A new DJI Mic Mini appears to have been registered.

Features two Ultra HDDA combo microphone preamps with XLR/TRS connectors as well as a 3.5mm mini-jack stereo input. In addition, a two-inch screen and 2x2 USB-C audio interface functionality is provided. In turn, the FR-AV2 offers Timecode I/O, Timecode generation and Jam-sync functionality for precise synchronization with video.

First of all: of all the Mic2 vs Røde Wireless Pro comparisons the Mic2 sound noticeable worse, dull as well as other issues. But the features man...

Some mics seems to be duller sounding and more "muffled" in quality than other copies.

Anyway DJI now claims that there is a firmware bug in the Mic2 which causes the bad sound quality. Or at least some of them.

Clear difference in frequency response for different copies of the Mic2 transmitters built in microphones. If used with external mics no problems.

Then again when I look at the list of supportet phones it's not so great either, while a lot of iPhones is listed the support for i.e. Samsung is only for devices which are a couple of years old. I.e. it works like a charm with my Samsung S22 Ultra, so no problems here.

So this begs the question if there is an issue with different / non supporting protocols / profiles?

It's not perfectly clear to me if protocol and profile are the same thing, or not?

From the documentattions:

DJI Mic2 transmitter supports bluetooth protocol BR / EDR (basic rate / enhanced data rate).

GoPro Hero12 supports HFP / HSP profile ( Hands Free Profile, Headset Profile).

That said the documentation for the Hero12 clearly shows that the BT audio is targeted at headsets: https://community.gopro.com/s/article/HERO12-Black-Bluetooth-Headset-Support?language=en_US

Documentation for DJI Mic2 and mobile phone compatibility list: https://dl.djicdn.com/downloads/DJI_Mic_2/compatibility%20list/DJI%20Mic%202-%20Mobile%20Phone%20Compatibility%20List_EN.pdf

And; while the DJI Mic2 works with their own products like Pocket 3 and Action 4, it also seem to be supported by the latest Insta360 AcePro action cam. So clearly not a DJI exclusive support either.

So finally my question; is it probable that the GoPro BT audio is implemented in a way which will not be compatible with the latest DJI Mic2 transmitter?

• http://sonylatinnab.com/brochures/Audio.pdf

• http://video-artisan.com/uwp-d11-review/

Available at http://www.amazon.com/Sony-UWPD11-42-Lavalier-Microphone/dp/B00J2XQZN2/

Specs

• Mono Recorder with Lavalier Mic
• 24Bit/48kHz WAV recording format
• Support 32GB microSD or microSDHC cards
• 1/8" Stereo Headphone Output
• Works on one AAA Battery for 10 hours
• Built-In Limiter
• Low-Cut Filter
• Dual Recording Mode (low level additionally)
• OLED Display
• Case, Windscreen, Mic Clip & USB Cable are included
• Available for $170 at https://www.bhphotovideo.com/c/product/1281085-REG/tascam_dr_10l_mini_portable_recorder.html

Specs

• 32-bit float recording, 2-input / 2-track recording small field recorder
• No gain adjustment required
• Two independent XLR balanced inputs (with lock mechanism)
• Up to 192kHz sampling / 32-bit fixed float, recorded in monaural or stereo WAV format
• High-quality mic preamplifier that achieves an ultra-low noise floor of EIN -127dBu or less
• REC hold function to prevent erroneous operation during recording
• Monitor input signal with real-time waveform display
• Compact and robust housing that can be attached to the boom microphone with Velcro
• PHONES output and LINE output terminal with dedicated volume control for 3.5mm plug
• Direct recording to microSDHC / microSDXC (supports up to 1TB)
• High-precision time code that realizes accurate synchronization with video *
• Remote control from the Android / iOS app "F3 Control" via Bluetooth connection **
• 2 in / 2 out, up to 96kHz / 32bit float compatible *** USB audio interface function
• Driven for 8 hours or more with 2 AA alkaline batteries
• Powered by 2 AA batteries, AC adapter (sold separately AD-17) or USB mobile battery
• https://www.bhphotovideo.com/c/product/1686005-REG/zoom_zf3_f3_digital_field_recorder.html

From the real-time waveform display and one-touch controls to the flexible powering options and precision timecode functionality, the F3 is properly equipped to please novices and demanding veterans alike. Whether you need long-duration stereo recording for an interview, redundant capture of dual-mic setups for a video shoot, or failure-proof recording on location, the F3 has the modes, resolutions, and media support to handle your crucial audio tasks. Plus, its operational versatility ensures that the F3 will always enhance your workflow, be it simple, complex, or always changing. You can feel confident using it as your main recorder, a USB audio interface for your dedicated computer rig, or a backup unit for added safety.

