Specs

• Will be added tomorrow
• Preorder at https://www.adorama.com/ipc1260l.html

Specs

• 1/2.3" 18.1Mp CMOS sensor
• 24-750mm F3.3-6.4 zoom lens
• 5-axis HYBRID OIS system
• 3.0" 1,040K dot LCD monitor with touch screen
• low resolution EVF (1.1m dots)
• 10fps shooting
• 4K 25p (4k 30p in NTSC) recording
• 112mm x 64mm x 38mm
• Wi-Fi
• 282gr
• $449
• http://www.amazon.com/Panasonic-DMC-ZS60K-Digital-Megapixels-24-720mm/dp/B00KW5OKU4/

Available at:

• http://www.amazon.com/Panasonic-H-NS043-NOCTICORON-42-5mm-Cameras/dp/B00HXE4GZQ

Specs:

• 14-140mm lens
• Power O.I.S. stabilization
• F3.5 on wide - F5.6 on tele
• Minimum aperture - F22
• Diaphragm blades - 7
• 14 elements in 12 groups, 2 aspherical + 2 ED lenses
• Minumum focus distance - 0.30 m
• Weight - 265 g
• Diamater - 67 mm
• Length - 75 mm
• Comes with hood
• 58 mm filter threads
• $699 price

Available at:

• http://www.amazon.com/Panasonic-Lumix-Vario-14-140mm-3-5-5-6/dp/B00CFCTH14
• http://www.wexphotographic.com/buy-panasonic-14-140mm-f3-5-5-6-g-vario-asph-power-ois-micro-four-thirds-lens/p1538073

Samples:

• http://www.ephotozine.com/article/panasonic-lumix-g-vario-14-140mm-hd-lens-sample-photos-21790

Video:

Check near the end

Specs

• 1/2.3" 18Mp BSI-CMOS Sensor
• Venus Engine
• 3" 1,04Mpix LCD touch screen
• 1,166Mpix EVF
• 4K p30 at 100MBit video, 1080p60-30 modes at 28MBit
• No mike input, no headphone output
• 802.11b/g/n Wi-Fi
• 616 g
• 130 x 94 x 119 mm
• $399
• Available at https://www.amazon.com/Panasonic-DC-FZ80K-Lumix-Camera-F2-8-5-9/dp/B01MS16V42/

PR

Panasonic has today announced the new LUMIX FZ80 from the popular FZ series that packs a powerful optical zoom and superior controllability, including manual operation over photo and video recording. The LUMIX FZ80 features the exceptionally-versatile LUMIX DC VARIO 20mm ultra wide-angle lens with a 60x optical zoom (35mm camera equivalent: 20-1200mm), which makes it possible to capture dynamic landscapes, wild animals and birds from a distance.

The newly integrated 18.1-megapixel High Sensitivity MOS Sensor and advanced image processor Venus Engine also achieve high-speed response and high-quality images even in high-sensitivity recording.

For an even faster response and higher mobility, the LUMIX FZ80 boasts a high-speed, high-precision AF with DFD (Depth From Defocus) technology[1], which shortens the focusing time. It calculates the distance to the subject by evaluating two images with different sharpness levels at a high 240-fps signal exchange speed. As a result, the LUMIX FZ80 achieves an AF of approximately 0.09 sec[2]. This benefit increases as the focal length grows.

The LUMIX FZ80 also offers high-speed burst shooting at 10-fps (AFS) / 6-fps (AFC) to capture fast-moving subjects in crisp focus. Thanks to the touch-control system, users can quickly focus right on the subject and even release the shutter with touch operation to capture fleeting photo opportunities.

The LUMIX FZ80 records smooth, high-resolution QFHD 4K videos in 3840x2160 resolution at 30p. The powerful 60x optical zoom and POWER O.I.S. (Optical Image Stabilizer) with Active Mode suppresses blurring, even in video recording. Taking advantage of 4K technology, users can enjoy 4K PHOTO shots and a variety of derivative functions, such as the new Focus Stacking, Post Focus, Light Composition, and 4K Live Cropping. For more creative freedom, Creative Control and Creative Panorama options are available.

The LUMIX FZ80 also integrates a 1,040K-dot rear monitor with touch-control system. Together with the 0.2-inch 1,170K-dot EVF (Electronic View Finder), users can capture subjects in clear focus. It also includes Wi-Fi® connectivity to offer a more flexible shooting experience and instant image-sharing with easy operation. With hot shoe and compatibility with a variety of optional accessories, the LUMIX FZ80 goes beyond a standard telephoto zoom compact camera while providing high-quality photos and an exceptional 4K video recording experience.

Mitigate distances with a powerful 60x optical zoom lens

The LUMIX FZ80 features the stunningly versatile LUMIX DC VARIO 20mm ultra wide-angle lens with a 60x optical zoom - both as photos and video footage. The 20mm ultra wide-angle lens captures an approx. 140% wider angle of view compared with a 24mm angle of view. The POWER O.I.S. (Optical Image Stabilizer) with Active Mode effectively suppresses hand-shake vibration both in photo and video recording.

