http://radian.alpinelaboratories.com/pages/radian

This comes from their website

Radian is a remarkably powerful, yet wonderfully simple smartphone-controlled device that lets you take stunning panning and tilting time-lapses with your dSLR camera or smartphone (in conjunction with another time-lapse app). With our free iOS/Android/web app, simply upload the desired time-lapse settings to Radian, unplug, and let Radian do the rest.

From time-lapses of sweeping landscapes to stormy clouds to busy street corners, the possibilities are limitless. In fact, the usefulness of time-lapses, especially panning ones, go beyond just creative endeavors. Its uses extend from architectural/construction site surveying, to documentation of projects, to even anthropological studies in urban environments. With panning, you can now capture the entire scene around you.

Radian is small, rugged, weather-resistant, and can handle anything you throw at it. It can rotate side-to-side. It can tilt up and down (with optional L-bracket). It can dynamically speed up and slow down. And if you have a Canon dSLR, you can change exposure to capture sunrise and sunset. You name it. With our app, the sky is the limit.

*Note: Radian is not meant for video panning

http://www.aliexpress.com/item/Portable-12V-9V-5V-Li-ion-Rechargeable-Battery-Pack-CCTV-Free-Shipping-FACTORY-DIRECT/543182633.html

Is it good at all and how long does it take to the battery to be recharged completely ?

Thanks to answer

Seems to use Sony sensor (ala GH3) and will have Wi-Fi.

Check http://huati.weibo.com/k/%E6%9F%AF%E8%BE%BE%E6%95%B0%E7%A0%81+%E8%89%B2%E5%BD%A9%E5%8D%87%E7%BA%A7?from=510&order=time

$650 shipped in the U.S.

We do not have such a budget. Are there any good alternatives around 1.000 - 3.000 Euro? We are shooting on Panasonic GH3s.

Thanks in advance. Alex

DOUCE CHINE: Technical detail for every shot (Camera/lens/Aperture)

Birth of the “Douce Chine” Project: Twice a year I am teaching a 10 weeks (25 hours) filmmaking course in Shanghai. www.shanghai-classes.com/filmmaking For the 2014 spring term, I decided to help one of my friends, by shooting a music video for his new Album: Douce Chine (China Delight). This was an interesting project for my students as well, as we had time to work on lighting set up and camera positioning. Song is about a guy who is used to travel from France to China, mixing up jet lag feeling with night life, good wine and wave of exciting emotion spicing up his life in China. This 4 minutes video was integrally shot in 10 hours (2 afternoons) in our classroom which is only 25m2. That means we could only walk 5 steps max in the different directions of the room.

Why multi cameras shoot? Out of my teaching work in photography and filmmaking, I am both a pro photographer and DP/cameraman. I am having lots of gears and this shooting was a good place to put all of my cameras at work for the good of the students; Nikon D800, Lumix GH2, Lumix GH3 and Panasonic AF100. I hired one of my Photography students (Richard) to be my main assistant and he brought along his Leica M240 he had never tried in video mode so we decided to give it a try on that project. Music video is the place for multi camera shooting as you cannot ask the singer to repeat the exact same performance many times in one afternoon. Despite the lack of space in our classroom, we managed to position the camera to cover as many angle as possible in our 3 different sets of background: Simple black back drop, (fake) Bed and Chinese curtain, Window with (fake) street light reflection. There is no use to get many cameras in action if their position and angle of view are not both different and matching.

Image bank from extra cameras On the image shot for the music video, I add a layer of images I shot in the previous years in France and China. They were shot with GH1 (night shots and on board shots) Panasonic HVX200 (club and slomo of people walking) and HVX200 with Letus Ultimate (Water shot, airplane, traditional places…). I followed up with the HD evolution but all my HVX shots (720p 50fps) still looks real good even blew over scaled to 1080p. Great cams always existed and any day, I can still grab my HVX200 if it matches my need on a new project.

Which lenses? I am having some great lenses and I used some of my favorite on that shooting; Voigtlander 25mm f0.95, Nikon AIS 50mm f1.2, Nikon 85mm f1.4 AFD, Computar 75mm f1.4 (a rare but cheap CCTV lens great for portrait) Prior to the shoot, I bought a 35mm f1.8G (DX version) which is doing very well on the D800 even in FX mode as I knew I would add some vignette in post. I am always taking advantage of this type of experimental project to test new things without pressure. The GH2 was hanged to the ceiling on top of the fan with the Voigtlander 25mm which was wide enough to get the establishment shot at once. The D800 shared the 35mm and 50mm at f2. The GH3 always used a Speed Booster (great tool that I highly recommend) with the Nikon 85mm 1.4 which is an amazing lens (older AFD version half price than the new G version). The AF103 mainly used the Computar (200 USD lens). For the Leica, Richard brought along his 50mm f0.95, 35mm f1.4 and 90mm f2. Those 3 lens costs more than my complete equipment, but they are already sharp fully open and get their own character which makes their full frame image looks more like Medium format camera.