Automatic Distortion-Free Audio

The F3 utilizes dual A/D converters and 32-bit float recording technology to capture intensely loud signals without clipping the converters and bring in extremely quiet sounds without overwhelming noise, all without requiring any gain adjustment from you. Record with confidence, knowing that you can just connect your microphones and start recording to attain crisp, clear audio.

Dual XLR Mic/Line Inputs

Two balanced mic/line inputs with locking XLR jacks and switchable +48V phantom power make the F3 an ideal match for professional microphones such as handheld dynamics and shotgun condensers as well as line-level feeds from a dedicated field mixer.

High-Quality Recording Settings

The F3 supports high-quality sample rates between 44.1 and 192 kHz, in mono or stereo uncompressed BWF (Broadcast Wave File) format. No data compression means that no quality is lost in the creation of the audio files.

Record Direct to microSD Cards

Maximize portability by recording directly to a microSDHC/microSDXC card (available separately) for up to 1TB of storage space.

Headphone and Line Outputs

While the line output enables straightforward routing to your camera, DSLR, or secondary recorder, a 3.5mm stereo headphone jack with dedicated volume control offers convenient audio monitoring.

Power for Hours

To keep up with the pace of on-location production, the F3 can be powered via two AA alkaline, Lithium, or NiMH rechargeable batteries (alkaline included), a Zoom AD-17 power adapter (available separately), or a USB Type-C battery pack (available separately). With up to eight hours of run time on AA batteries, all-day shoots are no problem for the F3.

USB Audio and File Transfers

Since the F3 has a USB Type-C port, simply connect it to your computer via a USB cable (available separately) to transfer files to your computer or use the F3 as a 2x2 USB audio interface capable of 24-bit / 96 kHz resolution. USB audio interface functionality will be supported by a firmware update scheduled to be released in March 2022.

Precision Timecode and Synchronization

Add the separately available Zoom BTA-1 Bluetooth adapter and UltraSync Blue (from Timecode Systems or Atomos) to take advantage of high-precision timecode that realizes accurate synchronization with video.

App-Based Remote Control

For convenient wireless remote control from an iOS/Android mobile device, connect a Zoom BTA-1 Bluetooth adapter (available separately), then use the free F3 Control app (planned for March 2022) via Bluetooth.

Intuitive Controls and Built-In Display

Intuitive one-touch buttons—record, play, stop, and volume up/down—provide fast, hassle-free operations with no menus to wade through. The onboard screen shows real-time waveforms and clear indication of battery status, recording time, and more. Per-channel buttons let you quickly zoom in or out for a better view.

Hold Function Inhibits Accidental Interruptions

Flip the Record switch down to the Hold position to engage the Hold function, which prevents interruptions to the recording caused by accidental button presses.

Low Profile and Lightweight

With its minimalist profile, the lightweight F3 attaches to boompoles via hook-and-loop fastener (available separately) or slips into a pocket to be hidden from sight.

Specs

• Dual AD converters
• Supports for 32-bit float recording (16bit / 24bit can also be selected)
• 8 channel input, maximum 10 tracks (8ch + L / R) simultaneous recording
• Maximum 192kHz High-resolution recording in 32-bit float WAV format
• High-quality pre-amplifier with ultra-low noise floor design with a maximum gain of 75dB and EIN -127dBu
• Neutrik XLR / TRS combo input with 8 lock mechanisms
• Microphone / line (+ 4dBu compatible) ) Input source switching is also possible
• High-precision time code with an error of 0.5 frames in less in 24 hours
• Advanced limiter that pre-reads peaks and prevents overload
• ZOOM auto mix function that automatically adjusts the level of inputs
• 3 power types: 8 AA batteries, external DC power supply, 12V AC adapter
• Independent track knob for each channel, 6-segment LED level meter, PFL / Solo switch
• Equipped with two mini XLR (TA3) balanced main outputs and a stereo mini specification sub output
• Headphone jack with volume control (output 100mW)
• 2.4" full color, backlit LCD (with monochrome mode)
• Double SD card slot compatible with up to 1TB SDXC
• Built-in slate microphone / slate tone
• 8 in / 4 out, USB audio interface function compatible with up to 96kHz / 32-bit float
• Backup recording to a computer via the USB audio output at the same time as recording to the built-in SD card
• 360° spatial audio using a VR microphone and built-in Ambisonic recording mode
• Remote control from Android* / iOS application "F8 Control" via Bluetooth connection (* Android version is scheduled to be released in March 2022)
• Optional mixer controller (F-Contro)
• Optional ZOOM microphone capsules can be connected (the XAH-8, EXH-8, VRH-8 are not supported)
• $1,280 USD