The Intelligent Zoom is included with the LUMIX FZ80, which extends the zoom ratio up to 120x equivalent, maintaining high picture quality even when combining a digital zoom.

Capture unmissable moments with high-speed response, 4K PHOTO and 4K video

The 18.1-megapixel High Sensitivity MOS Sensor is newly-integrated into the LUMIX FZ80. Together with the high-performance image processing LSI Venus Engine, it elevates the response, sensitivity and image quality to an even higher level. Incorporating high-speed digital signal output technology, the FZ80 shoots 10 (AFS) / 6 (AFC) fps in 18.1-megapixel full resolution with a mechanical shutter.

Taking advantage of 4K technology, users can enjoy 4K PHOTO shots with the LUMIX FZ80. 4K PHOTO lets the user capture fleeting photo opportunities at 30 fps by extracting the best frame from a 4K burst file to save as a photo. Plus, multiple images can be automatically saved as 4K PHOTO shoots all at once. A maximum of 150 frames in five seconds can be saved following a designated frame.

It also comes with the Post Focus function, which enables users to select the in-focus area even after shooting. This is helpful especially in macro shooting where strict focusing is required or for changing expressions by changing the focused subject. This function has been developed by combining the high-speed, high-precision DFD (Depth From Defocus) auto focus technology with 4K technology. Both Post Focus and Focus Stacking can be activated quickly with the dedicated button on the top panel.

The LUMIX FZ80 also records stunningly smooth, high-resolution QFHD 4K videos in 3840x2160 resolution at 30p in addition to Full-HD 1920x1080 videos at 60p in AVCHD Progressive or MP4 (MPEG-4 / H.264) format with practical full-time AF.

The LUMIX FZ80 enables 4K Live Cropping in video recording to achieve stable panning or zooming in video recording. Thanks to its digital operation, panning and zooming images are smooth because it does not physically move the zoom lens.

A variety of video recording options are also available for users to choose from - High Speed Video, Time Lapse and Stop Motion Animation. High Speed Video records subjects in fast motion at 120fps.

Take amazing images and video even under strong sunlight

Equipped with a static-type touch-control system, the 3-inch rear screen with 1040K-dot high resolution features an approximately 100% field of view. The touch-control system lets the user immediately focus on a subject and even release the shutter by simply touching the screen.

The LUMIX FZ80 also has a 0.2-inch LVF (Live View Finder) with a magnification ratio of approx. 2.59x / 0.46x (35mm camera equivalent in 4:3) in 1170K-dot equivalent high resolution, 100% field of view. Thanks to the high 60-fps frame rate, image lag is also minimized making it suitable for shooting fast-moving subjects under strong sunlight.

Full manual control is available with LUMIX FZ80 to enjoy more creative photography. The design of the grip has also been re-engineered for stable holding during extended shooting.

Other Features

Easy Wireless Connectivity via Wi-Fi® with Smartphones
The LUMIX FZ80 integrates Wi-Fi® connectivity (IEEE 802.11 b/g/n) to provide a more flexible shooting experience and instant image sharing with easy operation. Once the camera and a smartphone or tablet are connected, installing Panasonic's dedicated application, Panasonic Image App for iOS / Android, users can shoot, browse and share images remotely. Users can also upload images to a variety of social media services right on the spot.

AC/USB Power Charging
The camera’s battery can be recharged either via AC or USB based on the users’ preference.

The FZ80 will have a black body and will be available in March for $399.99.

Previous topic: http://www.personal-view.com/talks/discussion/443/beginners-basic-hacks-questions

Modes

• 4096x2160 24.00p 100 Mbit/s (VBR)
• 3840x2160 59.94p/50.00p 150 Mbit/s (VBR)
• 3840x2160 29.97p/25.00p/23.98p 1 100 Mbit/s (VBR)
• 1920x1080 59.94p/50.00p/29.97p/25.00p/23.98p 200M ALL-Intra 200 Mbit/s
• 1920x1080 59.94p/50.00p 100 Mbit/s (VBR)
• 1920x1080 59.94p/50.00p/29.97p/25.00p/23.98p/59.94i/50.00i 50 Mbit/s
• 1920x1080 59.94p/50.00p 25 Mbit/s (VBR)
• 1920x1080 59.94i/50.00i/23.98p : Moyenne 21 Mbit/s (VBR)
• 1280x720 59.94p/50.00p : Moyenne 8 Mbit/s (VBR)

Available for preorder: https://www.bhphotovideo.com/c/product/1277528-REG/panasonic_hc_x1_4k_ultra_hd.html

