Hi there PV's folks and folkatrinas

What's this thread about?
Easy, preferable AUDIO-VISUAL content that's inspiring, deep (layered/rich in relations/emotionally/etc.), that triggers something, that connects to you, that helps to understand, to appreciate, that humbles, that provokes thunders onto your cones. Personally and as in language I'm also very interested in the possible relations within the image itself, with following images, in a group.

At the risk of maybe sounding snob - but on the other hand I'm already used to going solo and don't really give an oxter - I'ld much prefer if things posted here have a kind of personal "attitude" towards them and are not simply copy pasted from some rainbow making web bordello... nuthin wrong with those. That doesn't mean "intelligent" stuff, or intellectual... more like felt, lived, alive!! =)

Danila Tkachenko

 
 
 

Bill Nighy is there also 'cause he has Dupuytren's Contracture, a hereditary condition which causes the ring and little fingers of each hand to be permanently bent inwards towards the palm.
 
this one rightfully deserves its own room. The Magical Girl

 

 
I'm a huge fan of Bresson, not only he embodied stories with tremendous scope and never undermined the audience; on the contrary nurturing their capabilities of putting together a whole; but he used film language in a very clever, clear and rich way, also brilliant close ups. In the second part of this video there's some examples regarding his Pickpocket. BTW people producing essays should be more respectful of the film's original title or titles, as it is the case with A Man Scaped... the originals titles are Un condamné à mort s'est échappé ou Le vent souffle où il veut loosely translated as A Man Escaped or The wind blows where it wills =)
 

See beings and things in their separate parts. Render them independent in order to give them a new dependence

From Bresson's Notes on Cinematography
 

 
gashô