Suggested rumours for the Hero 12:

• new form factor with more angular design with sharper, well-defined edges
• new 'Edge-to-Edge' touchscreen on the rear

Check image of E-M1 main board above. Usually biggest chips in modern cameras are as follows : main LSI chip, one or more RAM chips, flash chips.

In some cases, like in some modern Panasonic cameras it can be something that looks like one chip only - with main LSI located directly below custom chip that contains both flash and RAM.

Development of all of the chips mentioned is very complex and costly task. But they have one core difference - you can get modern mobile RAM (DDR2 or DDR3 usually) chips, same is true for flash. But if you are serious company you develop your own main LSI. Sometimes it is join efforts, for example Nikon use Fujitsu FR image LSI as core for further modifications. Join development allow to save costs, but usually means that any problem of the partner prevents adding important features (like Fujitsu FR issues with video until last generation).

Another core difference between this chips is the process that is used to manufacture them. RAM and Flash usually are at forefront of progress, as they are simpler chips and development costs are lower with better yields and ability to compensate increased costs with instantly visible increased capacity.

For LSI is much more difficult. Latest Fujitsu based LSI (like in Nikon) are still 65nm, as far as I know many other LSI are also in same or slightly smaller process. This is in the times were most mobile CPUs went 28nm. Why it is so?

Answer here is simple - development costs and ability to return investments. You can check table below:

Further it become even worse:

Companies try to overcome this with existing process optimizations like SuVolta ones.

the MB86S22AA Milbeaut image processing chip — the DDC tech can cut power consumption by 30 percent, but it can still have twice the processing performance of comparable chips. Fujitsu and SuVolta have been working together since the Summer of 2011.

In case of new process costs rise even more due to problems associated with initial stages of production.

Charts from http://m.eet.com/media/1160433/sv_mw_b_120601_technology%20extension%20oped_revm.pdf

How big are this costs?
Non-recurring engineering costs estimates for 28nm complex image LSI are about $29 millions of dollars.

In case of more iterations of development, producing more masks and modifications costs can be as high as $50 millions.

All this money must be returned from chip sales inside cameras. Millions of cameras.

Small companies usually have no chance to do it, so they use other solution - modern FPGA chips. We'll discuss in detail their specifics and development costs in next post.

So, as you see sharply declining sales of compact cameras do not start smile happily looking at your smartphone. Most of this cameras use same LSI as in big cameras, sometimes clocked down and with smaller amount of slower memory, but same chips. As otherwise it becomes impossible to be profitable.

Today all camera companies face complex problems:

• Necessity to move to 28nm (who did not do it already) and later to 14nm.
• Sharply rising development costs
• Declining overall cameras sales resulting in constant cuts and optimizations that have almost no effect.
• Steady or declining average camera prices (all companies went with idea to introduce premium cameras and design to rise the price)

In upcoming posts we'll touch FPGA development problems, 14nm costs comparisons, flash and ram issues, screens problems

Specifications:

• High resolution 1080HD Super 16mm sized sensor with superior handing of image detail.
• Super wide 13 stops of dynamic range allows capture of increased details for feature film look.
• Compatible with extremely high quality Micro Four Thirds lenses. Compatible with other mounts via common third party adapters such as PL mount and Super 16 cine lenses.
• Built in SD card allows long duration recording with easy to use media.
• Open file formats compatible with popular NLE software such as ProRes 422 (HQ) and lossless compressed CinemaDNG 12 bit RAW. No custom file formats.
• Features all standard connections, including mini jack mic/line audio in, micro HDMI output for monitoring with camera status graphic overlay, headphone mini jack, LANC remote control and standard DC 12 power connection.
• Built in LCD for camera settings via easy to use menus.
• Supports 1080HD resolution capture in 23.98, 24, 25, 29.97 and 30 fps.
• Compatible with DaVinci Resolve Lite color grading software.