Panasonic is proud to introduce the HC-X1 (X1), a light, compact 4K Ultra HD professional camcorder that meets and exceeds professional video production needs. It supports 4K 24p, UHD 60p/50p, FHD 60p/50p multi-format recording and HD super slow-motion. The X1 includes desirable professional features such as 2-channel XLR Audio, Wired/Wireless remote control, triple manual rings, a user switch, timecode, ND Filters and twin SD card slots. Additionally, the X1 offers Live HDMI output along with a wide 24mm angle LEICA DICOMAR 4K Lens and optical 20x zoom. The X1 has amazing 5-Axis O.I.S. for 4K 24p recording, UHD 60p/50p recording, dual codec recording (UHD and FHD) and IR shooting. While offering high image quality and advanced functions allowing the user record images exactly as intended, it boasts high mobility and operational ease only a handheld camcorder can provide and streamlines workflows to support professional video production. In response to the rising demand for 4K video content, the Panasonic HC-X1 4K camcorder helps create attractive and beautiful 4K videos.

Newly Developed LEICA DICOMAR 4K Lens with the Industry’s Widest Angle 24mm and Optical 20x Zoom

The newly developed integrated lens system boasts the industry’s widest angle at 24mm. It allows low-distortion, wide-angle shooting without the use of a wide conversion lens, thus supporting professional video production. It is also equipped with a 1.0-type (inch) sensor to realize the world’s first optical 20x zoom. Quick zooming is possible from wide-angle to telephoto. The 4-Drive Lens System individually drives each of the four lens groups to minimize the drive range of each lens group and provide optical 20x zoom with its small body.

Panasonic HC-X1 Ultra HD Professional Camcorder

Equivalent to 35mm under 4K 24p (aspect ratio of 17:9). Wide angle 24mm is the widest in the industry for a camcorder with integrated lens. (As of 31st August 2016, according to Panasonic survey.) World’s first for a camcorder with integrated lens having a 1-type (inch) or larger sensor. (As of 31st August 2016, according to Panasonic survey)

High-image-quality, High-sensitivity 1.0-type (inch) 4K Sensor

The effective 1.0-type (inch) MOS Sensor (9.46 megapixels at 4K24p/8.79 megapixels at UHD, FHD) offers an appropriate depth of field and excellent balance between image quality and sensitivity. The HC-X1 can record in 4K24p (4096 x 2160), UHD 60p/50p (3840 x 2160) or FHD 60p/50p (1920 x 1080). For the global business of professional users, the system frequency can be flexibly selected from 59.94 Hz, 50.00 Hz and 24.00 Hz. The file format can be selected from versatile and easy-to-use MOV (QuickTime), MP4 and AVCHD. The variety of recording modes with selectable image quality, frame rate and bit rate settings respond to a wide range of applications from cinema production to online distribution.

Functions and Design to Support Professional Camera Work

The lens barrel features Triple Manual Rings for zoom, focus and iris operations. There are a total of 13 user buttons, nine on the body and four on the LCD touch panel. These user buttons can be allocated with desired functions. The 3.5-type (inch) monitor built into the handle section can be pulled out and turned 270 degrees in the vertical direction for high-angle, low-angle and selfie shooting. The EVF is a high-resolution (approx. 1,769,000 dots) color OLED display with superb color reproduction. What’s more, the HC-X1 is equipped with a wealth of focus assist functions to support quick and accurate manual focusing, such as MF Assist, One-Push AF, Expand/Peak, Focus Transition and Area Function.

The ND filter can be set to OFF, 1/4, 1/16 or 1/64. Gain selector and AWB selector are also provided. The controls are designed and engineered to meet the needs of video professionals.

Advanced Optical Image Stabilizer (O.I.S.)

The correction area was expanded to approximately 900%* of the conventional area to strongly correct low- and high-angle shots (compared with Panasonic’s AG-AC160). In FHD mode, a 5-Axis HYBRID O.I.S. + that adds electronic image stabilization to optical image stabilization detects and corrects 5 axes, including the roll rotation.

High-speed, High-precision Intelligent AF

The Micro Drive Focus Unit has achieved stable and high-speed AF with excellent tracking performance to ensure accurate focusing, which is extremely important in 4K shooting. The AF operation settings are customizable. By adjusting the speed, tracking sensitivity and area width, the user can program the AF operation exactly as intended in accordance with the subject type and application.

Super Slow Motion and VFR (2 to 60 fps)

The Super Slow Motion function records HD images at a high speed of 120 fps (59.94 Hz)/100 fps (50 Hz) to provide a slow-motion effect. The HC-X1 is also newly equipped with a VFR (variable frame rate) recording function that allows the change of frame rate setting in ten steps from 2 to 60 fps. This lets the user produce creative and expressive videos using techniques such as overcranking for a slow-motion effect and undercranking for a quick-motion effect.

Professional Interfaces for Smooth System Operation

The HC-X1 is equipped with two channel XLR audio inputs with switchable +48V phantom power supply/MIC/LINE and manual volume. It records high-quality sound in two channels using either a 16-bit linear PCM system (MOV/MP4) or Dolby Digital system (AVCHD). When mounted with the wireless module (AJ-WM50/AJ-WM30, sold separately),* an iPad installed with the AG ROP can be used for wireless remote control of camera settings, lens control and others.

