I want to make a documentary, in connection to a research project. I'm in the possession of a GH-1 camera and would like to install the hack for this camera. Can anyone direct me to a good tutorial for the hack and settings. My technical skills are unfortunately very limited. I would like a tutorial with instructions for the hack and settings, to make my camera ready to go with an optimal setup for filming.

Please excuse my bad english.

Greetz

panasonic lumix gh2, gh3 and gopro hero3 etreetsoi

Specs:
-S35MM 4096 X 2160 Advanced MOS Imager
-14+ Stops of Latitude
-Variable Frame Rate — 1 to 120 fps in 4K(VRAW)
-Records simultaneous 4K/ 2K/Proxy, or UHD/HD/Proxy + Raw to Codex (option)
-Apple ProRes 4:4:4:4 and ProRes HQ Built-in
-AVC-Intra Codecs -- Class 100 / Class 200 / Class 4:4:4
-2-piece Modular Design (docks to AU-VREC1G recording module)
-Dual-Native ISOs

Retails at, $55,000

Brochure: ftp://ftp.panasonic.com/provideo/varicam_35/varicam-35_brochure.pdf
Manual: ftp://ftp.panasonic.com/provideo/varicam_35/varicam-35_oi.pdf

Video Series on the camera:
Part 1, Overview:

Cheers,

D

Cheers,

D.

I'll start to work on hack soon.

P.S. remember to support our project, as due to your constant support this place is possible.

Everything was interlaced 480i or at most Telecined 480p in a 480i container. MiniDV was all the rage and HD was a figment of our imagination.

I started with a Canon mini-DV camcorder in late 2003 that shot 480i(720x480). It looked great on my 480i Tube TV. However, it was absolute garbage once you deinterlaced it for computer use with Progressive displays. I sold it almost immediately swearing that I would never buy another interlaced camera again.

So I waited and waited. Everything new was 480i. Even when HD TVs came about the HD consumer cameras were still interlaced 1080i. Then finally the Canon S1-IS came out in 2004. It was a little known jewel. It shot wonderful 480p @ 30 FPS for up to 1 Gigabyte. The nice thing was that it supported the MicroDrive compact flash cards that at the time went up to 4 GB for about $200.

http://www.dpreview.com/reviews/canons1is/

That camera revolutionized video for me. At the time everyone asked why I was getting a still camera for video. They all said “Why don’t you get a proper camcorder for the job”? I said “The camcorders are all interlaced and this is progressive”. They looked at me like I was speaking Japanese.

I loved that S1-IS and used it for several years as my main camera. Sure it was only 480p but it was good solid 480p @ 30 FPS and it used a decent bit rate(For that time period). The S1-IS also had a really bright F2.8-F3.1 lens on it. With a 10x optical zoom it did everything I wanted it to do until I saw what the 1080p of the 5D MKII looked like in September of 2008.

http://www.dpreview.com/reviews/canoneos5dmarkii

Reverie, blew my mind. I couldn’t believe that you could get such cinematic shallow depth of field and dynamic range in digital video. In addition the resolution seemed astounding. At the time I couldn’t imagine ever needing more resolution than that.

http://www.learn.usa.canon.com/galleries/galleries/sample_videos/reverie.shtml

I came as close as you could get to buying into the 5D MKII with a complete set of lenses. I saved and saved until I was finally ready to pull the trigger by the fall of 2009. Then something caught my attention.

A little known camera maker (At the time) called Panasonic had developed a 720p camera that was actually really small. It was called the GF1 and looked too good to be true. It could use any lens ever made with adapters. It wasn’t super expensive and all the manual focus lenses for video were super cheap on ebay.

They also had the mighty GH1 but it was hard to find without the super small aperture 14-140mm lens. By that time I had come to realize what I loved so much about the Canon S1-IS was that its lens was relatively bright. Just like I had with interlaced video I swore off super slow mega zooms.

However, I simply couldn’t resist the GF1 with the 20mm F1.7 lens. I bought the GF1 on day one and never looked back. I bought every large aperture MF lens I could get my hands on and loved them all. However, those lenses were heavy when it was all said and done. I realized why full frame wasn’t really considered to be portable back then. 5 or 6 lenses added up to a lot of weight in a backpack even though the camera body was so light.

By that time 720p had become old hat and M4/3s had more than just a few native lenses. They had some fast primes like the new 14mm F2.5, 25mm F1.4, and the 45mm F1.8. Auto Focus was improving in their newer cameras and I found myself wishing for more.