Availableat:

• http://www.adorama.com/VDBMCCP.html

http://www.blackmagicdesign.com/products/blackmagicpocketcinemacamera

Specs

• Four models with the choice of two sensors, 4.6K or 4K sensor in EF or PL mount.
• Built in dual CFast 2.0 card recorders allow unlimited duration recording in high quality.
• Open file formats compatible with popular software, such as CinemaDNG 12 bit RAW. No custom file formats.
• Support for CinemaDNG 4.6K RAW files and ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT, ProRes 422 Proxy recording at Ultra HD and HD resolutions.
• Features all standard connections, including dual XLR mic/line audio inputs with phantom power, 12G-SDI output for monitoring with camera status graphic overlay and separate XLR 4 pin power output for viewfinder power, headphone jack, LANC remote control and standard 4 pin 12V DC power connection.
• Built in high quality stereo microphones for recording sound.
• 5" foldout 1080 HD touchscreen for on-set monitoring and menu settings.
• Optional URSA Mini Shoulder Kit, allowing both tripod and shoulder use interchangeably.
• Built in gyroscope allowing recording of camera pitch, roll and yaw movements when working in RAW.

• Includes full copy of DaVinci Resolve software color grading and editing software

• Blackmagic URSA Mini 4K - $2995

• Blackmagic URSA Mini 4K PL - $3495
• Blackmagic URSA Mini 4.6K EF - $4995
• Blackmagic URSA Mini 4.6K PL - $5495

https://www.blackmagicdesign.com/products/blackmagicursamini

However, one of the parents of a climber decided to build a pretty spectacular American Ninja Warrior course in his backyard. Here is what opening day looked like.

This was filmed with the GoPro Hero5 Black and the Panasonic LX100. Most of it is UHD/4K @ 30 FPS or 2.7k @ 60 FPS. However, some clips were 1080p @ 120 FPS converted to UHD/4K @ 60 FPS. There is one 720p @ 240 FPS clip for the super slow motion. The compression artifacts are terrible but 240 FPS is really cool for slow motion.

If you have any questions about the GoPro 5 please let me know. I know it doesn't look that much better than the Hero4. However, it still is a fabulous camera for what it is designed to do and its price is actually quite reasonable.

There is no color grading done at all. This is footage straight out of the camera pieced together and sometimes slowed down or sped up. No other changes except for just a little general sharpening throughout the video. This is the first 4K @ 60 FPS video I have done for youtube. I don't have the ability to make HDR videos yet. However, I am really impressed with the true HDR videos youtube now has.

SLR Magic Anamorphot 1,33 50
- 3 Diopters +1 +2 +3 Tiffen Series 9
- Adapter Ring for Series 9 tiffen filters 77mm
Price: 880 UK Pounds + Shipping

Sigma 18-35mm F1.8 ART - Nikon mount
Price:525 UK Pounds +Shipping

GoPro Hero 3 Black Edtion + Touch LCD
- Touch LCD
- 3 Extra Batteries
- 1 External Charger
- Chest and Head Strap
Price:370 UK Pounds + Shipping

-Will Ship internationally
-PayPal Payment

Thanks!

Support indie film!

Specifications:

• Super 35 sensor
• Effective Sensor Size 21.12mm x 11.88mm (Super 35).
• Frame Rates
  • 3840 x 2160p23.98,
  • 3840 x 2160p24,
  • 3840 x 2160p25,
  • 3840 x 2160p29.97,
  • 3840 x 2160p30,
  • 1920 x 1080p23.98,
  • 1920 x 1080p24,
  • 1920 x 1080p25,
  • 1920 x 1080p29.97,
  • 1920 x 1080p30,
  • 1920 x 1080p50i,
  • 1920 x 1080p59.94i.
• Recording:
  • Apple ProRes 422 (HQ) at 3840 x 2160 and 1920 x 1080,
  • Visually lossless compressed CinemaDNG RAW at 3840 x 2160 and 1920 x 1080 * Global Shutter
• Ultra HD and 4K support
• Built In SSD recorder
• Touch LCD metadata entry
• Compressed Cinema DNG RAW and ProRes recording
• Thunderbolt and EF lens compatibility
• Cncludes FREE DaVinci Resolve and UltraScope.
• $2495 Retail price

http://www.blackmagicdesign.com/products/blackmagicproductioncamera4k

Available at:

• http://www.bhphotovideo.com/c/product/964119-REG/blackmagic_design_blackmagic_production_camera_4k.html

Good excuse for a PV NYC Meet-up!

