Specs:

• Full Frame coverage
• F1.8-F22 aperture
• 13 elements in 12 groups with 2 AS elements
• Minimum focusing distance - 0.2m
• Filter size 77mm
• Weight around 500gr

Available at https://www.bhphotovideo.com/c/product/1281557-REG/rokinon_rk20maf_n_20mm_f1_8_ed_umc.html

Samyang Optics introduced new manual focus lenses for full frame DSLR cameras: 20mm F1.8 photo lens and 20mm T1.9 cine lens. As known for the brand’s wide and bright lenses, Samyang 20mm series adopted bright F1.8 aperture to provide perfect wide angle for interior shots and landscapes.

The Samyang 20mm F1.8 ED AS UMC and 20mm T1.9 ED AS UMC are wide angle manual focus lenses for DSLR cameras with full frame sensor size. It has been a year that Samyang launched the full frame DSLR camera lens and latest lens was the 135mm series.

Samyang Lenses are known for its bright apertures and so does this Samyang 20mm series. These two lenses have a bright aperture of F1.8, equivalent of T1.9 for cine lenses, to offer a best quality images under various lighting conditions. Also, the lightweight Samyang 20mm series brings the portability to increase the convenience.

Based on Samyang Optics’ exceptional optical technology, 13 glasses in 12 groups are used to create the most optimal image quality. Among 13 glasses, there are 2 aspherical lenses and 3 extra-low dispersion lenses per lens to minimize aberration and unnecessary light dispersion, delivering high resolution from centre to corners of the image.

This 20mm angle of view was designed to fulfill consumers’ requests to explore various occasions with Samyang Lens. In between ultra-wide 14mm and wide-standard 24mm, 20mm lens is a perfect fit to explore wide angles not only for shooting indoor images such as concerts and interior photos but also street snaps. The 0.2m of minimum focusing adds versatility to the lens.

Add Samyang 20mm T1.9 to Your Samyang VDSLR Kit

Specifically, the Samyang 20mm T1.9 is a cine lens optimally designed for professional follow focus system, thanks to the quiet and smooth de-clicked focus and aperture gear rings. Also, the distance scale and T numbers are marked on both sides of the lens for convenience when filming.

The best partners to explore your wideness, the Samyang 20mm series is globally available from September. The suggested retail prices are EUR 499 for 20mm F1.8 photo lens and EUR 549 for 20mm T1.9 cine lens.

MRF

Specs

• 7 lenses, 5 groups, 2 aspherical lenses
• min focusing distance - 0.2m
• 46mm filter size
• 63mm max diameter
• 25.5mm length
• 7 blades aperture
• minimum aperture - F16
• weights - 87g
• comes with - fron and read caps, simple storage bag
• available since the end of July

Available at:

• Black - http://www.amazon.com/Panasonic-H-H020AK-Olympus-Thirds-Cameras/dp/B00DJS830Y/
• SIlver - http://www.amazon.com/Panasonic-H-H020AS-Olympus-Thirds-Cameras/dp/B00DJS8322/

Joining Panasonic’s well regarded family of digital interchangeable lenses of LUMIX G based on the Micro Four Thirds standard, this model features a newly designed metallic profile, and sleek, sophisticated design elegantly finished in black and silver. Maintaining the stunning performance of LUMIX G 20 mm / F1.7 ASPH., the new LUMIX G 20 mm / F1.7 II ASPH. is extremely compact and lightweight & its F1.7 brightness that enables beautiful soft focus on the background for the subject to stand out impressively.

Comprising seven lenses in five groups, the new lens system uses two aspherical lenses effectively to minimize both distortion and chromatic aberrations, achieving super high resolution from corner to corner. The versatile 20 mm focal distance (equivalent to 40 mm on a 35 mm film camera) is suitable for a wide variety of occasions from daily snapshots, to beautiful sceneries like sunsets, and dimly lit indoor shots taking advantage of its beautiful soft focus. The new lens supports Contrast AF system for high precision auto focusing.

Seven blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. The new LUMIX G 20 mm / F1.7 II ASPH. lens also features a highly reliable metal mount, and uses multi-coated lens elements that minimize ghosts and flare to further enhance its optical performance. The new addition will be available from 29th July 2013.

http://www.sigmaphoto.com/news/sigma-announces-new-lenses-cpplus-2013

All three DN lenses incorporate telecentric optical designs and a linear, auto focusing motor that ensures accurate and quiet focusing for video recording. They also boast metal exteriors and a simply shaped focus ring, with varying textures to distinguish each part of the lens. In addition, DN users can choose between a black or silver finish to match their favorite equipment.