I finally broke down when the GH2 was announced in September of 2010. It was finally the camera that seemed like it could do it all. 1080p video, ETC mode for endless reach, and it was hackable. Those were the good old days. We ALL spent countless hours eeking out every last ounce of bit rate and reliability that we could.

http://www.dpreview.com/products/panasonic/slrs/panasonic_dmcgh2/review

I even gave up on the MF lenses. I had all of the fast primes at that time and MF wasn’t as cool as I once thought it was. I was much more content to just let the camera do the focusing for me. After the firmware update for the GH2 added 1080p at 30 FPS and much improved AF I sold all of my MF lenses for a nice telescope.

Honestly, the GH2 was probably the camera that I could have stopped at and lived with for quite a while. It did everything I needed it to do and did it quite well. However, the hacking had sparked something in me that made me always look for that little bit extra. I went on to buy the GH3, GH4, LX100, and the 35-100mm F2.8 all on the day that they came out. Each one offered a little something extra that I thought made it justify the extra cost. I finally have 4K @ 30 FPS and 1080p @ 96 FPS and the 4K photo from video mode. I couldn’t have ever possibly imagined those things when I first bought the S1-IS.

Well actually I did predict the photo from video mode way back in 2009. It wasn’t an acceptable thing back then to predict that video could one day replace stills. In fact I still don’t think it is acceptable today either.

http://www.dpreview.com/forums/post/31728454

So we have come a long way in video cameras. I wonder what is next. How much farther can we go? Will it be as big a leap forward as it has in the past? Will I still want to spend my money on upgrades in the future or will I finally be satisfied with what I have now? Who knows? Only time will tell.

Please post your stories with how you got started into video and where you are with it today.

If some of them do not work, leave a note, so we could correct this.

This is permanent topic that will contain current m43 bodies deals.

All actual deals are located at the end of the topic.

The DMC-FZ200, which is due for release in late August or early September, replaces Panasonic's FZ150 as its new flagship bridge camera. Included is a highly formidable 25-600mm lens, which is incredibly wide yet capable of zooming extreme distances. Even more impressive is that the lens on the FZ200 maintains a constant f2.8 aperture throughout.

Specifications:

• 25-600mm F2.8 zoom
• 12.1-megapixel High Sensitivity MOS sensor, 1/2,3“-
• Light Speed AF (auto focus) combines with the LUMIX FZ200’s ability to capture high speed burst shooting at 12 fps (frames per second) in full resolution
• High Speed Video enables users to record fast-moving subjects at 120 fps (NTSC/HD)2 or 240 fps (NTSC/VGA)
• POWER O.I.S. with Active Mode
• newly developed 0.2-inch EVF (Electronic View Finder) features a 1,312,000-dot equivalent high resolution
• free-angle 460,000-dot Intelligent LCD \
• 1920 x 1080 (60, 50, 30, 25 fps), 1280 x 720p (60, 50, 30, 25 fps), 640 x 480 (30, 25 fps)
• Also high speed 100/120fps in 720p or 200/240fps in 480p.
• External microphone input
• Expected price : $600 (600 EUR)

Previews:

• PR: http://www.dpreview.com/news/2012/07/18/Panasonic-announces-Lumix-DMC-FZ200-superzoom-with-constant-F2-8-lens
• http://www.dpreview.com/previews/panasonic-lumix-dmc-fz200/
• http://www.digitalcamerainfo.com/content/Panasonic-Lumix-FZ200-First-Impressions-Review.htm
• http://www.ephotozine.com/article/panasonic-lumix-dmc-fz200-hands-on-review-19711
• http://www.pocket-lint.com/news/46413/panasonic-dmc-fz200-first-look-review
• http://reviews.cnet.co.uk/compact-digital-cameras/panasonic-lumix-fz200-review-50008524/
• http://www.photographyblog.com/news/panasonic_fz200_hands-on_photos/
• http://www.dslrmagazine.com/digital/camaras-evf/panasonic-fz200-objetivo-25-600-mm-f-2-8.html
• http://www.imaging-resource.com/PRODS/panasonic-fz200/panasonic-fz200A.HTM
• http://www.imaging-resource.com/PRODS/panasonic-fz200/panasonic-fz200GALLERY.HTM
• http://www.quesabesde.com/noticias/panasonic-fz200-analisis-fotos-muestras-video,1_8941

Samples:

• http://www.photographyblog.com/news/panasonic_fz200_hands-on_photos/
• http://www.ephotozine.com/article/panasonic-lumix-dmc-fz200-hands-on-review-19711
• http://www.optyczne.pl/5020-nowo%C5%9B%C4%87-Panasonic_Lumix_DMC-FZ200_-_pierwsze_zdj%C4%99cia_i_filmy.html
• http://panasonic.net/avc/lumix/gallery/models/fz200.html
• http://dpnow.com/8776b.html

Available at:

• http://www.amazon.com/Panasonic-DMC-FZ200-Digital-Camera-Optical/dp/B008MB6ZX0/

Wonderful site... Thanks for what you're doing... I sure hope I'll install a hack myself ...

