600

I think the 80-200 is Nikkor based and the 50mm might be a Sony/Zeiss? or a Contax?

Duclos modded lenses: http://www.ducloslenses.com/collections/zeiss/products/zeiss-zf-2-cine-mod Tokina 11-16: http://www.bhphotovideo.com/c/product/554036-REG/Tokina_ATX116PRODXN_11_16mm_f_2_8_AT_X_116.html

I had them with my Braun Super 8 camera, and now they are collecting dust.

There are three filters in the set:

1. [A+ Condition] Multi-Image 3x Prism Consists of high quality glass with three equally sized prism surfaces that meet in the center. It produces three identical images whose positioning can be changed by turning the rotating mount.

2. [Water Damaged!] geletin core, but still usable]3x Color Prism The 3x Color Prism attachment produces the same effect as the 3x Prism Parallel, but adds a gradual, soft blending of colors. The three parallel images can be positioned by rotation.

3. [A+ Condition] Multi-Image 5x Prism This prism contains a square prism in the center of the attachment and four trapezoidshaped prisms in the outer area. It produces one central image surrounded by four identical images which may be moved around the square by rotation.

Give your movies an authentic groovy look with these high quality German filters!

BTW: I'm also wanting to sell my 14-140mm Lumix. Hardly ever use it - $350.00 + shipping + $10.00 donation to this site.

$60.00 takes all three filters. Shipping + $5.00 donation to this site will be extra.

Thanks!

PS: I don't have all the pictures here on the page, but I could send them to you if you wish:)

Set Consisting of 25/35/50/85mm T1.5

PL Mount? Maybe other mounts on release?

What do we think these are rehoused from?

http://www.alphatron.tv/2013040367/zunow-news/nab-2013-zunow-imperial-prime-lenses.html?utm_source=dlvr.it&utm_medium=twitter

We could pick a day, head over and tag team the booths as correspondents covering all the major exhibits people request here. Maybe have a few people with us as experts in each field of production. Something like that. Who knows. Maybe even Bed Bath and Beyond. I don't know if we'll have time!

I don't mind at all and I pretty much have any and all gear we'll need.

Let me know!

Vic

I thought this could be it's own topic, as I think there are more and more people in a similar scenario, whether as photographers moving over into video, DP's that want a run n' gun MFT setup for travel, or budget film makers. I (like many of you) have grandfathered a fairly random set of different mount primes into my MFT setup, but I thought it would be an interesting "what-if" to think about starting from scratch.

There are a lot of new lens options in the last year from some new guys - SLR Magic, Nokton and as well as some zooms from Pana - I'm really interested to see which of these are must-haves for you guys.

Parameters:

-Please keep suggestions to lenses that are available new, or used from a reputable seller (ie. I like/own vintage primes, but let's assume you need to be able to buy and expense this equipment through a corporate finance dept.)

-For budget, let's say you have $2500 - $3000. And you don't want to blow it all on one Leica.

-Let's assume you're using MFT because you're traveling and need a light, yet flexible kit - everything from two camera interviews mixed with lots of run and gun art-docu type shots (let's say you have something standard, like a couple of tripods, a small slider and a Steadicam arm/vest).

Given that - what are the three/four/five lenses you would buy for your set?

PS. In the spirit of keeping things short and readable, please do not list a bunch of lenses that you don't recommend and all your reasons for not recommending them.

http://www.ebay.com/itm/Customized-pro-full-frame-film-lens-50-1-4-5D2-5D3-camera-photography-video-film-/270994490145

50mm F1.7 Pentax Mount Cine, $499

http://www.ebay.com/itm/Customized-pro-full-frame-film-lens-PHN50-1-7-PK-bayonet-mount-camera-video-film-/280923596100

Directed by: Vic Harris Produced and Written by: Shelli Wright Production Team: Ryan McBay, Ed Spangler, John Wrendinthal, Jay Brown and Timmy "Tip Toes" Tomlin Sound: Pete Grainger Edited by: Van Rueben Cop: J.R. Craig VO: Lee Kanne "Another One Rides the Bus" sung by: Greg Vautour

Filmed and stared in by real Veterans and Law Enforcement Personnel

Gear used: Cameras: Panasonic GH2's with Driftwoods Apocalypse Now 'Boom!' - Intra GOP1 24p Flat 4 matrix hack, shot at 1080/24P

Lenses: Rokinon 14mm T1.5 Cine, 24mm T1.5 Cine, 85mm T1.5 Cine, Tokina 11-16mm 2.8, SLR Magic 12mm 1.6, Nikon AIs 50mm 1.8, 105mm 2.8

Lights: 3 Kino Divas, 508 LEDs, 312AS LEDs,

Grip: Bogen 316 Head and Sticks, Dolly + track, Customized Camtree Car Mount Rig,

Zeiss Super Speeds MKII

Zeiss CP.2 Super Speeds

Canon K35's, Canon CN-E

Canon EF

Leica Summilux-C

Optica Elites

Luma Tech Illuminas

i think leica is alien tech, lol, too perfect man

original site: http://matthayslett.com/salt-iii-high-speed-lens-shootout-wfo/

Shot with IV2, Sanity 5.1 at 1080 24p with a shutter speed of 30 and 40

SLR Magic 12mm F1.6

Rokinon Cine 85mm T1.5

Pany 20mm F1.7 for timelapse and night shots.

Custom motorized Varavon S900 slider from here.

I'm going to buy the Samyang 35mm and use it for both stills and video (with follow focus), so I'm unsure about which version I should choose.

Located in Germany, shipping worldwide.

I bought it a few months ago for approx. 625 Dollar directly from RPLens.

Excellent condition, great build quality and really fantastic images. I'm selling it only for financial reasons.

Price: 400 Euro (500 Dollar) + Shipping.