If you like Ferrari's and sport bikes, I think you're gonna like this.

Some GH2 and Red One stuff along with several dji inspire and phantom shots in subsequent episodes.

Please feel free to comment and subscribe.... we're already getting alot of love and support from the petrol heads.

Petrol Episode 1 CLICK TO WATCH -

Petrol Episode 2 Episode 2 CLICK TO WATCH -

I want to use the HDMI of my 2 GH3’s for webstreaming using some software like wirecast but also for recording instructional videos on my Mac.

Now I’ve been looking at solutions from AJA, Matrox, and Blackmagic but I’m unsure which one actually does what i need it to do.

This is the short list of features that I’m looking for: 2 hdmi inputs that can be streamed simultaneously to the web Able to record the HDMI of both cams to an SSD the device or card would help out with any rendering done by FCPX , Pr, AE, etc...

Extra’s: I have also one GH2, I’ve read that the HDMI of the GH2 is useless for recording but maybe it can be used for streaming? The possibility of adding the GH2 to the setup and thus having 3 cams would be a welcome bonus but not necessary.

I have an RME fireface 800 that i'll be using for audio capture.

What would you all see as the best way to go about doing this?

Via: http://43rumors.com

Specs

• 43 size sensor
• active MFT mount
• 1080p60, 4Kp30
• Price around $1599

for more info: https://iaremrsir.wordpress.com/2015/04/08/spaces-raw-cineform-raw-for-davinci-resolve/

and to get the plugin (top one): https://iaremrsir.wordpress.com/downloads/?hc_location=ufi

http://www.ebay.co.uk/itm/321671550037?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

Also selling Switronix PB70-BMCC PowerBase-70 with the Charger. £220.

http://www.ebay.co.uk/itm/321672059595?ssPageName=STRK:MESELX:IT&_trksid=p3984.m1555.l2649

Capture and share your life’s most meaningful experiences with the HERO3+ Black Edition. 20% smaller and lighter than its best-selling predecessor, it delivers improved image quality and powerful new features geared for versatility and convenience. SuperView™ is a new video mode that captures the world’s most immersive wide angle perspective, while Auto Low Light mode intelligently adjusts frame rate for stunning low-light performance. Combined with 30% longer battery life, 4x faster built-in Wi-Fi and a sharper lens, the HERO3+ Black Edition is the most advanced GoPro yet.

Stunning video quality has made GoPro the world’s best-selling camera company, and the HERO3+ Black Edition continues this tradition. High-resolution, high-frame rate 1440p48, 1080p60, 960p100 and 720p120 video modes result in professional quality footage and allow for liquid-smooth slow motion playback. 4Kp15 and 2.7Kp30 enable ultra high-resolution, cinema quality capture.

GoPro is proud to introduce SuperView, a video mode that captures the world’s most immersive wide angle perspective. It allows you to capture more of yourself and your surroundings in the shot—resulting in captivating, ultra engaging footage.

Enjoy crisper, clearer footage with reduced distortion. The HERO3+ Black Edition boasts a 33% increase in image sharpness thanks to its sharper lens and 2x reduction in imaging artifacts.

The HERO3+ Black Edition features upgraded audio performance, capturing even the most subtle of sounds.

Featuring a 30% increase in battery life.