The HC-X1 also offers expandability for users in commercial video production, such as the wired remote terminal, OSD level meter, 1-kHz test tone output and headphone output (3.5-mm-diameter stereo mini jack).

Double SD Card Slot and UHD/FHD Dual Codec Recording

Two SD memory card slots are provided. The recording media switches automatically and seamlessly from Slot 1 to Slot 2. By changing a full SD card with a new SD card, images can be recorded continuously for many hours.

Unlimited* Relay Recording: Data is recorded continuously by automatically switching the recording SD card from Slot 1 to Slot 2. By changing the full SD card with a new SD card, images can be recorded continuously for many hours. Simultaneous Recording: Identical data is recorded onto cards in both slots in this highly redundant recording mode. Background Recording: One SD card can be set in Slot 2 to record continuously, and another SD card can be set in Slot 1 to record necessary scenes by turning REC on and off. Dual Codec Recording: Records images simultaneously in two different formats, such as Main (UHD/FHD) and Sub (FHD), etc. This achieves an efficient workflow.

Broadcast-grade Camera Image Adjustment Functions

16-Axis Independent Color Correction Function: Allows color matching of multiple cameras under the same lighting condition as well as creative image rendering. Soft Skin: Makes skin colors appear soft and beautiful. Especially effective when recording a person up close. Master Detail: Adjusts the overall degree of contour enhancement. Scene File: Six sets of image quality settings are preset in scene files. Parameters in each set can be changed flexibly. One set can be saved in the main unit, and up to eight sets can be stored on an SD memory card. 8-Mode Gamma: Gamma setting can be selected from seven modes including two types of CINE-LIKE gamma. This allows the user to achieve the most suitable gradation according to the specific video production needed.

LCD/EVF Displays That Assist Shooting

• Waveform and Vectorscope Display: WAVE (Waveform) and VECTOR (Vectorscope) can be easily displayed on a sub screen of the LCD monitor.
• ZEBRA: Two zebra patterns are built in. The level can be changed from 50% to 105% in 5% steps.
• Marker (Y Level): The brightness level in the center of the image is displayed in percentage.
• Level Gauge: Horizontal or vertical tilting of the camcorder can be checked on the LCD and viewfinder.
• A Safety Zone Marker and Center Marker can be displayed.
• The HC-X1 will be available in December for $3,199.99.

I am new here. I just bought an used GH2 in good condition. As the firmware on it is 1.0 (body) and I anyway wanted to try a hack, I just followed the instructions, downloaded latest firmware (1.2.) and the flowmotion hack. All in the same folder as PTool as well. Now PTool gives me the following message after selecting the Firmware GH2__V12file: "wrong file or trying to use already patched file".

No clue what is wrong and how to go ahead. Would be great to get some help here, thank you !

Best Lars

New 42.5mm lens is available in sharp metallic black and silver, and delivers beautiful defocus to help you add more artistry and creativity into your photography. Offering a 42.5mm middle-telephoto focal distance (35mm camera equivalent: 85mm equivalent to 85mm on a 35mm camera), a high speed f/1.7 aperture, and a versatile focusing distance of 0.31 m, the lens can deliver portraits with a rich stereoscopic effect as well as close-ups with beautiful defocus.

The lens’ POWER O.I.S. system effectively compensates unwanted blur caused by handshake - not only small, fast movements but also large, slow ones - helping you get the results you want, even in low light situations. The POWER O.I.S system, alongside the 240fps Drive AF, delivers stable framing and precise focusing every time.

The 42.5mm portrait lens is available in black and silver from May 2015 for around 399 EUR.

• $399 at http://www.amazon.com/Panasonic-H-HS043K-42-5-85-1-2-16-Cameras/dp/B00H36U69Y/

i just wondered if it is possible to focus on the GH5 via USB-C? Either with a bought device or by building the controller by yourself. Since the Ronin S can do it i am quiet sure it should also be possible for others?

Thank you!

http://www.personal-view.com/talks/discussion/4733/official-panasonic-gh3-topic-series-2#Item_1018
http://www.personal-view.com/talks/discussion/4592/official-panasonic-gh3-topic/p1

and

Also check

• http://www.personal-view.com/talks/discussion/5304/gh3-user-reviews-and-opinions - owners talks topic
• http://www.personal-view.com/talks/discussion/5389/gh3-wi-fi-questions-and-apps-discussions - wi-fi related
• http://www.personal-view.com/talks/discussion/5380/gh3-timecode - timecode related talks
• http://www.personal-view.com/talks/discussion/4641/gh3-preordering-and-availability-topic
• http://www.personal-view.com/talks/discussion/5376/gh3-best-videos - most useful video about GH3 and shot on GH3
• http://www.personal-view.com/talks/discussion/5356/powering-gh3 - batteries, couplers, etc
• http://www.personal-view.com/faqs/photokina/coverage/gh3 - all info about GH3 from Photokina and other sources