Light and camera settings. This is not a proper camera test as the aim was to complete the music video shooting. Therefore, we didn’t try different set up on camera or aperture on lenses to compare. Instead, we kept everything pretty much the same. I am used to set up a lighting to be able to shoot at f2 on all camera at ISO200 (base iso for GH2, GH3 and AF100). This Aperture offers great sharpness on all my lenses and it also allows me to use lenses of any angle of view from 12mm to 180mm at f2(with speed booster) on M43 (which means 24mm to 320mm on FX). I am also working at f2 most of the time as I know the combination of lights able to deliver this result which is time and budget saving. There is just some slight correction according camera position versus light position. Playing a bit on the ISO or the aperture can handle that. On the other hand, Richard wanted to go shallow depth of field (f1.4) on the Leica and sets the ISO at 100. Sometime, he went too much on that direction (while being close to the subject) and you can notice that some of Leica’s shots are a bit out of focus as depth of field is too limited. I guess that Richard went as far as f0.95 few times on the 50mm due to noticeable overexposure on some shots. Bokeh Otaku!

Main differences between cameras - GH2 and GH3 are classic, great tools, the most efficient, my favorite and they get even better with Voigtlander lenses or Speed Booster + Nikon. They are easy to set for a flat image for post processing purpose. Still, I think the GH1 was the best in term of cinematic colors out of the box. Image is sharp and it is up to your treatment to smooth them up. Those cameras are easy to handle due to their size, articulated screen, electronic viewfinder with all needed information minus peaking. - AF100 (AF103): Often described as a weak product by people who don’t own one and just judge on technical data, this camera is a workhorse, the one I pick up first for my paid job due to its form factor and ergonomics. Great for sound recording and flexible with its ND filters (the feature I am missing the most on GH series). Image quality is good and it had never been an issue for me or my client. Interesting point, it is the most accurate camera of the bunch in matters of color rendition. Green is much more right on the AF100 than on the Gh2 or Gh3 for instance. I love this cam and it is far better than its reputation. - D800: I used it once for a very short movie just for a test. (

Final words: Camera model, Full frame or M43 does it matters? This was not a camera test, but a real world shooting with very different gears. As far as I am concerned the possibility to get a flat image out of the camera, working on a nice lighting set up, taking care of camera positioning and making a wise choice of quality Lenses are more important than camera type, model or brand. Cinematic look is not about crazy shallow depth of field. Watching great classic films help to reset some mind on that matter. Pilling up image with crazy smooth out of focus area is sometime so obvious that it takes over the story itself most of the time… The real advantage of FX is to be able to offer more separation between element with wider lens (even with an f2.8 zoom) and at longer distance from subject. If one day I am trying to shoot a fiction with the leica, I am going to write a story with that idea in mind and I might shoot in flat light, colorless environment to compensate the high saturation of the footage.

Franc Péret French Filmmaker/Cameraman/Photographer/Teacher based in Shanghai cn.linkedin.com/in/francperet View my video on (need a VPN from China): http://vimeo.com/channels/659428/videos Filmmaking and Photography classes www.shanghai-classes.com

i'm from Italy, and i accept paypal only thanks Luca luca.lusoli@gmail.com

http://petapixel.com/2010/08/05/the-worlds-first-digital-camera-by-kodak-and-steve-sasson/

Harold House

Specifications:

• 16MP 1/2.3" CMOS sensor
• TruePic VII LSI
• 5-axis sensor shift IS
• 25–600 mm 24x F3.0 - F6.9 lens
• 460,000px screen
• 1080p60 video
• Wi-Fi
• 271g
• 109mm x 63mm x 42 mm
• $399

Previews and such:

• http://www.imaging-resource.com/PRODS/olympus-sh-1/olympus-sh-1A.HTM
• http://www.stevehuffphoto.com/2014/04/01/the-new-olympus-sh-1-compact-delivers-style-and-performance-for-under-400/

I just answered a question I got a few days ago in this video. It's about using a flat profile picture style as well as setting up some of the settings in your camera to make it as flat as possible, and why you should leave some settings although everyone says you shouldn't.