Specs

• Up to 192kHz/ 32-bit float point recording
• Two 14.6mm diameter built-in microphones
• Premium dual AD converters and 32-bit float point recording technology
• Internal multi-track recording up to 8 tracks (6 tracks + 2 mix)
• TASCAM Portacapture Control app for wireless remote control via mobile devices
• Streams up to 8 tracks (6 inputs and 2mix) through USB
• 4 XLR inputs with support for both mic and ¼' line-level, EXT-IN, LINE OUT, and CAMERA IN/OUT connections
• Supporting the USB Type-C Power Delivery standard
• Dual recording mode enables each track to be recorded in a different file format
• Supports micro SD/micro SDHC/micro SDXC (up to 512GB) recording media
• Powered by 4 AA batteries, USB bus power, or optional AC adapter
• Product page - https://tascam.jp/us/product/portacapture_x8/top

Sony Electronics has announced a new URX-P41D two-channel portable receiver, supporting MI (Multi Interface) shoe with Digital Audio Interface. The URX-P41D, boasts all the key features included in the 4^th^ Generation UWP-D Series, such as improved high sound quality from Digital Audio Processing, NFC Sync for quick and easy set-up from Receiver to Transmitter and functions such as Auto Gain mode and Output level control, making the job of recording sound even easier.

As part of the market leading UWP-D Series, the URX-P41D will work with all UWP-D transmitters (backwards compatible withprevious generations) and will be available as a stand-alone receiver and as part of a new kit, the UWP-D27, which will include two UTX-B40 Bodypack Transmitters.

The URX-P41D is ideal for many users ranging from broadcast and news productions, to run and gun style interviews, or documentaries and series productions, using Sony's XDCAM™ camcorders, Alpha™ interchangeable lens cameras and select Cinema Line cameras.

Key new features include:

1. Digital audio interface to improve sound quality
   • Sony's Digital Audio Processing, which uses DSP (digital signal processing) for digital companding, improves sound quality by optimizing a time-constant range between the transmitter and receiver, making the reproduction of sound more accurate. It provides superb transient response performance which for enables clear and crisp audio for interview style recording.
   • Using the SMAD-P5 MI shoe adaptor enables direct digital audio recording and delivers high sound quality with low noise by skipping the D/A and A/D process. This interface is compatible with a wide range of Sony's XDCAM camcorders, Alpha interchangeable lens cameras and Cinema Line cameras^1^. It also integrates seamlessly with Sony's camcorders and displays audio information on the viewfinder for enhanced usability in the field.
2. "NFC SYNC" function to allow quick and easy channel setting
   • Simple and quick channel setting for reliable RF transmission when time pressure is high is becoming crucial. Delivering enhanced usability, the unique "NFC SYNC" feature is designed for easy and fast frequency setting. By simply holding the NFC SYNC button on the receiver for a few seconds, it automatically scans the appropriate frequency. Thereafter, just touching the receiver to the transmitter will sync the channel for optimum speed and efficiency.
   • A new 'all band' scanning feature utilizing the NFC pairing function makes quickly finding the two best channels easy, regardless of location. Additionally, sequential pairing simplifies the process further by assigning each frequency to two transmitters in one function.
3. Compact form factor, with improved ergonomics
   • By reducing the size of the receiver from previous generations, the URX-P41D can sit on top of the camera or ILC attached to the MI shoe or cold shoe allowing for improved balance on the camera.
4. External Microphone Input and Three-channel mixing function
   • The External Microphone Input for an additional wired microphone widens the sound capture options. Three-channel audio recording is available by using a Sony lavalier microphone through the external microphone input. Furthermore, four-channel audio recording is also possible when using a stereo microphone through the external microphone input.
5. Stable RF reception
   • The URX-P41D can reduce interruptions in reception (RF signal dropout), by utilizing a space diversity reception system, which achieves highly stable reception because of its two receiving antennas. The angle of the antennas on the portable receiver can also be adjusted, which helps to further eliminate signal dropout.
6. Functions to improve performance when on location
   • Auto gain mode and Output level control brings the user peace of mind that the audio levels are correct when out in the field. Auto gain will help to prevent any unwanted distortion and Output level control (when using XLR cable) allows the user to increase the output level where necessary.