Thanks for helping / advising, Chatxxnoir.

I am planning to build up a Shoulder Rig for my GH4. I am pretty close to have all the research done, but there is one thing, that struggles me.

The GH4 will be resting on my shoulder and I have no very nice and easy way to access the main Buttons for setting Expsoure "ISO, Shutter, Iris". I´ve seen an "Handgrip relocator" from Zacuto for the FS700, so you can relocate the Handgrip where ever you want and have still the "One Hand Access".

So my Question would be, if there is some kind of "Third Party Handgrip" or an interesting LANC Solution for the GH4, that i can attach to my normal handgrip?

Thanks

Would it look like the current GH4, or more like the shape of a Canon C300? Would it incorporate the features of the YAGH? Must it be useable for both video and photography? Where would you put the functional buttons, the battery, main shutter/record switches, external outputs for HDMI, audio; where would you place the LCD/s? the evf? Battery? What features would be included on the body?

All in all what would it look like? I'm sure Panasonic would be interested to know. Please show any kind of artwork, scribbles, CAD designs, wireframe outlines, together with discussion below;-

P.S. It is pure Nick initiative, I or PV does not support it. We really like collaboration with Panasonic, but on different thing and of different kind. VK.

We're giving all our personal-view members the opportunity to put their questions regarding m43, the new Lumix GH4 plus more to a certain Mr Koyama - the man in charge of the whole GH4 project and product concept, product planning and support.

We will then collate all your questions and the best of them will be put to Koyama this week in which he has promised to answer as best he can. Deadline for your questions is this Friday, 4th April.

Write them below. Please stick to questions only - no comments off-hand or discussions. Don't be shy. Ask away!

Questions only - no stupid stuff - it will simply be ignored.

So the question is “Is built-in wireless something you would use”? Have you used it before? Has it been beneficial to you or did it not meet your needs? Did you have trouble getting the wireless to work?

I think wireless is one of the least understood new features that the cameras have. Everyone thinks of it as just another way to post a “Selfy”. When it actually could be a very lucrative tool in a Professional Photography portfolio.

There are some circumstances where quality is not the absolute number one priority. News reporting is one of those situations. In that scenario time to post is the ultimate priority. Image quality is definitely a goal but getting the picture distributed in near real-time is essential.

Sports often require near-time distribution as well. Laptops and even tablets are not always practical solutions for editing and uploading in the field. That is where built-in wireless and in camera editing can be very beneficial.

The problem is that all of the in-camera wireless implementations I have used have been cumbersome. For example Panasonic’s Lumix Link App will only upload very low resolution (960x540) images to social media sites.

They have an app built directly in the camera for uploading as you shoot the images. However, that app cannot create a separate folder or album when it uploads. Therefore, it just dumps everything into a generic “Mobile Uploads” folder that becomes very cluttered and unmanageable.

In addition, their upload while you shoot function doesn’t work with the new images from video feature. It won’t trigger the upload automatically like it does with the regular Still images mode.

I wonder if these flaws in the implementations are preventing users from seeing the potential of wireless? Hopefully, the companies will start to fine tune the wireless capabilities so that this feature is adopted by more users.

What would it take for you to use in camera wireless?

Will consider international sales, though shipping can be pricey.

Thanks!

Pass : into_the_green

http://shop.panasonic.com/shop/model/HX-A500H

I can't describe it, I have to link it! lolz

Thanks, Matt

I'm selling it for £1500

What you going to get:

• Panasonic AF101 body
• X3 Lithium Batteries
• Directional Microphone (XLR)
• Adapter M43 to MD
• Zoom Lens 35-70 f3.5
• Battery Charger

To see some pictures visit: http://www.gumtree.com/p/for-sale/panasonic-af101-3-batteries-mic-and-zoom-lens/1058604976

I'm living in London, pick up is preferred, but I can also send the camera, within European borders.

Please have a look to all the tests and reviews of this camera, that you can find in internet.

Now featuring optional 1080 50p recording, the AF101A's large sensor delivery full 10-bit 4:2:2 SDI output for very high quality pictures. Where it stands apart from DSLRs and other large chip cameras is in its ergonomics: it handles like an ENG camera so will be familiar to operate and fast to use compared with other cinematic systems.

Features: 4/3 type sensor with digital still camera technology Interchangeable Lens Micro Four Thirds mount Variable frame rate recording Recording media SD Card 2x slot Recording format AVCHD PH (21 Mbps *Max.24Mbps), HA (17Mbps), HE (6Mbps), HA, HE only for 1080i/59, 94 and 1080i/50 Support video format 1080i/50, 25p, 1080/59, 94i/29, 97p/23, 98p 720/50p, 25p, 720/59, 94p/29, 97p/23, 98p Cine-like Gamma HD-SDI Output XLR audio 2 channel input USB 2.0