Specifications

• 30.4Mp CMOS FF sensor
• Dual AF capability
• 61 AF points
• 150,000-pixel RGB + IR photometry sensor
• 4kp30, 4kp24 500mbit MJPEG mode, 4:2:2 recording
• 1080p60, 720p120 video H.264
• Image processing engine DIGIC6 +
• LCD 3.2" 1.62Mdots, touch screen
• 100% FOV viewfinder, 0.71x magnification
• 7 fps serial shooting
• 15 million actuations shutter life
• Wi-Fi (only old n standard), GPS, NFC
• Mirror vibration control system
• SD and CompactFlash slots
• Special RAW mode preserving all Dual Pixel info
• USB 3.0
• HDMI output
• Dust and water protected
• 150.7mm x 116.4mm x 75.9mm
• 890g with battery
• $3499 US, €3,699 in Europe, $4299 CAD in Canada, shipping at October 1st
• Preorder at http://www.adorama.com/ica5dm4.html

Images of this modern prehistoric beast

Main video specs

• [1920 x 1080]: 30 fps / 25 fps / 24 fps; ALL-I - 685 MB/min (91Mbit/s), IPB 235MB /min (32Mbit/s)
• [1280 x 720]: 60 fps / 50 fps; ALL-I - 610 MB/min (81Mbit/s), IPB 205MB /min (27Mbit/s)
• [640 x 480]: 30 fps / 25 fps; IPB - 78MB/min (10Mbit/s)

If the recording time reaches 29 min. 59 sec., the movie shooting stops automatically.
Movie shooting does not stop when the file size reaches 4GB. SMPTE timecode recording (Rec-Run and Free-Run) and a touch-sensitive rear dial
No clean HDMI output

There's a built-in headphone socket for audio monitoring, and the ability to adjust the recording volume by pressing the left or right side of the rear control dial.

Price - Body: $3499, €3299, £2999; Kit with 24-105mm: $4299

In stock

Body:

http://www.amazon.com/Canon-Mark-Frame-Digital-Camera/dp/B007FGYZFI/

http://www.adorama.com/ICA5DM3.html?sub=Canon5DMk3SSM

http://www.bhphotovideo.com/c/product/847545-REG/Canon_5260A002_EOS_5D_Mark_III.html

Links to specs, etc

http://www.dpreview.com/news/2012/03/02/Canon-5D-Mark-III
http://www.usa.canon.com/cusa/professional/products/professional_cameras/digital_slr_cameras/eos_5d_mark_iii#Specifications
http://www.canon-europe.com/Images/EOS_5D_Mark_III_Specification_Sheet-v2_0_tcm13-910228.pdf
http://www.canon-europe.com/Images/EOS_5D_Mark_III_Technologies_Explained-v1_0_tcm13-907890.pdf

Previews and reviews:

http://www.dpreview.com/previews/canoneos5dmarkiii/
http://www.imaging-resource.com/PRODS/canon-5d-mkiii/canon-5d-mkiiiA.HTM
http://www.cameralabs.com/reviews/Canon_EOS_5D_Mark_III/
http://www.bobatkins.com/photography/digital/canon_eos_5D_MkIII_preview.html
http://blog.jeffascough.com/photographers/2012/03/canon-eos-5d-mark-iii-review.html
http://blog.planet5d.com/2012/03/canon-eos-5d-mark-iii-hands-on-what-isnt-in-the-canon-press-release/
http://www.thephoblographer.com/2012/03/02/should-i-upgrade-to-the-5d-mk-iii-from-the-5d-mk-ii/
http://www.engadget.com/2012/03/02/canon-announces-eos-5d-mark-iii-22-3mp-full-frame-sensor-6-fps/
http://blog.vincentlaforet.com/2012/03/01/canon-5d-mkiii-my-thoughts/
http://www.dxomark.com/index.php/Publications/DxOMark-Reviews/Canon-5D-Mark-III-Review/Hands-on-Review
http://ninofilm.net/blog/2012/03/02/canon-eos-5d-mark-iii-revealed-first-videos-my-thoughts/
http://bertstephani.com/2012/03/02/canon-eos-5d-mark-3-first-review/
http://www.ephotozine.com/article/canon-eos-5d-mk-ii-vs-mk-iii-18643

Video reviews, video samples, stills samples:

Samples:

http://www.dpreview.com/news/2012/03/02/canoneos5dmarkiii-isoseries http://web.canon.jp/imaging/eosd/samples/eos5dmk3/ http://www.flickr.com/photos/98609590@N00/sets/72157629133702510/with/6947467655/

Manual:

http://gdlp01.c-wss.com/gds/8/0300007348/01/eos5dmkiii-im-c-en.pdf

Trailer:

I also used a 5D Mark III with Magic Lantern for some Glidecam shots.

