I decided to sell off my Panasonic 7-14mm F/4 lens. I love this little guy, but do not find myself using it enough to justify holding onto it, especially when money is a little tight. It is in great condition, I only used it on 2 short film shoots and tests with my BMPCC, so it is still in great shape. I keep it in the bag with both lens caps on to prevent any scratches or wear/tear.

Brand new they go for about $900 so I am asking for $800. I think $100 off is a good deal, plus I will throw in free shipping to the CONUS. Also, I am located in Chicago if anyone wanted to meet up to try out the lens in person first.

I have the original box, carrying bag and protective bag which I will include.

If you would like pics, please send me a PM or ask on here, but I think most of you guys know what it looks like so unless asked, I will not waste VK's server space.

Good visualization etre

For Sale - Panasonic GH4 Body - UK

I bought this less than two weeks ago. It's brilliant but I prefer the BMPCC for my needs, so I'm selling it.

Less than 50 shots taken, only used video for testing. In as new condition.

Sells for £1299 new - I'll sell for £1349.

The camera is out of stock most places, if not all, so if you're looking for one and want to save some cash then let me know.

I'm in London, can do an exchange in person therefore, or I can post it if required.

Using the new Panasonic LUMIX GH4, I'll be taking you through the best options on recording videos using Panasonic's impressive new camera, including the setup, audio, picture setting, and the range of lenses and accessories that will work alongside the camera.

As you know, the LUMIX GH4 is the first stills camera in the Micro 4/3's arena to be capable of filming 4k video. Not only that, it can shoot at 200mb/s (broadcast quality) All Intra at 4:2:2 10-bit colour output. I'll be looking at how personal-view users can make their shoots as best they can for broadcasting purposes and how you can get the best out of the h264 compression plus how to finalise your work for Vimeo/Youtube and Theatre/Cinema release.

During the session, I'm hoping to be able to provide a live demonstration, and show the output on a large 4K monitor. A technical expert from Panasonic UK will also be on hand to answer any queries you might have.

This is a brilliant opportunity for personal-view members in the London and South East to meet me and other members and have a great chat about our experiences.

Park Cameras will also be offering exclusive instore only deals for you to take advantage of, when attending this event. The camera itself will be available from early May.

There's two sessions available one in the morning at 11:00 to 12.30pm and the other in the afternoon at 2.30pm to 4pm. To reserve your place, goto to this page;-

http://www.parkcameras.com/Article/32/Events.html?referrer=events

• is the full 60-1/4000 shutter speed range available in electronic shutter mode or is the slowest speed limited to 1 second like on G5? ( Answered: it is limited to 1 second. )

• what are the options in built-in intervalometer? Can the interval be lower than one second? Is there a setting for unlimited number of images or is 9999 maximum it will allow?

• what is the fastest burst mode that allows automatic exposure between frames?

• what is the save delay in burst mode and can it save previous shot while taking next one? In practice, can the equivalent of 360 degrees shutter angle be achieved at any shutter speed?

• Safe Option 1: Buy Metabones Speed Booster in Contax/Yashica -> Micro Four Thirds mount. Connect C/Y Zeiss glass. Profit.

• Theoretical Option 2: Buy Metabones Speed Booster in Canon EF -> Micro Four Thirds Mount. Adapt Zeiss C/Y glass to Canon EF mount. This allows me to share lenses with Canon bodies if necessary and also mount standard Canon EF glass to the Speed Booster as well. With the limited range of wide angle Zeiss C/Y glass available this also could make things easier. It saves me buying multiple $400 Speed Boosters.

Question is: Is there any reason NOT to do option 2? I know it will allow a greater chance of error in the adaptors, but will the C/Y -> Canon EF even mount to a Canon EF -> MFT Speed Booster? Is this entire idea completely stupid or have I stumbled on accidental brilliance?

THANKS!

"original importer/country, area"

Is it as simple as Panasonic UK Ltd. or what? anyone else done this?

Only got 1 month left on the warranty so need to get this done asap ;)

Cheers

https://www.reelhouse.org/stonekeyfilms/dyrafjordur

GH2 Lumix body $500 16x9 Adaptor (wideangle lens adaptor) $200 Macbook Air 11" $700

Please PM me if interested, US buyers only.