DR - http://www.digitalcamerainfo.com/content/Panasonic-Lumix-GH3-Digital-Camera-Review/Dynamic-Range.htm

Direct manuals links

• GH3 Owner Manual Basic- http://service.us.panasonic.com/OPERMANPDF/DMCGH3.PDF
• GH3 Owner Manual Advanced - http://service.us.panasonic.com/OPERMANPDF/DMCGH3_ADV.PDF

Short Specifications

• Effective Megapixels - 16.05 Megapixels (17.20 total)
• Live MOS/17.3 x 13.0 mm (in 4:3 aspect ratio), not multi aspect
• 200 - 12800 ISO
• 3.0" 640k OLED Monitor with static touch control
• 1.74Mp OLED EVF
• Video - AVCHD 2.0 1080p50 (PAL), 1080p60 (NTSC), 1080p24 (with slow and fast variations, like 12fps and 50fps).
• Three containers (AVCHD, MOV and MP4) and large bitrate modes, bot intraframe and interframe.
• Shutter Speeds - 60-1/4000
• Flash modes - Auto, Auto/Red-eye Reduction (when iA, iA+), Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction
• Battery - Li-ion Battery Pack (7.2V, 1860mAh), old or new?
• Continuous Shooting Speed - 6 fps
• Weather Proof
• WB - Auto, Daylight, Cloudy, Shade, Incandescent, Flash, White Set 1, 2, Color temperature setting
• SD, SDHC, SDXC cards compatible
• Dimensions - 132.9 x 93.4 x 82.0mm / 5.23 x 3.68 x 3.23 in
• USB 2.0
• Weight - 550g
• Price - $1299 (body only!)

Available at:

• http://www.amazon.com/DMC-GH3KBODY-16-05-Camera-3-Inch-OLED-Body/dp/B009B0WREM

Check other topic below for other countries and other US options:

http://www.personal-view.com/talks/discussion/4641/gh3-preordering-and-availability-topic

Elegantly designed with a sharp, metallic black finish, the new 30mm macro lens perfectly matches the style of the latest LUMIX G interchangeable lens cameras. With a 30mm (35mm camera equivalent: 60 mm) wide angle and a high speed f/2.8 aperture, the lens provides sharp, high contrast image rendering. Utilising 1x life-size magnification, deep depth of field, and a focusing distance starting at just 0.105 m, the lens offers excellent performance even when shooting true-to-life macro shots.

A durable and reliable metal mount means the lens is perfectly suited for day-to-day use, while the multi-coated lens elements minimise ghosting and flaring to further enhance shooting performance. With a 240 fps Drive Auto Focus (AF) and MEGA O.I.S. (Optical Image Stabilizer), you can achieve fast, accurate focusing and stable framing with every shot.

The 30mm macro will be available in black from May 2015 for around 399.

• $399 at http://www.amazon.com/Panasonic-H-HS030-2-8-22-Thirds-Cameras/dp/B00TXOYHYE/

Specs

• Stabilizer - MEGA O.I.S
• 7 bladed aperture
• 12 lenses in 9 groups
• 2 ED lenses, one aspheric

Specs

• 24-120mm Full-Frame 35mm Equivalent
• F3.5 to F22
• One Extra-Low Dispersion Element
• Three Aspherical Elements
• POWER O.I.S.
• Splash and Dust-Proof Construction
• Rounded Seven-Blade Diaphragm
• Available at May 2016
• Price is $500 at http://www.amazon.com/Panasonic-H-FS12060-12-60mm-F3-5-5-6-Mirrorless/dp/B01C56V72Q/

PR

Panasonic is introducing a new zoom interchangeable lens, the LUMIX G VARIO 12-60mm / F3.5-5.6 ASPH. / POWER O.I.S. (35 mm camera equivalent: 24-120 mm) for the LUMIX G line of Micro Four Thirds System cameras. Featuring a splash/dust-proof design, the new lens offers a versatile 5x zoom range of 24-120mm (35mm camera equivalent) that covers a variety of daily shooting situations from dynamic landscapes to portraits.

For everyone interested in a modern alternative to bulky DSLR interchangeable lenses, Panasonic LUMIX Mirrorless Micro Four Thirds lenses deliver impressive, no-compromise optical performance. The durable, all-weather LUMIX 12-60mm F3.5-5.6 Lens features the highest standards of detail and sharpness. Built for travel and great photo and video capture, it comes complete with a splash and dustproof sealed body.** And with Dual I.S. (Image Stabilization) compatibility, you'll shoot with unprecedented hand-held stability anywhere you go.

Incorporating an inner focus drive system and a stepping motor, the new LUMIX G VARIO 12-60mm / F3.5-5.6 ASPH. / POWER O.I.S. is capable of smooth, silent operation to work with the camera’s high-speed, high-precision contrast AF system for both photo and video recording. It is also compatible with the sensor drive at max. 240 fps to take maximum advantage of cameras with high-speed AF. This stunning AF performance is able to record 4K video, where precise focusing is required.