Info/direct buy at:

• http://gopro.com/cameras/hd-hero3-silver-edition
• http://gopro.com/cameras/hd-hero3-black-edition

Available also at:

• http://www.amazon.com/exec/obidos/ASIN/B00F3F0GLU/
• http://www.bhphotovideo.com/c/product/1003301-REG/gopro_chdhx_302_hero3_black_edition_adventure.html
• http://www.bhphotovideo.com/c/product/1003322-REG/gopro_chdhn_302_hero3_silver_edition_camera.html

Reviews:

• http://www.hobbymounts.co.uk/blog/the-gopro-hero-3-black-edition-what-does-it-all-mean/

$650 shipped in the U.S.

Simple question actually, the title says it all : which would be the best hack - or is it even necessary - for black&white on gh2? The black&white I have in mind as an ideal (I must repeat this : as an ideal!) is the film noir style, films like "The killers", "Criss Cross", directed by Siodmak...

Any thoughts and/or knowledge would be highly appreciated.

Nicolas

So Euro 750, you keep your Resolve dongle and we have a deal.

Thank you!

To do some live streaming I’ve looked at many solutions and this one seems (at this point) the most ideal for my multi camera setup : hook up 3 gh3’s to 3 Ultrastudio mini recorders with thunderbolt and use wirecast to do the streaming and encoding on the mac pro/hackintosh.

I’ve seen however some conflicting messages on forums where it seems that the GH3 signal will not pass through the mini recorder, so does any one have experience with this? Can anyone confirm the mini recorder works with the GH3 and wirecast?

I believe the GH3 has 4:2:0 out and the codecs supported by the mini recorder are:   AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes (LT), Apple ProRes 422 (Proxy), Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2.

So perhaps the GH3 might not work due to different colorspace?

 Here a post where you see a setup using to minirecorders thunderbolt + usb camera to stream live with wirecast: htttp://forum.telestream.net/forum/messageview.aspx?catid=45&threadid=13444 The guy doesn't use a dslr but dedicated camera but you can use the mini recorders with wirecast, only question is, will it work with the GH3?!

Hope one of you can shed some light on this matter

Update:

Interesting links for this thread: Setup using mini recorders: http://forum.telestream.net/forum/messageview.aspx?catid=45&threadid=13444 How to setup GH3 for HDMI output: http://provideocoalition.com/atepper/story/how-to-make-the-lumix-gh3-camera-deliver-proper-recordable-1080p-over-

BMCC 1175 inc delivered to UK. Speedbooster 370 inc delivered to UK. Nikon 17-55mm 450 inc delivered to UK.

Can send pics to anyone interested.

Filmed with my Panasonic GH3, GoPro 3 Black, and Modified Full Spectrum GF1 simultaneously. I shot with the GoPro on the GH3's hot shoe so I would have simultaneous wide angle and tight views. The GF1 was on a tripod and was put in Black and White mode with contrast turned all the way up because of the extra UV/IR light that is let in. It can literally see in the dark.

No color grading was done at all. I simply don't have time for it. This is straight out of the camera video just pieced together with the music.

I think the future of filming is multiple cameras operated by a single person. Maybe just a pipe dream but it is still my dream.

First, of course, RAW workflow requires some investments in HDD place and preferable also speed (like RAID, etc).

Existing Premiere CS5.5 and upcoming CS6 support working with CinemaDNG (as it is Adobe format after all).

I want to know if anyone here is currently shooting with the original version, and what additional equipment you feel is needed to handle shooting. My rough list is the following:

o Baseplate (I'm using Zacuto with FF) on Sachtler sticks

o EVF -- I'm using the Zacuto also, for zebras and flexible positioning

o 2 x SSD drives... I'm waiting to order these until last minute so prices come down

o Matte box? Is this essential? I think not, for my documentary style shooting

Will my two-year old MBP be enough to edit ProRes422 encoded 10 bit video? How should I connect the SSD drives? I think for my initial shooting, Raw might be too much for my workflow process.

P.S. PV, of course, will have our own Black Friday deals :-)

http://www.millennius.com/shop/cameras/gopro-hd-hero3-black-edition
318,00 EUR

http://www.millennius.com/shop/cameras/gopro-hd-hero3-black-edition $399 - 298,00 EUR