Let me know what you think of these thoughts!

So Euro 750, you keep your Resolve dongle and we have a deal.

Thank you!

Original box with contents included (charger/battery/ect) The camera is in PERFECT condition and was used as a b cam for 1 wedding and some test footage of my dogs. lol

To do some live streaming I’ve looked at many solutions and this one seems (at this point) the most ideal for my multi camera setup : hook up 3 gh3’s to 3 Ultrastudio mini recorders with thunderbolt and use wirecast to do the streaming and encoding on the mac pro/hackintosh.

I’ve seen however some conflicting messages on forums where it seems that the GH3 signal will not pass through the mini recorder, so does any one have experience with this? Can anyone confirm the mini recorder works with the GH3 and wirecast?

I believe the GH3 has 4:2:0 out and the codecs supported by the mini recorder are:   AVC-Intra, AVCHD, Canon XF MPEG2, Digital SLR, DV-NTSC, DV-PAL, DVCPRO50, DVCPROHD, DPX, HDV, XDCAM EX, XDCAM HD, XDCAM HD422, Apple ProRes 4444, Apple ProRes 422 (HQ), Apple ProRes 422, Apple ProRes (LT), Apple ProRes 422 (Proxy), Uncompressed 8-bit 4:2:2, Uncompressed 10-bit 4:2:2.

So perhaps the GH3 might not work due to different colorspace?

 Here a post where you see a setup using to minirecorders thunderbolt + usb camera to stream live with wirecast: htttp://forum.telestream.net/forum/messageview.aspx?catid=45&threadid=13444 The guy doesn't use a dslr but dedicated camera but you can use the mini recorders with wirecast, only question is, will it work with the GH3?!

Hope one of you can shed some light on this matter

Update:

Interesting links for this thread: Setup using mini recorders: http://forum.telestream.net/forum/messageview.aspx?catid=45&threadid=13444 How to setup GH3 for HDMI output: http://provideocoalition.com/atepper/story/how-to-make-the-lumix-gh3-camera-deliver-proper-recordable-1080p-over-

Samples:

http://www.photographyblog.com/previews/htc_one_m8_photos/

1080p at 50fps Bit Rate = 28mbps 1080p at 25fps Bit Rate = 16mbps

You intercut the 50p (25p) (Close range and POV) with Multicam DSLR footage of 24p (Medium and Wide). You Drop the Footage into a 24p timeline with a 24mbps Bit Rate and have the option of either dropping frames or bending frames.

1- How much information is lost conforming 50p to 24p?

2- Will the information lost from the 50p footage lead to the 25p (16mbps) footage having a higher Bit Rate in the 24p timeline?

3- Is it better to drop the 50p into a 25p time line, render at 25p, and then drop the new file into the 24p timeline?

4- Is it better to just forgo the 50p and use the 25p (16 Mbps)?

-Wooden Camera pocket cage -2 sandisk extreme pro 64gb cards -4 batteries (non-nikon ones) incl charger.

All together I offer then for €250,- excl. shipping.
Individual purchases are negotiable.

Currently I have the GH2 with Sanity and a NEX-5N which use 95% for photo still.

The GH2 has a great performance in video, but the latest Lumix issues have improved considerably as the High ISO, less noise. I also interested in 60fps for slow motion; in the GH2 only available in 720p, the NEX let record 60fps in 1080 but the video from Sony isnt as good as Panasonic.

My major candidates are the G6 is a kind of GH2 improved and the glorious focus peaking is a success whether in stills or video. The GX7 having even higher quality (in the level of GH3), I love the design, still photo quality in the level of OMD and NEX . I could not use a monitor for its HDMI output while recording with G6 and GX7, but can via WIFI. Can the GH3 price drops something from here to there, but after having a NEX consider any camera must have focus peaking mandatorily.

Which of them advised me that they see pros and cons in each, or better invest in some good optics for GH2 as 45mm f1.8 as the Zuiko 25mm f1.4 or PanaLeica?

Thanks!

