Specs

• 1920x1200 IPS 7" panel
• 450 nits brightness
• 1200:1 contrast
• Histogram, Selectable color peaking, False color, Adjustable IRE zebra, Grid
• Central zoom, Markers, Safe areas selectable
• Anamorphic mode ( for 1.3x and 2.0x)
• Support all 720p, 1080p, 1080i modes up to 60fps
• Support 4K input at 23.98p, 24p, 25p, 29,97p, 30p
• 180mm x 120mm x 23mm
• 280g weight
• Dc input accepts 7-24V
• Comes with: Sunshade, Hot shoe ball mount, Sony NP battery plate, HDMI cable, manual

Available now.

Price: $200 $195
Shipping: Price already includes shipping for US/Canada/UK/Australia&NZ/Western Europe. Contact for any other regions.
I want to buy this monitor.

And I'm also considering getting a Windows two-in-one-- that is, if the Panasonic app works under the Android emulators available for Windows. The benefits there are having two OSes, more options for things like hard drives, and maybe even getting a machine capable of running Premiere Pro for some editing in the field.

So, I'm looking for advice. Does the Panasonic app work under an Android emulator well enough for field use? Has anyone else used equipment in this manner? (And is Panasonic considering creating a version of its app to run under Windows?)

I do not care about any other features, I just want it to be around 7'' or 10'' and able to produce 3.55:1 anamorphic or 1:1 square image.

It can be plasticky, heavy, I don't mind chinese-grade quality, just need it to be able to produce ratios that I mentioned above and fit BMPCC.

Main issue is the price point – I am on a very tight budget.

Thanks!

Selling a monitor in great condition. Used it exclusively with my Blackmagic Pocket. Works fine. Reason for selling is I'm not shooting enough these days and don't see the point of it lying around. Great monitor on a budget. Comes with original box and cables. Accepts LP-e6 battery. Features Histogram, False Color, Focus peaking, Frame Guides and audio meters. Asking $85 shipped in the US. Paypal preferred to confirmed address.

Here are some pics: Album [url]http://imgur.com/a/J0gWt[/url]

[img]http://i.imgur.com/wlLvLZ0.jpg[/img]

[img]http://i.imgur.com/WczaLml.jpg[/img]

[img]http://i.imgur.com/vyLYoKQ.jpg[/img]

So, I am looking to have a few things sorted out in the sound dept. for a doc I am working on. I have decided that the subjects will have lavs with Tascam DR-05 recording on 16GB cards (enough space for the 12hrs or so quoted by Tascam on battery life with Eneloop Pros) I can't afford wireless, so the recorders are the best combo right now for lavs (opinions welcome on this) I heard samples of Zoom H1 vs the Tascam and the Zoom has too much hiss to my taste.

On camera:

This is where I am finding a bit of a hard time deciding. I want a compact kit (preferably without a rig)

Kit 1: Roland R-26 using all of its mics recording to their own independent channel (thats 2 omnis + XY) AT875r recording into the Roland R26 Since this test showed that the Roland has a bit of a hiss, I thought that using a Fethead attached the already short AT875r will give me a lower noise floor.

• Omni + XY + Shotgun channels to mix in post along with the lavs. --For this kit, I would need to get a cage to have both the Roland and the Shotgun mounted on the GH2.

Kit 2: For a lower price as the above: Zoom H6/H5 w/ SSH-6 mic. This module mic is a XY and short shotgun at the same time, which (with Zooms software) you can then choose how much of each set (XY and shotgun) you can have in your final mix later.

Sample of software and mic tests:

• on this one is that the AT875r takes the bench of gets sold because the module replaces it. The recorder mounts directly on the hotshote (no cage, or rig)
• Not enough samples from the SSH-6 mic out there, especially indoors and with dialogue, so it's a bit of a gamble and I don't know how well the noise floor will be with that combo. -/+ XY and Shotgun only left to mix later in post with the lavs. Hearing samples from the Omni+XY+Shotgun on the Roland leaves me with a bit of nice feeling.

Kit 3: The original kit I imagined I would get.

Tascam DR-70D AT875r

• cheaper than both above
• Dr-70D pre-amps are very nice but could also compliment them with a Fethead
• DR-70D built-in mics may be stereo...but they don't really give a stereo feeling so kind of pointless and the main reason for me to look at the above

That's pretty much what I have right now as options.

I also read about the Olympus LS-100 which has nice quiet pre-amps (for the XLRs) but I was advised by a friend that the 16bit recording may be too limiting if I need to compensate for either noise or for mixing. Any opinions on that?

Sadly enough no shop in London has all of these so I can test them all in one place and see what may fit best.