Here is a NoFilmSchool BTS write-up from many moons ago (when it was called SLEEPWALKERS): http://nofilmschool.com/2013/12/ryan-lightbourn-shot-feature-on-red-scarlet-bmpcc-5d-mark-iii

I had a Blackmagic Cinema Camera which i sold, though I loved the image!

I had a Sony 6300 which I sold, im not getting on with Sonys that much.

Im seeing some really good footage with the Gh5.

But I still keep coming back to Canon ML raw, which has such a great image.

So do I go for a Gh5 with a speed booster or a 5d mark iii??

Thanks

Chris :)

http://www.eoshd.com/2017/04/super-35mm-4k-comes-canon-5d-mark-iii-new-magic-lantern-module-real/

The Canon 5D Mark III will now record 4K, raw thanks to A1ex and his team at ML. The resolutions available are: 1920×960 @ 50p (both 1:1 crop and full-frame – 3×3 pixel binning) 1920×800 @ 60p (same as above) 1920×1080 @ 45p and 48p (3×3 binning) 1920×1920 @ 24p (1:1 square crop) 3072×1920 @ 24p (1:1 crop) 3840×1600 @ 24p (1:1 crop) 4096×2560 @ 12.5p (1:1 crop) 4096×1440 @ 25p (1:1 crop)

Limitations currently exist, of course (no sound is recorded and B/W display) but recording time seems very useful (no limits quoted, if they exist.)

Follow link below....

Shot with a Canon 5D Mark III and Panasonic GH2; I would love to hear what you guys think.

Any shares and subscribes are much appreciated!

SYNOPSIS:
"Stevie, a previously successful marketing executive, is now locked away in a mental institution and must tell his story to prove that he isn't crazy."

Canon 24-105L Canon 70-200L Rokinon 14mm

No gear except camera tripod and lenses. Hope to do some more creative uses coming up.

Color graded and edited in Davinci Resolve Lite using a mix of Cinelog LUTs, and Vision Color LUTs. Very light noise reduction on the early shots applied with neat video, and a small level of grain added throughout the video to give it a a little filmish kick. Download original to get a much better idea of grain appeal. I myself have come from GH2 land and so the raw experience has been a joy. I personally enjoy the color grading process so it is very nice to have all the latitude and detail to work with.

Any comments or questions, don't hesitate to ask.

Enjoy.

The cost is £60!

I'm living in London, pick up is preferred, but I can also send the camera, within European borders.

http://www.gumtree.com/p/for-sale/8-lcd-monitor-for-canon-cameras-5d-7d/1058609008 I FORGOT TO PUT IN THE PICTURES THE REMOTE CONTROL, It will come with the screen..

What you going to get: -8" LCD Monitor -Canon LP-E6 Charger -Power cable -Sun Shade -Accessory Shoe Mounting Adapter -Remote Control -360 degree swivel mount

Features • Ultra Bright 450cd/㎡ High-Definition Display • Supports Composite Video RCA Input • Display Resolution up to 800*480 Pixels • 16:9 or 4:3 Adjustable Display Ratio • Designed for FPV Application • Application to FPV or Wireless Composite Video Camera in making Movies.

Specifications Panel Size: 8" widescreen Brightness: 450 cd/㎡ LCD Type: TFT LCD Resolution: 800 x 480 Aspect Ratio: 16:9 & 4:3 Contrast Ratio: 500:1 Light Source: LED Backlight Surface Treatment: Anti-Glare Viewing Angle: 70°/70°,50°/70° (L/R,U/D) Inputs: Compostie 1 Video RCA Input, 1 Audio RCA Input Input Voltage: DC 6-12V Input Current: DC 0.5A-1.5A Power Consumption: ≤8W Watts Speaker: Built in, 1 Watt Mount: "1/4"-20 Thread and VESA mounting socket(75mm) Storage Temperature: -20°C to 70°C Operating Temperature: -10°C to 60°C Size: 208 (L) × 146(W) × 32(H) mm Weight: 515g

I just released my newest short film shot on a Canon 5D Mark II (raw), including a couple of shots from my new Blackmagic Pocket Cinema Camera.