Thank you all !!!!!

It's the 1" version so full coverage on the BMPCC sensor, and good on the GH2, GH3, GX7. I've tested on all of those.

A great lower cost alternative to the Voigtlander 25mm lens and Panasonic 20mm 1.7.

Shipping from Spain to all of Europe - listed on Ebay here - http://cgi.ebay.es/ws/eBayISAPI.dll?ViewItem&item=141261491409

To do some live streaming I’ve looked at many solutions and this one seems (at this point) the most ideal for my multi camera setup : hook up 3 gh3’s to 3 Ultrastudio mini recorders with thunderbolt and use wirecast to do the streaming and encoding on the mac pro/hackintosh.

I’ve seen however some conflicting messages on forums where it seems that the GH3 signal will not pass through the mini recorder, so does any one have experience with this? Can anyone confirm the mini recorder works with the GH3 and wirecast?

I believe the GH3 has 4:2:0 out and the codecs supported by the mini recorder are:   AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes (LT), Apple ProRes 422 (Proxy), Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2.

So perhaps the GH3 might not work due to different colorspace?

 Here a post where you see a setup using to minirecorders thunderbolt + usb camera to stream live with wirecast: htttp://forum.telestream.net/forum/messageview.aspx?catid=45&threadid=13444 The guy doesn't use a dslr but dedicated camera but you can use the mini recorders with wirecast, only question is, will it work with the GH3?!

Hope one of you can shed some light on this matter

Update:

Interesting links for this thread: Setup using mini recorders: http://forum.telestream.net/forum/messageview.aspx?catid=45&threadid=13444 How to setup GH3 for HDMI output: http://provideocoalition.com/atepper/story/how-to-make-the-lumix-gh3-camera-deliver-proper-recordable-1080p-over-

Everything shot with the GH3, all Natural -5, -5, 0, -5, 1080p @ 50Mbs MOV I've used Olympus 12mm f2 and 45mm f1.8. Some shots with ETC mode, mostly handheld with the Aputure MagicRig.

Edit in Premiere Pro CS6, some correction with Fast Color Correction.

Your comments are welcome !

Last week multiple sources on the web told that starting of new financial year Panasonic will focus on improving their camera division.

Only last day it become known how deep they will be thanks to leaked recording.

Digital cameras division staff will be significantly increased and focused on improving existing and introducing new amazing m43 cameras and lenses.

Remember to check http://www.personal-view.com/talks/discussion/10019/ask-developers-of-the-panasonic-lumix-gh4-plus-answers-about-the-m43-format#Item_19

Specs:

• 1/1.7 LX7 size sensor
• Build in 28-200mm F2.0-F5.9 lens with Power O.I.S.
• 200k dots EVF, bad, in other words
• 10fps burst shooting
• 1080i60/p30 video (sic!)
• NFC and Wi-Fi
• $499 price

Previews:

• http://www.pocket-lint.com/news/120418-panasonic-lumix-lf1-pictures-and-hands-on
• http://www.trustedreviews.com/panasonic-lumix-lf1_Digital-Camera_review
• http://www.imaging-resource.com/PRODS/panasonic-lf1/panasonic-lf1A.HTM
• http://www.dkamera.de/news/preview-panasonic-lumix-dmc-lf1-hands-/
• http://www.ephotozine.com/article/panasonic-lumix-lf1-hands-on-preview-21788

Available at:

• http://www.amazon.com/Panasonic-Lumix-DMC-LF1-Digital-Camera/dp/B00CFCTGFG/
• http://www.wexphotographic.com/buy-panasonic-lumix-dmc-lf1-digital-camera-black/p1538074

So far I have looked at the 35-105 3:5 Canon FD, which is pretty close.

Is there anything better than this in any other mount?

for your considaration, my Panasonic Lumix GH3, in like NEW condition, with 2 original batteries.

All original packaging of course. I used it over a week-end & that was all. So camera is really like new.

Total price is only €850 (including Paypal & shipping) for this beast...

The camera will be shipped from France.

Kind Regards,

Ioannis.

long time PV user - first time poster.

