ON Semi says that for the past five years, every movie to win Oscar Award – Hugo (2011), Life of Pi (2012), Gravity (2013), Birdman (2014) and The Revenant (2015) – was captured using an ALEXA or ALEXA 65 digital camera system from ARRI. For 2016, four of the five nominees for Best Cinematography were again captured using ALEXA cameras. These cameras high DR, natural color reproduction, and high sensitivity, all begin with the performance of ON Semi image sensors used in the system.
ARRI publishes an explanation of image sensor technology used in its cameras:
"Although the science behind the breakthrough performance of ALEXA's custom designed CMOS sensor is complex, the use of large photosites and a Dual Gain Architecture are its two main principles.
By employing unusually large photosites (in today's world of tiny cell phone sensors), ALEXA's sensor exhibits high dynamic range, high sensitivity and low crosstalk. The larger a photosite is, the more light it can capture and the lower the noise.
The Dual Gain Architecture simultaneously provides two separate read-out paths from each pixel with different amplification. The first path contains the regular, highly amplified signal. The second path contains a signal with lower amplification, to capture the information that is clipped in the first path. Both paths feed into the camera's A/D converters, delivering a 14 bit image for each path. These images are then combined into a single 16 bit high dynamic range image."
Makes you wonder if Arri's next camera will be powered by On Semi. Partner companies don't usually like this kind of press release.
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