For quality's sake, I created a special streaming page including a download link in 1080p. It's in German, but I think it's pretty straight forward.

Plot: In a post-apocalyptic world we follow a man on his desperate way to survive.

Hope you guys like it!

http://sonnenflecken.cold-entertainment.com/1080p

I am happy to share with you the trailer for our Short Movie "Elementarschaden", which means as much as "Damage from natural Hazards" - about a fictional Incident, taking place during the real flood catastrophe in Germany, June 2013.

We shot on 5DMKII RAW and Zeiss Planar & Distagon Primes only. The movie is now applying in all major film festivals in germany, therefore I can only publish a trailer for now. I added English subtitles for your convenience.

I am happy to hear your thoughts! :)

regards

Felix

FATPIGtures

In an AVCHD timeline in Premiere Pro CS6, I imported two clips, one the original MTS and the other a converted ProRes of that clip. But the result was not fixed by only 15 and 235 input/output adjustment, it required something closer to 40 and 215. And that did not mean that the result was the same, there was still more blue in the highlights and shadows in the MTS vs. the ProRes. Further adjustment would be needed, but the ProRes conversion was more balanced.

This was just my first test, and I'm no expert in this, but it seems like conversion to ProRes still makes sense. What are other people's take on this?

Watch from YouTube as "Original quality".

What I envision as a workflow would be the following--use a preset from each cam, not a custom WB, so anyone could use these Look Up Tables, then shoot some scenes with the Macbeth Color chart, using the same chart and lighting for each cam, and then finally just put the numbers online. I suppose an even better solution would be to somehow convert these LUTs into Cineform values so we could bypass Speedgrade altogether.

The result would be that one could open a preset, say "incandescent" in the GH2 and 5D MK2, or pro camcorder, then just apply the LUT. And anyone could use the LUT because it uses the preset WB in the Cams, which presumably are the same for every user.

Anyone in the world could then use these LUTs.

I try to find a good solution for sound in my 5D, just for some normal interview( could be in the studio and any place clients are). Before I used HDV to get some sound, 5Dget image, and sync in post with pluraleyes. But I found a lot people do get better solution. Now I try to learn it.

So what I'm trying to do is just get the quality sound directly into my 5D2, without post work with pluraleyes. My buddies are: TASCAM DR-100, SONY UWP-V1(Radio mic)，Audio Technica AT897, also got Rode NTG-1(but this one no AA power supply). 5D2(hacked with Magic Lantern 2.3)

First, I try sony radio mic directly plugin to 5D, it's reasonable sound for event interview stuff, but definite not really good quality, as 5D doesn't have good sound handling ability( I guess).

Then I get this TASCAM thing.(A lot people use H4n, i guess similar thing). Tascam has 2 XLR input, So I use sony radio mic and AT897 (both powered by themselves). My tascam get decent sound these two mic. I used tascam's 3.5 line output, send the sound to 5D's 3.5 mic input. monitor the 5D's sound through AV mount. (wiki ML says we will need a RCA-3.5 adapter, i didn't see that before so i just plugin my 3.5 headphone in to that AV end, it works, I did get the sound there, amazing! ) It worked for a while but I don't when it suddenly just can only get one track, only left channel, there is no infos came into right channel. No matter what i try on all the settings in the ML menu, I can't get that right channel back...

Can anyone help me figure this out?

just wanted to share the little clip of the first footage i have taken with my brandnew MKIII. It was a big loss and bigger win (for me). Footage is graded in AfterEffects and sharpened by a value of about 18. I had one batterie. Next time i wont again.

Let me know what you think of the footage. sure its not raw, but i wanted to see how bendy the footage is.

best regards meniK

Ron Martisen

http://www.ronmartblog.com/2012/05/comparision-nikon-d800-vs-canon-5d-mark.html

Learningdslrvideo

http://www.learningdslrvideo.com/5d-mark-iii-vs-nikon-d800/

Canon 5DMKIII versus Nikon D800 - audio side