The URX-P41D and UWP-D27 will be available beginning in April 2022 for a suggested list price of $679.99 and $1,229.99, respectively. All UWP-D series models can be found at https://pro.sony/uwpd.

Specs

• X/Y Stereo Mic
• New Layout of Integral Controls
• Record WAVs & MP3s up to 24-Bit / 96 kHz
• Records to microSD/SDHC
• 3.5mm I/O
• Built-In Limiter and Low-Cut Filter
• High-Speed USB 2.0 Connectivity
• Works as a USB Audio Interface
• 2 AAA Batteries as power
• Available for $119 at
  • https://www.bhphotovideo.com/c/product/1381744-REG/zoom_zh1n_h1n_handy_recorder.html

Dual-channel wireless recording system compatible with the Action 2 and other devices with a 3.5mm audio or USB-C input.

Specs:

• Dual-channel wireless microphone system – record two sound sources simultaneously or use as a single channel wireless microphone
• All-new Series IV 2.4GHz digital transmission with 128-bit encryption – delivers an extended range of up to 200m (line of sight), optimised for extremely stable operation in dense RF environments
• 3.5mm analog TRS output, USB-C and iOS digital audio output – universal compatibility with cameras, mobile devices and computers
• On-board recording capability – record over 24 hours of audio direct to each transmitter as a failsafe against dropouts and other audio issues
• Ability to switch between mono or stereo recording modes – record each channel separately or combine them for ultimate flexibility in post-production
• Flexible gain control – three-stage pad, expandable to 10-stage pad
• Safety channel – records a second channel at -20dB as a backup in case the main channel distorts
• Complete control over all features and functions via the RØDE Central app
• In-built rechargeable lithium-ion batteries – up to 7 hours battery life, plus a power saver mode
• Designed and made in RØDE’s state-of-the-art manufacturing facilities in Sydney, Australia
• $299 at https://www.adorama.com/rdwigoii.html

PR

The world’s smallest and first truly wireless microphone has been reborn. Meet the RØDE Wireless GO II, a new ultra-compact and extremely versatile dual-channel wireless microphone system. Offering the same pocket-sized form factor and professional sound quality as the best-selling Wireless GO, with a host of incredible new features making it even more powerful and flexible, this is next-generation wireless audio from RØDE.

The original Wireless GO, released in 2019, revolutionised audio for content creators. With its innovative form factor, unique clip ‘n’ go versatility, and in-built microphone offering truly wireless recording for the first time, it changed the way creators captured sound for video.

The Wireless GO II offers all of these features and much more, including dual-channel recording, universal compatibility with cameras, mobile devices and computers, extended range and improved transmission stability, and on-board recording capabilities. Wireless audio has changed again.

“The original Wireless GO was a gamechanger,” says RØDE CEO Damien Wilson. “It truly revolutionised sound capture for everyone from vloggers to business professionals producing content while working from home. The form factor and feature set had never been seen before and many have attempted – and failed ­– to replicate it since.”

“The Wireless GO II is a huge leap forward in terms of useability and versatility while retaining all the elements that made the first edition such a success. It represents RØDE’s mission to innovate and continue evolving our product lines, always with creators in mind. The Wireless GO II is once again going to change the way people record audio for their content.”

UNMATCHED VERSATILITY

The Wireless GO II takes the versatility of the original to new heights. Each kit contains two transmitters and a single receiver, allowing users to capture two sound sources simultaneously – perfect for a wide range of filmmaking scenarios, from recording interviews to two-person vlogs. It can also be used as a single channel wireless microphone for recording just one sound source.

The Wireless GO II features a 3.5mm analog TRS output for plugging into cameras, plus a digital audio output via USB-C for plugging into smartphones, tablets and even computers. This universal compatibility with any device makes the Wireless GO II extremely versatile, ideal for everyone from filmmakers to YouTubers to business professionals.