I'd like to ask some opinions - Here in the UK Panasonic are about to launch a spring promotion (it's a bit hush hush) the deal is, you buy a GH3, and get the battery grip and a 22mm 1.4 Panny lens thrown in for good measure. (could be a 24mm though) anyway, I currently shot with a G6 making music videos and youtube stuff, but I do occasionally shoot higher end stuff. Do i trade in the G6 (and pray it then doesn't get hacked the week after) and trade up to the GH3, or stick with the G6?

I like the weather sealing feature, and the higher bitrates, but i'll miss peaking...

I read somewhere that the GH3 has a smaller sensor - is this right?

Will i see a big jump in quality? And if not is this deal too good to miss?

Thanks in advance,

Matt

this is my last shortfilm (6 minutes) Shot with GH3 lumix 12-35mm f2.8 and nokton 25mm f0,95 lens all settings -2

Please tell me what you think.

I bought myself a Glidecam and the Olympus 12mm and took it for a first test while skaten with my friends. A lot to learn, but not too bad at all

Greetz Stiffla

http://www.camcorderinfo.com/content/panasonic-hc-v700-camcorder-review/conclusion

For me the 1080/60p and the telemacro mode are the two best things about this camcorder.

I shoot for Microstock and Vimeo, I can't tell you a codex from a follow-focus. I point/shoot and hope it looks good.

The 1080/60i mode has weird interlaced kinda lines, not sure if it's my workflow or what.

I've owned the GH1, Sony A55, Nikon P500 and Gopro Hero2 and this Camcorder produces a better image.

Here's a Time Lapse I shot, just sped-up to 800% in Motion5.

Grizzly shot a full zoom, slowed from 60p to 30p.

Telemacro shot.

another one

60i shot

There's a 180 photo burst mode that is kinda neat...

I have shaky hands but I think someone could make the zoom work smoothly

Apparently the updated Panasonic HC-v720 model is slightly better. http://thewirecutter.com/reviews/the-best-camcorder-is-the-panasonic-hc-v720/

For $460 it's a pretty good Camcorder. I think.

Could we get a dedicated thread, or formal FAQ, going about this? A list of cards, their read/write speeds and general reliability? Names of patches and which cards they work with?

For example: "Sandisk Extreme Pro 32gb: Form: SDHC Read: 95mbps Write: 90mbps Spans with: basic firmware, Cake 2.3 ( both 24fps and HBR modes) Does NOT span with: MoonT7, quantum v9 Known Issues:

Cheers, D.

As you may or may not know, Panasonic makes some nice lenses for the Micro Four Thirds system. If you are using a M43 camera like the GH3 and you have use for fancy features like small form factors, good optical image stabilization, and excellent clarity there's a good chance you would want to make use of one or more of the these Panasonic branded Leica infused pieces of glass. One issue with them though: are you a videographer or AC doing precise focus? You are S-O-L. No follow focus for you. No repeatable focus. These lenses use the velocity of your barrel movements in it's algorithm for changing the focus in camera so no two moves are the same. The one and only workaround I have found on the net involves using the distance meter from the camera video output as the basis for tape/stickers: http://www.personal-view.com/talks/discussion/3344/repeatable-focus-moves-with-focus-by-wire-lenses/p1

With the GH2/GH3 being such useful video cameras, and the GH4 looking like it will be a video freaking monster wouldn't it be GREAT if you could get repeatable focus from the focus-by-wire lenses which make up so much of the M43 system?

I understand that the lens focus is controlled electronically but why couldn't there be a 'repeatable focus' mode where the hardware, to a reasonable range of precision, supported the use of a follow focus and focus marks with consistent moves.

If I were a wealthy individual I'd love to put a software engineer or two on the case and see what could be done. What I have seen done that seems interesting is kickstarter projects crowdsourcing a particular software feature or program. Is it possible there are enough people who want what I want and are willing to throw a few dollars at it? I'd gladly throw some cash into making the lenses I already own more versatile.

Is anyone out there a software engineer with some experience with these systems who would, if the budget was there, be willing to look into solving this issue with focus-by-wire lenses? Are there any other Panasonic camera/lens folk out there who would be willing to throw some money at the promise of repeatable focus for that sweet 12-35mm or even the upcoming Nocticron 42.5mm?