Seven blades give the aperture a rounded shape that produces an attractively smooth effect in out-of-focus areas when shooting at larger aperture settings. A highly reliable metal mount assures durability for active use, and uses multi-coated lens elements that minimize ghosts and flare to further enhance its shooting performance.

It also features 0.54x (35mm camera equiv.) magnification capability for impressive macro close-up shots. Comprised of 11 elements in 9 groups, the lens system features three aspherical lenses and an ED (Extra-low Dispersion) lens which effectively suppresses spherical distortion or chromatic aberration to achieve stunning picture quality.

The LUMIX G VARIO 12-60mm / F3.5-5.6 ASPH. will be available in May at www.shop.panasonic.com and valued channel partners in metallic black for $499.99.

Specs

• 1.0" 20.1mp BSI MOS sensor
• 24-480mm F2.8-4.5 lens, 16 lenses in 11 groups
• 9 aperture blades
• Build in ND filter 0-1/64
• 2.36mdot OLED EVF, 2.18x magnification (0.74x FF equivalent)
• 3" 1.04mdot LCD
• 12fps burst with fixed AF, 7fps continuous AF
• 4K30p and FHD 60p video recording
• 4:2:2 10-bit signal HDMI output
• Wi-Fi
• SD slot
• $1199.99 at https://www.amazon.com/Panasonic-DMC-FZ2500-Digital-Camera-Megapixel/dp/B01LX7JSPJ/
• November 28th release

Panasonic is introducing a second advanced compact camera, the FZ2500. This camera utilizes the same 20.1MP 1" MOS sensor as the LX10, but optimizes video performance with the inclusion of DCI 4K video recording and a true 24 fps frame rate, in addition to more conventional UHD 4K and Full HD recording modes. Also benefitting videographers, this camera includes Panasonic's CINELIKE D and CINELIKE V picture profiles for better grading capabilities, and V-Log L can be added via an optional upgrade. Additionally, high bit rate recording up to 200 Mbps is supported in both MP4 and MOV formats; video can be output over HDMI with a 4:2:2 10-bit signal; there is no recording duration limit; and a built-in ND filter can be used for enhanced control over exposure settings while recording.

More than just a video-optimized camera, however, the FZ2500 also sports a slew of specs for stills and movie users, such as a 50 fps continuous shooting rate with an electronic shutter, or 12 fps with a mechanical shutter, and an expanded sensitivity range of up to ISO 25600 for working in dim light. The built-in 20x Leica DC Vario-Elmarit f/2.8-4.5 lens covers a 24-480mm equivalent focal-length range, and 5-axis HYBRID O.I.S.+ controls the effects of camera shake for sharper handheld shooting. A free-angle 3.0" 1.04m-dot LCD touchscreen permits intuitive control and viewing ease from a variety of working positions, and a 2.36m-dot electronic viewfinder is also available. Additionally, built-in Wi-Fi also supports wireless image sharing and remote camera control.

Specs

• 4/3” MOS sensor
• Fixed 13x zoom, 28mm-365.3mm, F2.8-F4.5
• V-Log
• 1080p120
• 4Kp60
• H.264 encoder

Not too long after the HDSLR revolution started, the companies started bringing out accessibly priced large sensor video cameras with interchangeable lenses. Such as the AF100, then later the FS100, then a bit later the C100.

Since then the C100 has been replaced with the (very disappointingly small update) C100mk2, the FS100's big brother the FS700 has been "replaced" (unofficially) with the FS7 (so surely the FS1 or FS200 is coming along next? Perhaps a topic for another thread...). Thus where is the AF200? One which has been waiting for an update for years and years longer than any of the others (and no, the AF100A hardly counts! Though I guess that is what Canon did with their "C100mk2"....).

Perhaps with the success of the GH4 (surely the most successful of the entire GH line so far), and the mainstreaming of 4K, those two factors will be sufficient to propel Panasonic to update the ageing AF100??

On a somewhat related point, how relevant is the AF100 still in 2015 and beyond? Some would think it still is: http://www.anycamerawilldo.com/old-but-not-out/

Am somewhat considering an AF100 myself, as planning on doing the next upcoming wedding season with one GH4 body and perhaps five or so GH1 bodies (maybe swapping out one GH1 for a GH2 with a monitor instead, for my second shooter to use). Thus I'll have a GH4 for single camera shoots (corporate ads / music videos / etc) and I'll have a heap of GH1 bodies to cheaply (only US$150 each!) cover the multiple angles needed for filming live events such as weddings. And I should be able to easily edit between them (making life an awful lot easier for me than this wedding season when I used: Nikon D5200 / Sony A5100 / Panasonic GH1 / G3 / GF3 / BMPCC).

