Information provided by Team Rebel Design.

Handheld 3-axis stabilizer is a revolutionary product to the film industry. It is so light-weighted and user-friendly to create more possibilities for photographers during filmmaking and at mean time providing smooth videos. However, designs of 3-axis stabilizer cannot address the very crucial part: the bounces caused by photographers’ step while making videos. To solve this problem, the cutting-edge Nebula 4200 5-axis stabilizer has arrived.

With two spring arms, Nebula 4200 can absorb any vibrations and bounces under payload acting on the vertical axis and with different spring tension, the two spring arms are also able to filter part of the vibrations on horizontal axis. They are just like the vehicle suspension system which isolates road noise, bumps, and vibrations. Nebula 4200 as the terminator of stabilizer presents you a most smooth experience under the severe environment of recording.

And here comes a brilliant accessory for Nebula 4200 to make it the most powerful combination: our new product, Nebula Remote. No more complicated operation to control both your gimbal and camera with Nebula Remote. It can be quickly installed on gimbal's handle without tools and can be simply used by thumb to control your gimbal accurately and intuitively. Only one key to stop or continue motor's working, convenient for balancing, fine-tuning and power saving. OLED screen clearly shows the current status, including modes of gimbal, current voltage, battery power, angle of pitch axis and yaw axis and other information. By using the memory function, now it’s free to capture shots that are difficult or impossible. Every design makes filmmaking smoother and easier.

Nebula Remote is compatible with Nebula 4200/4100/4000/5200/6000. The video below is Nebula REMOTE function introduction.

The video below is the method of Nebula REMOTE.

Hope these can help you to understand the product.

This goal was achieved in 1973, by inventing the simple but innovative machine – Brown stabilizer (later renamed: Steadicam).

At that time, Steadicam attracted a large number of users for its low cost and simple structure.

Buy as the rapid developing of science and technology, emerged the shortcoming of Steadicam.

Although Steadicam has made great differences, there are many restrictions to the detriment of current photography needs. Such as Steadicam is too big to be used for narrow scene, and too heavy for long shot. And the fatal weakness is the difficulties for beginners to start in a short time trial, users must take a long time of training to familiar with Steadicam and use it well. With wrong posture, it is counter-productive to keep stable. Still, usually we need to spend a long time on Steadicam for adjustment and balancing.

Now, the cutting-edge Nebula 4200 5-axis stabilizer has arrived to end the 50-year history of Steadicam. You have to admit that the lightweight and compact stabilizer more suits our needs for its user-friendly and excellent stability.

However, designs of 3-axis stabilizer cannot address the very crucial part: the bounces caused by photographers’ step while making videos. To solve this problem, Nebula 4200 5-axis greatly integrated the traditional advantages of Steadicam and the latest technologies of gyroscope stabilizer.

Turned the standard notion of 50-year Steadicam’s structure, 5-axis spring arm is Nebula’s original design, inspired by the damping system of F1 racing cars. Nebula 4200 is known as the only mould-casting gyroscope stabilizer in the world. All parts of this innovative product are made of metal.

The effect of double spring arm in contraposition is both rebound and absorbing. But the mass of stabilizer and camera appropriately maintains inertial. Except the intentional tremor, the two spring arms of 4200 can absorb any vibrations and bounces under payload acting on the vertical axis. With this kind of buffer, Nebula 4200 reduces vibration, retards speed, makes shooting more smooth even facing hard bumps.

They are just like the vehicle suspension system, on the one hand isolates road noise, bumps, and vibrations, on the other hand provides enough sustenance for stabilizing car body while making a turn. Besides vertical axis, with different spring tension, the two spring arms are also able to filter part of the vibrations on horizontal axis. That’s why we call as 5-axis.

Two dovetails are added on spring arm, to show the flexibility of combinations. The standard 1/4 screw hole also makes it easy to carry most of the photography accessories. Every detail we designed is for filmmakers in search of 2 “P”s: professional and possibilities.

Double spring arm in contraposition turns the standard notion of spring arms in line, in order to spread bounces caused by photographers’ step while moving over two handles. Thus perfectly reduces the jitter and jerking and improves users’ manipulation of stabilizers.

Turned the standard notion of 50-year Steadicam’s structure, 5-axis spring arm is Nebula’s original design, inspired by the damping system of F1 racing cars.

The effect of double spring arm in contraposition is both rebound and absorbing. But the mass of stabilizer and camera appropriately maintains inertial. Except the intentional tremor, the two spring arms can absorb any vibrations and bounces under payload acting on the vertical axis. With this kind of buffer, reduces vibration, retards speed, makes shooting more smooth even facing hard bumps.

They are just like the vehicle suspension system, on the one hand isolates road noise, bumps, and vibrations, on the other hand provides enough sustenance for stabilizing car body while making a turn. Besides vertical axis, with different spring tension, the two spring arms are also able to filter part of the vibrations on horizontal axis.

Two dovetails are added on spring arm, to show the flexibility of combinations. The standard 1/4 screw hole also makes it easy to carry most of the photography accessories. Every detail we designed is for filmmakers in search of 2 “P”s: professional and possibilities. Double spring arm in contraposition turns the standard notion of spring arms in line, in order to spread bounces caused by photographers’ step while moving over two handles. Thus perfectly reduces the jitter and jerking and improves users’ manipulation of stabilizers.

Any PID settings alterations which might make it work?

Would love to not have to spend more to buy a Tokina 11-16 to make it up and running. Thanks in advance.