Also, my doc stuff is multi-field (indoor, outdoor) fly on the wall style 95% of the time so I really like the idea of having mixing options between the lavs, stereo and shotgun.

What do we think??

I've seen vids about these for a few months now, but links just showed up on Amazon for sale. $161 for a 15.5 inch, usb powered monitor. Most other monitors like this are also usb video input, so to have a HDMI input at this price range is huge.

It doesn't have a battery or speakers and because of that, they say it weighs less than 2 pounds. It only outputs 720p max rez, but it can accept a 1080p signal, and a 60fps signal. Not sure about 60i or 24p or PAL, but since it's for gaming, it should be relatively lag free. I'm so tempted to buy one and if it doesn't work out, Amazon's return policy is good.

Asking $325.00 paypal

if someone is interested, please send me a pm, and we can do the deal in ebay, FredMiranda, etc, I have very good reviews in both places, I am someone you can trust. sell to verified paypal addresses only. price include shipping to CONUS and paypal fees.

Straight out of the box the following works;-

1 x IDX C-EBXLR Endura Individual Power System - One V-Mount Adapter Plate with 4-pin XLR Connector

1 x IDX CA-4XLR 4-pin XLR Male to 4-pin XLR Female Cable extension cable

1 x CUE 75 LI-ion Battery (XLR connector plus extra D Type adapter for powering other devices) or longer duration DUO 95 (which features extra two 'D Type' Power Outputs to power other devices plus a powered USB Out too!)

1 x IDX LI-ion Battery charger (for example the VLP PC1 single charger )

Lookout for a full report and video over the weekend regarding maximum recording times with fully charged batteries of the CUE 75 and DUO 95 packs.

If someone is interested let me know and I'll post photos.

http:/http://www.bhphotovideo.com/c/product/292980-REG/Sound_Devices_302_302_Portable_3_Channel.html

http://www.bhphotovideo.com/c/product/399052-REG/Sound_Devices_CS_3_CS_3_Production_Case.html

I have a Marantz PDM661 solid state audio field recoder and a 35mm Minolta MC W. Rokkor - HH f1.8 lens for sale.

1) Marantz PMD661:

The quality of the internal electronics is so high, that you don't need a preamp (see an input noise ranking of many field recorders here: http://www.audiotranskription.de/mikrofoneingangsrauschen , scroll down to about the middle of the page).

Its a 2 channel recorder with phantom powered XLR inputs. For more info try the internet (or ask me via PM). Its a very solid built (e.g. metal housing) and it is in "like new" condition.

Included is the recorder, DC adapter, 2GB SD card (not in the picture), shoulder strap, manual, software CD, original box.

Asking 400 EUR (or best offer) + shipping from Germany.

2) 35mm Minolta MC Rokkor f1.8:

This was one of the best lensen available at its time. Its fast and renders a beautyfull boke. Its sharp and gets rid of the "electronic look" on all digital cameras. It really shines when used for portrait and beauty shots. And because of its metall body and smooth mechanics, the lens has a very nice feel when used.

The lens has a Minolta standart mount and a 55mm filter thread. Its focal length is 35mm and the iris can be opend up to f1.8. Focus distance is marked in meters and feet and close focus limit is about 30cm/1.0ft. (angle of view: 64° , optics: 8 lenses in 6 groups)

The lens is in nearly mint conditions (see picture, can send more just PM me). The only flaw it has, is a painting scratch on the bajonet mount, which was caused by an adapter. This scratch has no influence on functionallity and can't be seen when the lens is mounted to a camera. All lenses are scratch and dust(!) free. The iris is free of oil, all mechanical parts are working smooth and precise and the iris ring snapps in firmly. At all time the lens was handled with great care and stored accordingly.

Included is the lens and front+rear caps.

Asking 250 EUR (or best offer) + shipping from Germany.

The smaller models only need 5v 1A, you could easily power them off lots of batteries out there. I'm tempted, but I'm not going to make any more major purchases until BlackFriday or after. http://www.gechic.com/product_help_en.asp?s=10

I appreciatte any help in this search.

Thanks for any help

I've asked this question to Philip Bloom and he says I'm wrong -- "because this is one man band kit…i had help here but still…why on earth would you bring a mixer unless you had a sound man?" but I still don't see why so please if you're an audio professional and have actually used a field mixer digital recorder combo get back to me. I'm sure I'm missing something here but as I've not actually do any work with an external sound recorder I'm sure what I'm saying is pure conjecture :) There is a difference I think too compared to what he was he was doing, filming a person interview in a very controlled environment compared to chasing tornadoes and trying to get audio from people in a very difficult environment.

So sound pro's your feedback please!