Another groundbreaking feature is its on-board recording capability. The Wireless GO II can record over 24 hours of audio directly to each transmitter (without the need for an SD card), ensuring a backup recording is always available in post-production in case of transmission dropouts and other audio issues.

This feature is activated via RØDE Central, a new app that gives users access to firmware updates and advanced features for the Wireless GO II. In addition to onboard recording, these include activation of the safety channel, which records a second track at -20dB in case the main channel distorts, a fine gain control that expands the three-stage pad to a 10-stage pad, and more. The Wireless GO II is the first RØDE product to utilise RØDE Central, with the VideoMic NTG, AI-1 and others to be integrated in future.

Other key features of the Wireless GO II include the ability to switch between mono and stereo modes, allowing users to record each transmitter separately or combine the two for ultimate flexibility in post-production, a mute button, in-built rechargeable lithium-ion batteries that last up to 7 hours, and more.

No other wireless microphone system packs in such an incredible range of features, making the Wireless GO II one of the most versatile microphones on the market.

ULTRA-COMPACT WIRELESS AUDIO

The Wireless GO II offers the same pocket-sized form factor as the original. The receiver weighs just 32g and the transmitters weigh just 31g, with each measuring less than a matchbox, taking up virtually no space in a camera kit bag, backpack, handbag or briefcase.

The transmitters and receiver feature the same unique clip design as the original, which make them incredibly easy to clip onto talent and mount onto a DSLR or mirrorless camera, mobile camera rig, boom pole or cold shoe accessory. This also means the extensive range of Wireless GO accessories work with the Wireless GO II, including the Interview GO and MagClip GO. Ultra-compact wireless audio for any recording situation.

Each Wireless GO II kit ships with a flat TRS memory cable for plugging into cameras and three USB-C to USB-A cables for connecting to computers for charging and recording (additional RØDE cables or adaptors are required for connecting to mobile devices and computers with USB-C inputs). There is also a handy carry pouch for keeping the kit tidy and secure.

PROFESSIONAL SOUND. SEAMLESS CONNECTIVITY

The Wireless GO II has been designed to deliver professional sound while being incredibly simple to use. Out of the box, the two transmitters come auto paired to the receiver and will remember which channel they’ve been assigned to in future, ensuring a seamless setup process every time.

The system utilises RØDE’s all-new Series IV 2.4GHz digital transmission with 128-bit encryption, which delivers an extended range of up to 200m (line of sight) and is optimised for operation in areas with a high level of RF activity, including dense urban environments, shopping malls, universities, convention centres and offices. The internal antenna has been redesigned to ensure an extremely stable connection, and with on-board recording providing a backup of all audio, users never have to worry about dropouts again.

Each transmitter features a high-quality in-built omnidirectional condenser capsule for completely wireless recording, plus a 3.5mm TRS input for plugging in a lavalier microphone, such as the RØDE Lavalier GO.

The Wireless GO II also comes with three furry windshields, which incorporate an innovative new twist-to-lock design for recording in windy conditions, ensuring crystal-clear, professional sound in any situation.

Specs

• 2.4GHz wireless transmission technology
• Compatible with cameras, mobile devices and more
• Clip-on transmitter with built-in Omnidirectional microphone
• Dual-channel receiver with 3.5mm output
• High resolution and easy-to-use LCD display
• Auto brightness adjustment & auto gain control
• Low cut filter (160Hz/120Hz/80Hz)
• 3.5mm headphone jack for real-time monitoring
• Built-in rechargeable battery provides up to 6-hour runtime
• Selectable mono and stereo output
• Operating range of up to 200m
• https://aliexpress.com/item/1005003795617268.html
• Product page - https://www.saramonic.com/product/blink900-b2/