However, half considering if it is worthwhile getting an AF100 as well if I see one cheap enough (say perhaps getting close to US$1,000-ish). As for appearances sake it could be reassuring for clients/brides to see my show up with an AF100, and not just a bunch of tiny GH1 bodies. Additionally I could have it handle some of the sound needs with its XLR inputs (additional to my usage of a Tascam DR-60D). And it is a camera which should cut in fairly easily enough with the bulk of the GH1 footage I'd hope?

• QP step sizes table.
• Scaling tables just like in GH2.
• Min and Max QP.
• All intra turner.
• I-frame or somelike limit constant.
• Min frame size limit(works incorrectly)

Main problem is i can't control min bitrate, for example when shooting deep black scenes. There is steel error out after 3 sec shooting in such scenes. There is min frame size limit, i guess, i have found. But it's just increases last frame in 1-sec sequence. So need more and more testing.

I own the european version: If a change the Version between european versions The ROM-Dump changes at position H017/Ld( the last 2 bytes changes)

eg,e -> 02
ef -> 08
eb -> 09
ec -> 11

the other number can be found in the service manual.

May be it is posible to remove any recording limit with such a ROM-hack.

Can anybody upload a australian ROM-DUMP? Has anybody tested to change the region code over ROM? The service manual discribes 2 MainPCBs: one with suffix A(Rest of the World), the other with suffix B(Europe). Does anybody know if these are different or have only other ROM entries?

Yours Scyte

The original control grip on the Panasonic AU-EVA1 camcorder seems too short. Particularly, when cameraman shoots with it on a shoulder rig, it's not comfortable. That's the reason we design this extension arm for AU-EVA1, the cameraman doesn't even need to remove the original screws from the camera body.

There is an AU-EVA control grip adaptor on the extension arm, just rotate the original control grip into it. On another end, there is a standard ARRI style rosette teeth adaptor with M6 screw on it, it's easy to connect to any base with the ARRI style adaptor. Besides that, we add a built-in control cable inside the arm.

The cameraman can plug the original 3 pin control cable into the built-in port and plug another 3 pin signal jack into the "REMOTE" port on the camera body, use it as the original. Open the knob to adjust the length of the extension arm to get best holding position cameraman wants. It's the must need gear for shooting with Panasonic AU-EVA1.

Check this link to see more details of this arm.

I purchased this one.

https://www.amazon.com/gp/product/B073XYYYWR

There's another model that has two USB inputs, so you could use two power banks or use one and draw more amps.

I was skeptical, and the packaging made me even more so, cardboard & crinkly shrinkly, but I plugged it into my cheapest 5200mah power bank and measured the voltage. 8.8 volts, which is just about right (I've gone as high as 9.2, but prefer not to). Notably, the needle on my trusty voltmeter did not wiggle. Also noteworthy, it didn't seem to need the recommended 3 amp draw. It comes with a 3 amp wall wart if you just want to plug the camera into the mains for power.

It comes with a bog standard dummy battery. The step up converter is tiny, not much thicker than the cable. Plugged in the camera (Panasonic G7) and waited. The 5200mah power bank ran the camera for 156 minutes, or two and one half hours. Not bad--you are going to lose some power in the conversion so don't skimp on the power bank. I'll do some tests later with my RAV 20,000mah bank.

Camera ran cooler than expected.

So there you have it, easy, lightweight power from USB. I had been using 9 volt packs with stacks of Panasonic 18650 cells (runs forever....). But this is really easy.

You can buy adapters for most cameras, and considering the fact that it comes with a dummy battery, the price is cheap. Will it burn out? Interesting question.

[Added formatting and photo, VK]

Thats the credentials out the way..... I wanted to start a topic that could act as a powerful resource tool for anybody wishing to enter into Wedding Videography. A collective center of useful tips, past experiences and success stories by way of sharing inspiring films from other members. This could be useful then for someone perhaps wishing to start filming weddings, or perhaps someoe who has been given that difficult challenge of filming their friend's wedding and doesn't know where to start. Useful also to those that have been doing it for years and are looking for some inspiration and a fresh set of eyes that newcomer's bring to the table.

With this in mind, I wanted to share the trials and tribulations we have encountered over the last year or so, the bad decisions with equipment we made and the ones where we got it right. Of course I add the caveat of everything I write being my own opinion and may of course not work for you. Every area in the world has accepted styles of what a Wedding Film should be, and what maybe works here doesnt necessarily work elsewhere. My focus in the business is the Techinal side, therefore I will only share my experiences and opinions with the equipment. As for the running of the business and interfacing with customers, maybe someone else will go into that.

We started in the business because we saw a growing demand for Wedding Films in our area, and yet not enough people to meet that demand. In our local area exists some guys who had been doing it for many years, and were able to provide a very traditional approach to filming a wedding, but there were not a lot of companies that would cover the day with a more cinematic flare. This need combined with my wife's insatiable appetite for watching wedding videos created our business.