60mm F2.8 DN

Featuring the natural perspective of mid-range telephoto lenses, together with a shallow depth of field, this lens allows the photographer to capture a single part of a subject with great bokeh effects. It has an angle of view equivalent to 120mm on the Micro Four Thirds system and 90mm on the E-mount system (35mm equivalent focal length). The minimum focusing distance is 19.7 inches; the maximum magnification is 1:7.2. This lens also contains Special Low Dispersion (SLD) glass, which helps minimize axial and transverse chromatic aberration.

Available for $209 at https://www.amazon.com/Sigma-60mm-F2-8-Black-Micro/dp/B00CMRTVFE/

Sigma 19mm F2.8 DN

This high-performance, wide-angle telephoto lens has an angle of view equivalent to 38mm on the Micro Four Thirds system and 28.5mm on the E-mount system (35mm equivalent focal length). As a wide-angle lens with excellent mobility, it is ideal for studio photography, architecture and starry skies. Its minimum focusing distance is 7.9 inches and its maximum magnification is 1:7.4.

Available for $199 at https://www.amazon.com/Sigma-19mm-F2-8-Black-Micro/dp/B00BPZCYK8/

Sigma 30mm F2.8 DN

This high-performance, standard telephoto lens has an angle of view equivalent to 60mm on the Micro Four Thirds system and 45mm on the E-mount system (35mm equivalent focal length). This lens, which is perfect for casual and formal portraiture, documentary photography, travelogues and everyday shooting, includes a double-sided aspherical lens that enhances its optical performance. Its minimum focusing distance of 11.8 inches and its maximum magnification is 1:8.1.

Available for $169 at https://www.amazon.com/Sigma-30mm-F2-8-Black-Micro/dp/B00BQXL6OY/

This film was shot entirely on a Sony A7s II with no lights, tripod or crew, just me as director - DP. For my day job, I work with full size crews and camera packages (Alexa, Red, etc) for TV and commercials. But this project, took place in the bush of one of the poorest countries on Earth. The entire camera / sound package had to fit in a small back back and never leave my sight. For sound I used a Rode Video Mic Pro for almost everything and a Sennheiser G3 kit for interviews. For glass, I used a Canon 24-105 and a Rokinon 20mm Cine as well as a full set of Tiffen White Water 77mm Filters and BW Polarizer.

Initially, I ran with a Movcam cage and top handle as well with Wooden Camera handgrips and an F&V Spectra 4.3" on board monitor. But after a few hours, I realized the paramilitary look of the camera attracted too much attention and undermined my subject's candidness, I stripped it down to just the camera body, metabones E mount adaptor, lens and Rode Mic and used the camera's EVF or LCD. It's amazing how a small change in gear, changes people's behavior around you. If I came in with a proper "pro" rig, I would've been mobbed at every turn.

For settings, I tried the EOS Pro Settings. Big mistake. Contrasty and red. Fail for sunny conditions and skin tones. You'll can easily see which shots used that. I then switched back to my reliable Cine 4 settings with black level pushed up, magenta down, sharpness all the way down, etc. Despite the settings mistake, it was definitely a blast and a learning experience.

Post was done on FCPX. With the latest updates, I find this to be the best doc editing software out there. Took me a while to make the switch but once I figured out the language, it saves me at least 30 % more time over Premier or Avid. Transcoded A7s II 4k footage to Pro Rez LT to cut and finish on.

Anyway, enjoy the film.

We used the Panasonic 20mm for the opening shots (would have preferred the entire shoot on this lens but we were in a time crunch) and the Panasonic 14mm-140mm for everything else. A couple focus issues, but overall happy with the content from such a short time frame.

Here is the final product:

Gx7 $500 G6 $400 20mm 1.7 $300

Take all 3 for $1000.00

Panasonic GH3: $625 Panasonic 20mm f/1.7 mkI: $250

Selling from Los Angeles. CONUS with shipping fee included

Nikon has announced a new lens with full-frame coverage -- a fast, wide prime.

http://www.nikon.com/news/2014/0912_lens_03.htm

AF-S NIKKOR 20mm f/1.8G ED Primary Features

• Design based on the latest optical technologies achieves superior point image reproduction characteristics and minimal chromatic aberration
• The ultra wide-angle 20mm focal length achieves rendering that reproduces the entire space visible to the naked eye, and enables photographic expression that harnesses perspective from a variety of angles
• Shallow depth-of-field possible only with a maximum aperture of f/1.8 for smooth and beautiful blur characteristics that render subjects more impressively
• Two aspherical lens elements, two ED lens elements, and Nano Crystal Coat adopted
• Compact and lightweight for superior portability that makes the lens easy to take anywhere
• Close-up photography is also possible with a closest focusing distance of 20 cm

The lens I purchase will be for the gh4 and gh2 to be used in a factory setting as well as action sports on a daily basis. I need something wide and fast. Autofocus isn't a deal breaker so the Samyang isn't out just for its lack there of. Autofocus is nice, but if the Samyang is superior enough I can deal without it. I will also use this lens for interviews occasionally. Just looking for a professional opinion for a the best quality all around lens that is wide and fast.