Specs

• Light and compact audio recorder
• 32-Bit Float recording for full dynamic range and clip free recording
• No gain adjustment necessary
• Records 44.1kHz/32-bit float or 48kHz/32-bit float audio files
• Rec Hold function to avoid accidental operation of buttons
• 1/8" Mic In mini phone jack with Plug-in power (2.5V) 
• Stereo ⅛" Phone/Line Output jack with dedicated volume control
• 80 Hz low cut filter
• High precision internal clock (±0.5ppm) to avoid audio and video syncing issues
• Wireless timecode synchronization (F2-BT model only)*
• Records directly to micro SD and SDHC cards up to 512 GB
• USB-C for connection to F2 Editor for settings
• Built-in Bluetooth for connection to the F2 Control app for settings adjustment and remote transport control (F2-BT model only)
• Runs on only 2 standard AAA alkaline, Lithium, or NiMH rechargeable batteries, or AC adapter (AD-17)
• Up to 15 hours of operation (14 hours on the F2-BT) with two AAA alkaline batteries
• $149 without Bluetooth
  • https://www.bhphotovideo.com/c/product/1603895-REG/zoom_zf2_f2_ultracompact_2_input.html
• $199 with Bluetooth
  • https://www.bhphotovideo.com/c/product/1603896-REG/zoom_zf2bt_f2_bt_ultracompact_bluetooth_enabled_portable.html

Specs

• Dual-channel stereo receiver for cameras and mobile devices
• Portable charging case for the transmitter and receiver
• Vivid OLED display on both transmitter and receiver
• Selectable Mono/Stereo output mode
• Real time headphone monitor
• Mic input and Line input
• 8 hours battery life on one single charge
• One button easy paring
• Lavalier microphone, windscreen and deadcat included in the package
• $229 - https://www.bhphotovideo.com/c/product/1596822-REG/saramonic_blink500prob1_blink_500_pro_b1.html
• $299 - https://www.bhphotovideo.com/c/product/1596823-REG/saramonic_blink500prob2_blink_500_pro_b2.html

Compared to previous Blink 500:

• 60% longer battery life
• Double the operating range
• 3-slot charging case for simultaneous fast-charging of the receiver and transmitters
• Crisp, informative OLED screens
• Separate 3.5mm main and headphone receiver outputs
• Selectable mono or stereo receiver output mode
• 3.5mm transmitter input accepts mic- or line-level signal
• Tactile transmitter mute function
• Increased signal-to-noise ratio
• Elevated sensitivity for the transmitter’s built-in microphone
• Furry windscreens for transmitters, ideal for outdoor use

Specs

• Ultracompact, lightweight 2-person wireless system for vlogging, interviews, and video production
• Works with smartphones, cameras, and audio recorders with 3.5mm input jack
• Digital frequency-hopping wireless transmission in the 2.4 GHz spectrum
• 164' maximum range
• 2 clip-on transmitters with built-in omnidirectional microphones and wind caps
• 2 lavalier mics included for low-profile visual work
• Mute buttons on transmitter
• Dual-channel receiver clips to camera shoe
• 6 hours of operating time on built-in rechargeable batteries
• TFT displays on components show important information including battery life, levels, mute status, and more
• Includes USB charging cables
• Convenient charging case included for transport and storage
• The ML-H Handheld Adapter (available separately) is a convenient grip and foam windscreen that adapts the clip-on transmitter for handheld use
• $199 at https://www.bhphotovideo.com/c/product/1646679-REG/godox_movelink_m2_movelink_m1_camera_mount_wireless.html

Specs

• Built-in USB audio interface with eight inputs and two outputs
  • Included microphones can be used as USB audio source
  • Input signals received via USB can be recorded to SD card
• Phantom power (24 V / 48 V) can be set for each mic input individually
• Input channels 6 channels maximum
• Recording tracks 8 tracks maximum (6 tracks, stereo mix)
• Runtime - 10 to 18 hours (without phantom power)
• Runtime - 5 to 10 hours (with phantom power)
• Two detachable large-diaphragm (14.6 mm) condenser microphones
• WAV Format - 44.1k/48k/96k/192kHz, 16/24-bit, 32-bit float
• Cards supported - microSD cards (64MB - 2GB), microSDHC cards (4GB - 32GB), microSDXC cards (48GB - 512GB)
• Headphone output - 1/8" (3.5mm) Stereo Mini jack Maximum output 45mW + 45mW (THD+N 0.1% or less, into 32Ω)
• USB Type-C connectpr with ONLY USB 2.0
• Power - 4 AA batteries (Alkaline, Ni-MH or Lithium-ion) or power brick USB bus power from a computer
• 83 (W) × 205.6 (H) × 41.5 (D) mm
• 472 g (with batteries)
• $499 at https://www.bhphotovideo.com/c/product/1644741-REG/tascam_portacapture_x8_handheld_adaptive.html
• https://tascam.com/us/product/portacapture_x8/top