http://www.ebay.com/itm/Pilotfly-H2-Gimbal-with-Two-Hand-Holder-/182279991192?

Willing to sell directly through Paypal for $1,000.

I've had the gimbal for two months, and it is absolutely in like new condition. I am only missing the manual to the Two Hand Holder. Everything else is there. Total run time is about 30 minutes. I really only film my family for home videos. The reason I am selling is because I have moved to smart phone gimbals as it's a better fit for me personally.

After receiving over a thousand replies in the last 8 weeks in the previous thread we continue the series here from the following link:-

http://www.personal-view.com/talks/discussion/5806/cluster-x-series-1

Whats it all about? Achieving the best looking overall pictures around - throughtout the popular GOPs. The great thing about Cluster X developments is you can mix and match some of the settings to combine into your favourite setting (e.g. GOP1 for 24p and 25p/FSH, GOP 6 For 1080i60/30p and 12/15 for 720p etc...). Slipstream settings do this for you (mixed and matched and with spanning capabilities where we can plus 80% modes on H & iA mode support).

This has been a tough (and still ongoing) challenge, each setting (and ptools patch change) takes an age to check & measure. Its exhausting work - even with 4 cameras on the go. The measuring to check Quantisation, frame sizes and stability adapting one change at a time is pretty debilitating on mental energy. I hope people appreciate waiting for each setting to appear.

All the new Cluster X series settings for each GOP attached below have been tested on the notorious 14-140 Pany sharp lens. Give me feedback.

Its as simple as A, B, C, D, E, F ! Each .ini setting in ptools for Cluster X Series will equate to setA ('DREWnet' 12/15 GOP), setB ('Nebula' 6 GOP), setC ('Spizz' 3 GOP), setD ('Moon' 1 GOP/3 GOP), setE (Slipstream 1) & setF (Slipstream 2) setG (Slipstream 3) and finally setH (Redshift). Any updates will stay on these sets.

"Bitrate is King. Who needs hi powered scaling matrices when enough Bitrate (if you have it) can drive the quantisation..." Quote from my conversation with Dark Shikari - X264 dev 2012

If you enjoy these settings please don't forget to donate to personal-view by clicking on the link above. Gratitude and thanks to Vitaliy Kiselev.

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I'd like to record the audio on 2 separate (!) audio channels (Mic left, wireless right), directly in to the camera (GH4) If a audio backup is placed on a recorder that is even better.

For years I looked into stuff as the Zoom H6 / Tascam DR-100, etc. I like that the sound is recorded extra (as backup), but it is too much for a one mans show run 'n gun. I also don't want to sync in post. (as an editor will need to do that , and won't be happy with this) . I thought of the DR60, but it is big, complicated, bad batteries, etc. and I don't know if it can feed a stereo audio (separated) channel to the GH4?

So probably you'd suggest a Juiced Link / Beachtek preamp, because a pre amp is important, right?

But the GH4 pre amp (set to the lowest -12) is okay right? So I'd only need to get both channels in the camera. I found the Beachtek MCC-2, and didn't see anything here on the site.

What's your thought? Will this work for my purpose? Or is this not reconmended for a 'pro' . The money isn't the biggest issue, but the 'easy handy workflow' is.

My Pros: - no batteries, small, 3 hot shoes, (receiver, mic, light) - perhaps possible to put below the camera - cheap

Cons: - Would a pre amp be much better? - Mini jack vs (balanced?) XLR (would that be much better)

I also have a sennheiser shotgun with XLR, but it is quite big for the GH4. As the VMP already has 3.5 and sennheiser wireless also has that cable, that seems more logical (and smaller).

The second part was recorded with Red Epic, Red Scarlet and GoPro HD Hero 3. But interesting all the work that's involved in the actual realization.

This short film was shot on a hack GH2 during my last semester of undergrad film school.

If you like the version on top, watch this, the unseen version.

For my surprise I found in the waveform that the Sony NEX F3 and 5N can record highlights up to 109 IRE, almost 10% above 100, and this 109 value can be lowered to under 100 in post to a nice improvement in dynamic range avoiding highlight clip. It is amazing how good results from lowering 109 to under 100 can delivery just lowering video gain to 91 or 93 %. It does not turn the highlights into a grey mass, there is gradation and texture in the super whites.

This super white combined with DRO (5 levels of shadow lifting) can give a interesting dynamic range result. If the QTGMC can reduce the aliasing and shimmering to an acceptable level the old cheap NEX will become very useful with the lens turbo, more wide, 1 fstop more light. The iso 1600 from the old NEX cleans OK with Neatvideo.

It seems there is a new life to the old cheap NEX-F3 for who cannot afford the new A7s or the new A6000.

Interesting reading about the super white 109 ire and sony S-LOG 2 1300% dynamic range:

http://blog.abelcine.com/2013/01/18/sonys-s-log2-and-dynamic-range-percentages/

Cheers, D.

As a more positive footnote recently I found Chullage in the subway. He's the guy responsible for the last music; the whole Rapressão (rap{re}pression) album is available for free download -- HERE. This music is a mix of folk portuguese resistance music legend Zeca Afonso (Eles comem tudo) and his own stuff. Chullage himself is an urban icon, was one of the first hip hop artists I listen when I came to Portugal and with no doubt the more social involved one - he runs several social / activist projects. This is second time I approach him, as I already offered my free services to him and his friends some years ago in an african social movements forum. Anyway, so this time I just wanted to tell him that I had used his music in the video and of course to thank him for making freely available. For my total surprise, Chullage said that he had watch the video and then with an open smille he said I´m not selling music anymore, from now on it's gonna be free • gashô

It would be interesting to hear from the Cinematographer / Camera team how they utilized / rigged it.

I hope somebody can help me!

My great Canon FD 35mm f2 SSC got damaged, the front element has a serious scratch which affects the image quality now, so looking for a Canon FD 35mm f2 SSC front glass element or a damaged lens with untouched front glass element to replace mine!

I really love this lens, want to save it!

Asked a few repair service on the net, but no luck.

Waiting for your messages/help!

Thank you!

Does anyone think this is possible? Does anyone want to take this project on?

Hyperdeck Shuttle/Shuttle 2/Studio/Studio Pro firmware updater for Mac:

http://www.blackmagicdesign.com/support/detail/?os=mac&sid=3960&pid=3968&leg=false

Hyperdeck Shuttle/Shuttle 2/Studio/Studio Pro firmware updater for PC:

http://www.blackmagicdesign.com/support/detail?os=win&sid=3960&pid=3968&leg=false

0:37 HBR with Lomos

0:48 Cbrandin 66mbit with Lomos

0:56 HBR with Lomos

01:02 Cbrandin 66mbit with Lomos

01:03 Driftwood GOP-3 with Nikon AIs

01:11 HBR with Lomos

01:18 Stock AVCHD with Nikon AIs

01:37 Driftwood GOP-3 with Nikon AIs

01:40 Cbrandin 66mbit with Lomos

01:42 HBR with Lomos

01:55 Driftwood GOP-3 with Nikon AIs

02:04 HBR with Lomos

02:14 HBR with Lomos

(sorry for the double spacing, but otherwise it would all just fall behind each other)

This really shows what an amazing camera the GH2 is! Even unhacked it looks amazing (I think what I got with HBR looks the best to me, but that has more to with my work).

There's also some anamorphic stuff in there, done with my generic anamorphic on an AF100 with a Nikon AI 35mm (third shot, you'll recognize the rest)

And if you like, feel free to check in my site or like me on Facebook!