We filmed our first wedding with a Panasonic SD-700 and a Panasonic SD-900. Fantastic camcorders for our first time. (We have changed cameras quite a few time before we ended up with GH3s.) We filmed a lot, maybe a lot more than we needed but we made sure we got everything we needed. We arrived early and left much later than we had planned for, but overall we are still delighted with our first film we put out. We used a RODE Videomic for the sound and generally this worked well. Where it was not so good, was when we used it directionally over one of the guests tables during the speeches. Had one of the children at the table sat somewhere else we might have picked up more of the Grooms' speech but the lesson learned was that always get your mics as close to your subjects as possible. Buy a Zoom H1, a little stand, and place it in front of your people on the top table. Sync later on and now you are free to focus on the shot and not worry about the sound. Want to be even more professional, get a wireless mic set up like the sennheiser G3 wireless kit. Mic your groom and feed the sound direct to the camera. Now you can monitor the sound through the camera.

One of the other lessons we learned at our first few weddings was how important it is to be FAST. Using tripods all day for every shot is going to make you slow. If you are not slow, then you will be squint (not level). We quickly learned that a Monopod with the added stability of some little feet was going to be our solution. Have a look at this topic....

http://www.personal-view.com/talks/discussion/7003/monopods-with-legs#

This allowed us to be quick but not at the expense of stability. In my opinion there is no excuse for going handheld all day, unless you are going for that specifically "documentary" type style. We still use tripods, but only for the Live stuff. Ceremony, Speeches and the evening dance. However we have other cameras that we use on monopods during these times and the tripod stuff is mostly used as a fall back shot (a shot to cut away to when you don't have anything else). Don't try to save money on tripods, a £35 Hama job is going to be a struggle and just bite the bullet and go for the well-known names. We use Manfrotto, not to say that they are the best, but it happened more organically. We bought a manfrotto tripod and then when we got quick plates for all our cameras we then wanted to make sure all the other tripods had the same quick release mechanism. You need to be able to go from tripod, to monopod and then back to tripod fast. So if you do buy lots of different brands of tripods or monopods, you are going to have to buy lots of quick release adaptors. Such as this one.....

http://www.calumetphoto.co.uk/eng/product/calumet_quick_release_video_head_adapter/ck9007

You will need Lights, whether you go for the fill the room with light tactic, or maybe the more subtle approach, a good light is going to give your footage the added clarity it needs. Handycams and low-light are a disaster without good light. Just search for video LED light and make sure it has at least 160 LEDs or above for a reasonable amount of light. Watch out for size though, if you want it mounted to your camera hotshoe, dont go too big. If you intend to put it on its own stand, then think about how you are going to connect it, power it and operate it.

Backups, backups, backups. Always think, what if this doesnt work? Have another camera running, use one more sound recorder. Take plenty of batteries, cards and more cameras if you can afford to. Dont go small with cards, if you can afford it, save yourself a lot of hassle by buying big (64gb) and trusting a good name like Sandisk. Brandless types make me very nervous.

Putting equipment aside, there is only one bit of advice I can offer that is more interpersonal related. No matter what happens on the day, try your best to stay calm and in control. Nobody wants to see the video guy getting stressed while he screams at the guests to just hold still for one more second. Things will break, shots will go wrong, photographers will get in the way, but through it all you need to be relaxed and able to deal with whatever is presented to you. (I'm still practicsing this bit :S)

Well, im going to leave it at that just now and see what other contributions we get. I joined this forum about a year ago and it has been my one stop shop for help, advice, information and inspiration. I hope that maybe I can pass this on in some way to someone else who was in my same position.

• 12 elements in 9 groups, 2 aspherical lenses, one UHR
• 200 g
• Price - about $299

Previews:

• PR - http://www.dpreview.com/news/2012/07/18/Panasonic-announces-Lumix-G-X-Vario-45-150mm-F4-0-5-6-ASPH-Mega-OIS-zoom-lens-for-micro-four-thirds
• http://www.photographyblog.com/news/panasonic_45-150mm_f_4-5.6_hands-on_photos/
• http://www.fotointern.ch/archiv/2012/07/18/zuwachs-beim-panasonic-g-system-lumix-g5-und-zwei-objektive/
• http://photoscala.de/Artikel/Lumix-G-Vario-4-5645-150-mm-ASPH-MEGA-OIS

Samples:

• http://www.ephotozine.com/article/panasonic-lumix-vario-45-150mm-sample-photos-19712

Available at:

• http://www.ebay.com/itm/NEW-PANASONIC-LUMIX-G-VARIO-45-150mm-F-4-5-6-SILVER-4-G5-GX1-GF5-GH2-G3-/350689041269

* http://www.amazon.com/Panasonic-45-150mm-f4-0-5-6-O-i-s-H-fs45150-k/dp/B0091BC5IE/

"Panasonic is building VR180 support for their just-announced GH5 cameras with a new add-on..." https://www.blog.google/products/google-vr/new-way-experience-daydream-and-capture-memories-vr/

Does anyone have more info on this?