Right now I have the 14-42mm, Samyang 7.5mm and a 50mm f/1.4 Nikon with adapter. Im trying to stick around 300-400$ and willing to buy another adapter, so if there is another lens in this area please bring it up.

Thanks in advance for any help!

Figured I'd share this with the GH2 interested community. Inspired by a post-holiday party hangover brunch, a friend and I called a few actor friends and shot this short in a single day. With one camera, one lens, a monopod, and no lighting except for the final night scene.

A warped retelling of Charles Dickens' A Christmas Carol, in which a scumbag loan-shark learns the true meaning of Christmas. Barely.

Specs:

GH2 running Vanilla Hack Firmware V1.1 ISO 160 Nostalgic -2, -2, 0, -1 | Panasonic 20mm 1.7 Lens | Manfrotto Monopod | Zoom H4N audio (and an untrained sound guy) | A handful of actors more talented than we deserved | And a little borrowed production value

• Designed for APS-C
• Quiet focusing
• Weather sealed
• Hand-machined aluminum body
• 71mm diameter, 68.5mm length
• 283g
• Available in black or silver
• $1000
• Available in December
• Soft lens case, metal lens hood are included

Music: Mew - The Zookeeper's Boy, Kronos Quartet - The Beatitudes, Hank Mobley - Strechin' Out.

Shot with a hacked Panasonic GH2 (Cake 2.3). 7-14mm, 20mm, FD 50mm, 14-140mm. Edited with FCPX.

Asking 950 picked up in Los Angeles or 960 shipped + paypal.

Includes: - Lens - original box - paper work - hood - original front and rear caps

Particulary this event took part in the small village on the Lucerne lake called Beckenried.

This was the most difficult video editing in my life: I have kind of slow PC right. It is fast enough for hard audio editing, but it just can not handle GH2+Cake v2.3 bitrates (thanks, @balazer!) of average 66mbps reaching nearly 100mbps peak bitrate. So, I wasnt able to playback in the editing software at all, after 1-2 seconds the PC would struggle nearby freezing. Maybe it's not the PC but very simple editing software who is cause of the problem, no idea. So, I've wrote down timecodes of the excerpts to be used and edited them just "on feeling" and routine....

This lovely, little and beautiful event is much smaller than the famous, big one organized in the city called Küssnacht. The circumstances were nearly impossible for recording: temperature -10°C / 14°F and so much crowd that I could only strech the tripod on its full length and keep it with folded legs on my hip. Better than handheld, though....

Some details about the content of the recorded event are written in the video text, directly on YouTube. And here are few liks about this kind of traditional event in the region, if somebody interested:

http://www.lebendige-traditionen.ch/traditionen/00222/index.html?lang=en
http://www.klausjagen.ch/
http://en.wikipedia.org/wiki/Klausjagen

Please let know your impressions about the event!

Any ideas? Its a different built than the other FDs so maybe its natural?

Edit: I just noticed, my 85mm and 200mm make the same sounds, while the 35mm and 50mm dont. Hmm so all seems to be okay?!

GH2 (handheld) Vibrant mode 44mbit hack

Panny 20mm f/1.7 Panny 14-140 kit Nikon AI-S 50mm f/1.4

All feedback welcome. Details of the kit on my blog:

http://rungunshoot.com/my-one-bag-gh2-docu-filmmaking-kit-in-explicit-detail/

Edit: the GH2 Kit is now on eBay: http://cgi.ebay.de/ws/eBayISAPI.dll?ViewItem&item=270924335681&clk_rvr_id=319379335643&mfe=sidebar#ht_1753wt_1156

Both seems good glasses, the main use is video and film, photography as secundary, The examples indicate both are greats and cinematographic look. So, i like much use mi GH2 in the night, the luminosity is therefore a necessary condition for my.

Some people say the Panix is best, and argue the SLR is a CCTV overpriced, that argument isnt mine, so, for the tests, I think the SLR is wonderful and the price isnt excessive.

Actually I have a 14-42 its a regular lens, but is poor in low light condition and noisy in high ISO. A FD 50mm 1.8, superb, great look and softness, but have a limited angles.

I need objective opinions, thanks