Previous months:

• http://www.personal-view.com/talks/discussion/9292/camera-sales-including-novemer-2013-reports
• http://www.personal-view.com/talks/discussion/8969/camera-sales-including-october-reports/p1

PR

(Newark, New Jersey--October 8, 2013) Panasonic has announced delivery and pricing for the AG-AC8PJ, an AVCCAM shoulder-mount with exceptional ergonomics and functionality. The AG-AC8PJ, with 1080p recording capabilities, is ideal for shooting weddings, business conferences, documentaries, sporting events (including 720p at 8Mbs, optimal for use with leading coaching analysis systems), exhibits and government activities.

The AC8PJ will ship in October with a suggested list price of $1450.00. The camcorder’s advanced functionality includes a wide angle 28mm/F1.8 lens that allows the operator to fit more people and background into the frame, especially useful in narrow spaces. A powerful 21X optical/50x super-high resolution zoom facilitates shooting scenes that are difficult to access. Intelligent auto (iA) resolution technology enables acquisition at high zoom rates while preserving the image resolution. A 1/4.5 type high-sensitivity sensor ensures bright and sharp images even in the most dimly lit scenes.

With dual SD card slots and the capability to record on both cards simultaneously, the AC8PJ’s Relay Auto Switch functionality provides dependable back-up recording or the ability to switch from one card to the other for extended recording times.

The AC8PJ offers a wide range of recording models including:1080/60p [Max. 28Mbps/VBR], (1920x1080/60p); PH [Max. 24Mbps/VBR], (1920x1080/60i); HA [Ave. 17Mbps/VBR], (1920x1080/60i); HG [Ave. 13Mbps/VBR], (1920x1080/60i); HE [Ave. 5Mbps/VBR], (1440x1080/60i); PM [Ave. 8Mbps/VBR], (1280x720/60p); and SA [Ave. 9Mbps/VBR], (720x480/60i).

Sophisticated professional capabilities include Dynamic Range Stretch (DRS), which helps compensate for wide variations in exposure in a contrast heavy scene, from light to dark; and a Focus in Red function that shows the sharp edges of a subject in red, making it stand out more easily, allowing a shooter to find focus even faster in some situations when manual focus is in use.

Input control commands can be made by the AC8PJ’s integrated 3-inch touch panel LCD and Smart Touch. The camcorder is Eye-Fi™ SD card compatible, making the transfer of recordings via a wireless network to devices like a PC or a file-sharing site like YouTube or Vimeo fast, simple and convenient. Interfaces include HDMI Type A, Microphones (stereo mini), Headphone (stereo mini), USB 2.0 Hi-Speed Host/Device, AV, and Video Component.

Other key features include a powerful 5-Access Hybrid Optical Image Stabilization (O.I.S) that thoroughly suppresses blurring all the way from wide-angle to powerful zoom shots; and a manual, multi-purpose lens ring that provides fine adjustments and precise control of Focus, Zoom, Iris, White Balance and Shutter speed (a fast, accurate auto focus is also available). An illuminating LED ring allows recording verification and serves as a tally light to make shooting smoother. Other functions encompass the ability to back up hours of footage to an external portable HDD via USB; a Level Function mode that automatically detects and corrects the tilting of captured images; and a large lens hood that blocks light more effectively to reduce lens flare.

The AC8PJ weighs only five pounds, and measures 8.07 inches (W) x 8.54 inches (H) x 18.85 inches (D). The camcorder captures still images of 16:9, 20.4 megapixels [6016 x 3384 resolution], or a 4:3, 15.1 megapixels [4480 x 3360 resolution] still image. In simultaneous record mode, it can take a 16:9, 9.4 megapixels [4096 x 2304] still image or a 4:3, 1.4 megapixels [1440 x 1080] still image. A new high-performance stereo microphone is included, and standard accessories comprise an AC Adaptor, AC Cable, Rechargeable Battery Pack [2900 mAh/Lithium-ion], AV Cable, USB Cable, External Stereo Microphone, Lens Cap and Eye Cup.

Previous part - http://www.personal-view.com/talks/discussion/8708/camera-sales-including-september-reports/p1 . It also has many additions from companies reports

I knocked up a quick, rough and ready Proof of Concept demo video of my project "MagicWand" wireless remote for the BMPCC and it is now available on Vimeo:

The plan is to build an Android App with other platforms to follow if there is sufficient interest.

So far AutoFocus, FocusNear, FocusFar, AutoIris, IrisOpen, IrisClose and Record Start/Stop are function over the wireless link.

Zoom is also planned, I just need a lens to test with. Anyone got a spare of the new Panasonic 14-42mm power zoom?

I can't see why it wont work with the other BMD cameras as well, I just don't have the means to test these yet.

Regards,

Andy.